Dave Jensen Movies

The typical fairy-tale story is turned topsy-turvy in this made-for-television musical for the family. Rather than wait for her Prince Charming to show up, young princess Petronella sets out to rescue a prince and call him her own. Country-pop singer Sylvia stars as the princess in this Enchanted Musical Playhouse production. ~ Bernadette McCallion, All Movie Guide

And still they come? This fourth entry in the Halloween franchise focuses on Jamie Lloyd (Danielle Harris), the niece of ubiquitous masked-killer Michael Myers (George P. Wilbur). Jamie tries to lead a normal life, but she can't escape the vengeance of her "funny uncle," who once more escapes from the looney bin. The only echo of the original Halloween -- and a faint one at that -- is the casting of Donald Pleasence as Dr. Loomis, who manages to get through his "We must stop him!" scenes as if mouthing the words for the first time. Though as predictable as they come, Halloween 4 etc. is at least well acted, directed and photographed. For the record, the German version of the film had to be shorn of practically all its gore before the censors would permit a general release. ~ Hal Erickson, All Movie Guide

An obsessed government agent and a ruthless terrorist have some grudges to settle in this intense actioner. ~ Kristie Hassen, All Movie Guide

Steve Soderbergh did a 180 degree turnaround from his debut film sex, lies, and videotape with Kafka, a stark art-film fable for literature majors. Jeremy Irons plays a fictional Franz Kafka, living in Prague in 1919. By day, Kafka works in a massive, impersonal insurance company. At night, he spends his time alone writing stories about men who turn into giant cockroaches. Although quiet and solitary, he becomes a suspect in a murder investigation conducted by Inspector Grubach (Armin Mueller-Stahl) when a friend of his turns up dead. Rather than being harassed by Grubach, Kafka decides to investigate his friend's murder on his own. Kafka speaks to his dead friend's girlfriend, Gabriela (Theresa Russell) and talks with gravestone carver Bizzlebek (Jeroen Krabbe). Kafka follows the clues to the Castle, a menacing tower that casts its shadow over the city and houses files on everything. He winds his way through the cellars and tunnels of the Castle, where he encounters the evil and insidious Dr. Murnau (Ian Holm), whom he hopes holds the solution to the murder. ~ Paul Brenner, All Movie Guide

Based on a novel by William Wharton, A Midnight Clear is set in the Adriennes Forest in December of 1944. A group of American GIs, all of whom have been together a bit too long, cling to the vestiges of their peacetime interests to remain sane. None are brilliant soldiers, though Will Knot Ethan Hawke is the one who exhibits the strongest leadership qualities. Billeted at a chateau, the soldiers begin hearing strange noises emanating from a graveyard, the handiwork of a group of mischievous German soldiers. The two enemy camps draw closer to one another as Christmas approaches, due in great part to the influence of GI Vince "Mother" Wilkins Gary Sinise. A sudden, impulsive hostile act results in the wholesale -- and unnecessary -- slaughter of the German soldiers. Though the exteriors are convincingly mid-European, the film was actually lensed in Utah. ~ Hal Erickson, All Movie Guide

Steven Soderbergh, after the success of sex, lies, and videotape and the commercial failure of Kafka, pulls a rabbit out of his hat with this quiet and evocative recollection of a childhood lived in the Depression, based on A. E. Hotchner's memoir. Twelve-year-old Aaron Kurlander (Jesse Bradford) is coming of age in a rotting working class section of St. Louis in 1933. As the film begins, Aaron's family is coming apart at the seams due to the increasingly bleak economy. His father (Jeroen Krabbe) ekes out a living with a series of failed sales jobs as the family lives in the dilapidated Empire Hotel in a seamy section of town. When his younger brother (Cameron Boyd) is sent to live with relatives to save expenses, his consumptive mother (Lisa Eichhorn) goes away to a sanitarium and his father abandons him to sell watches in Iowa. At first Aaron retreats into a concocted fantasy world but he gradually becomes drawn into the shattered lives of the tenants of the hotel. Aaron sees the rotting social fabric laid bare and discovers he must temper his childhood dreams with the hard-hitting realities of adult existence. ~ Paul Brenner, All Movie Guide

Fine special effects, eclectic casting, and the freeze-frame-worthy, clothing-free debut of a blonde bombshell made this cheesy science fiction/horror hybrid a cut above its B-grade roots. At a top-secret Utah facility headed up by Dr. Xavier Fitch (Ben Kingsley), scientists have created "Sil" (Natasha Henstridge), a half-human, half-alien product of experiments with DNA codes obtained from beyond the stars. Unfortunately, Sil has escaped. Her primary objective is to mate, and, with the ability to transform herself into an incredibly powerful alien creature, puny humans can't stop her. So Dr. Fitch calls in a quartet of specialists (Forest Whitaker, Michael Madsen, Marg Helgenberger, and Alfred Molina), to attempt Sil's capture. At the same time, Sil is leaving a trail of mostly male corpses in her hormonal wake. The organic-flavored alien designs for Species were provided by H.R. Giger, the artist responsible for the memorable creatures and spaceships of Alien (1979). When MGM decided to cut the spectacular "train birth" sequence in the interest of budget-trimming, Giger personally financed this $100,000 showcase of his work. Those who look closely will notice that "Young Sil" is played by future Dawson's Creek star Michelle Williams. ~ Karl Williams, All Movie Guide

After years of making movies in the fringes of the Hollywood system after his debut success sex, lies, and videotape, director Steven Soderbergh made Schizopolis as, in his own words, an artistic "wake-up call to himself." The result is a discombobulated, irreverent, comedic meta-movie, a cinematic hall of mirrors nearly impossible to describe. Soderbergh wrote, directed, photographed, edited, and even stars in the film as Fletcher Munson, a disillusioned paper-pusher assigned to write a deliberately meaningless speech for T. Azimuth Schwitters, an L. Ron Hubbard-esque self-help guru whose new book Eventualism is a bestseller. His heart isn't in it, however, so he spends most of his time either masturbating in the employee bathroom, avoiding calls from people who want to hire him as a company spy, or listening to the paranoid delusions of his office chum, Nameless Numberhead Man. Intertwined with Munson's attempt to write glib diatribes are numerous asides and subplots. Best of all is the story of Elmo Oxygen: an orange-jumpsuit wearing bug exterminator who appears to be sleeping with several of his customers, including T. Azimuth Schwitters' wife. At one point, Elmo is coerced into leaving Schizopolis, mid-scene, to join another movie. Convoluted and playful as the movie is, there is some method to Soderbergh's madness. The various plot threads, though loosely wound to the core, do in fact lead to some understanding of the disorders, communication problems, and frustrations at the heart of contemporary life. ~ Anthony Reed, All Movie Guide

John Ritter brilliantly breaks loose from his lovable "Jack Tripper" characterization in the role of the seriously disturbed Paul Hegstrom. An abusive husband and father, not to mention a serial philanderer, Paul draws his "courage" from a whisky bottle. On one fateful evening, his violent impulses completely overwhelm him and he nearly beats his wife Judy (Harley Jane Kozak) to death. Just when it seems that Paul is utterly beyond redemption, he is put into an experimental "life skills" therapy program. Despite all evidence to the contrary, what is "unforgivable" at the beginning of the film can actually be forgiven by film's end, and the climax is astonishingly inspirational--and wholly credible, since it is based on a true story. Unforgivable made its first CBS network appearance on April 30, 1996. ~ Hal Erickson, All Movie Guide

Two young people learn a difficult lesson about the consequences of their moral choices in this drama. Greg (Austin O'Brien) and Kellie (Britt Leary) are two teenagers who are in their senior year of high school. Greg and Kellie are both bright, well mannered, good students, and active members of the Church of Latter Day Saints. Greg and Kellie are also dating, and have fallen deeply in love. Like many teenagers, Greg and Kellie are filled with a natural curiosity about sex; their religious faith and the moral structures with which they were raised have made them aware that it is best for a couple to wait for marriage, but their budding passion gets the better of them, and Greg and Kellie decide to sleep together "just once." However, that one night proves to have ramifications that could last a lifetime when Kellie discovers she's pregnant. ~ Mark Deming, All Movie Guide

Three people attempt to bend justice for their own purposes in this drama based on the best-selling novel by John Grisham. After a man dies in a shooting incident, his wife files a lawsuit against the company that manufactured the gun, with her lawyer, Wendell Rohr (Dustin Hoffman), arguing that the firm in question knew the shop which sold the weapon was not following federal regulations pertaining to the sale of firearms. As the case goes to trial, the firearm manufacturer is taking no chances on the outcome of a potentially devastating case, and they hire as part of their legal team Rankin Fitch (Gene Hackman), a "jury consultant" who makes it his business to see that he knows enough about the jurors to be able to guarantee the result of the trial. Fitch and his team have learned incriminating secrets about nearly everyone hearing the evidence, but Fitch discovers two factors he wasn't counting upon -- Nick Easter (John Cusack), the jury member who appears to have an agenda all his own, and Marlee (Rachel Weisz), a mysterious woman who has her own plans regarding bending the jury to her will. Bruce Davison, Jeremy Piven, and Bruce McGill round out the supporting cast. Incidentally, in John Grisham's original book, the case was filed against a cigarette manufacturer, but the producers opted to adjust the story after several real-life trials against tobacco companies. ~ Mark Deming, All Movie Guide

Less lurid than its title suggests, this made-for-TV movie was based on the true story of the trials and tribulations of three generations of New Orleans prostitutes. Ellen Burstyn stars as Tommie, matriarch of the "working girl" family which operates out of a brothel in an otherwise quiet, respectable neighborhood. Tommie is the domineering boss of her daughter Jeanette (Annabella Sciorra)), who had followed in mom's footsteps (so to speak) because she had no alternative. Conversely, Jeannette's daughter Monica (Dominique Swain) is showing signs of rebellion, hoping to break free from her grandmother's grasp for the sake of her own daughter Navaeh. The family's internal squabbles are played against a backdrop of federal intrigue, as the FBI works overtime to nail Tommie and her family on charges of racketeering and drug trafficking. But just when it looks like the jig is up thanks to the testimony of a local doctor, Tommie saves herself by threatening to reveal a few unsavory secrets about a few highly placed male individuals. The real-life Jeannette Maier acted as the film's technical advisor, insisting in press releases that she and her mother ran a "clean, tight, business" and that the FBI's charges were so much applesauce (it is clear where the filmmakers' sympathies lie in those scenes wherein the Feds are shown wiretapping the ladies' business when they should be concentrating on capturing the terrorist perpetrators of 9/11). The Madam's Family debuted October 31, 2004 on CBS. ~ Hal Erickson, All Movie Guide

Bobby Long (John Travolta) is a washed up former literature professor with a voracious drinking habit. He lives in a rundown house in New Orleans with Lawson Pines (Gabriel Macht of The Recruit), his former star pupil, also an alcoholic. Lawson is allegedly writing a novel about Bobby. Their depressive little corner of the world is disrupted when Lorraine, the beloved eccentric singer who owns their house, dies. Her teenage daughter, Pursy (Scarlett Johansson), who hasn't seen her mother in years, arrives in town too late for the funeral, and crashes at the house. Afraid of being thrown out on the street, Bobby convinces Lawson to tell Pursy that the house has been left to all three of them. Pursy, having little else to do, decides to move in, and starts cleaning up the place, making it her own. Lawson is involved with Georgianna (Deborah Kara Unger), who works at the local bar, but he quickly develops a crush on the comely Pursy. The cantankerous Bobby seems determined to drive the girl away. As Pursy settles into the diverse little community, all of Lorraine's old friends tell her how much she looks like her mother, and she begins to uncover some startling truths about her family history. A Love Song for Bobby Long is based on the novel Off Magazine Street, by Ronald Everett Capps. It was adapted for the screen and directed by Shainee Gabel, who co-directed the documentary Anthem. ~ Josh Ralske, All Movie Guide