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Art Stolnitz Movies

1977  
 
This family adventure chronicles the adventures and exploits of George Clark (Denver Pyle), one of the early naturalists. Clark was a friend and peer of John Muir, the man whose writings did so much to encourage the development of the national park system in the U.S. The two men attempt to save Yosemite Valley in California from the lumbermen and managed to get Abraham Lincoln to sign a piece of national legislation which would do just that. ~ Clarke Fountain, Rovi

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Starring:
Denver PyleJohn Dehner, (more)
 
1976  
 
Unlike the 1935 film version of Jack London's 1897 novel Call of the Wild, which devoted most of its running time to a romance between Clark Gable and Loretta Young, this 1976 TV-movie version wisely remains faithful to the source. The star is a magnificent dog--part St. Bernard, part German shepherd--which is kidnapped from its home in California and spirited away to the Yukon. The dog is sold to two greenhorn prospectors (John Beck and Bernard Fresson) who name the animal "Buck". Though faithful to his new masters, Buck shows inclinations of succumbing to the "call of the wild" and running off into the woods at any moment. James (Deliverance) Dickey adapted the London novel for this TV version, which was filmed in the Sierra Madres and the Grand Tetons. Call of the Wild premiered on May 22, 1976. ~ Hal Erickson, Rovi

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1975  
 
Most TV movies about obscene phone callers concentrate on the reactions of the victims--and the subsequent dangers they're exposed to. The Secret Night Caller takes a different tack, telling its story from the point of view of the caller. What makes the film doubly disturbing is that the dirty-mouthed phoner is played by Brady Bunch star and TV icon Robert Reed. Reed portrays an IRS agent (and seemingly contented family man) who is overtaken by his compulsion to phone strangers and whisper profanities. Even worse, Reed's access to tax-office records enables him to ring up people all over the country. The drama concentrates on Reed's mounting realization that he has to stop himself before someone else does. Though seedy and manipulative at times, The Secret Night Caller is elevated by the multifaceted performance of Robert Reed. ~ Hal Erickson, Rovi

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1975  
 
Given the title Foster and Laurie and the added fact that the protagonists are two cops, one might deduce that this TV movie was the pilot for a potential series. Not this time: The two leading characters are killed almost before the opening credits fade! In flashback, the film traces the law-enforcement careers of African American Gregory Foster (Dorian Harewood) and Italian American Rocco Laurie (Perry King). Friends as well as partners, Foster and Laurie endeavor to improve community relations in their crime-ridden Lower East Side precinct--which results in their being murdered by three militant extremists, who hope to intimidate the rest of the force (at the time the film was made, this motivation for the crime was still pure speculation). The killings have the opposite effect, as the rest of department rallies against its enemies, inspired by the memory of their fallen comrades. Foster and Laurie was based on the book by Al Silverman. ~ Hal Erickson, Rovi

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1974  
PG  
This speculative horror film details the tribulations endured by a specially-selected test group of 11 people who are informed that they will be the only occupants of a nuclear fallout shelter built half a mile below the Earth's surface. Chosen by project coordinator Peter Macomber (Bradford Dillman) as a fair cross-section of humanity, the group includes a politician, a businessman, an athlete and an author. As it turns out, the "survivors" are unwitting participants in one of those contrived psychological experiments featured so often on programs like The Twilight Zone. To make matters worse, someone's left a vent open, releasing thousands of ravenous vampire bats. Produced in Mexico, this tepid psycho-thriller plays out like the aforementioned TV drama, albeit padded out to 100 minutes. Said padding seems comprised of equal parts dull dialogue and interminable battles with the winged foes -- which are admittedly quite realistic and make for some genuine creep-out scenes. ~ Cavett Binion, Rovi

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1973  
R  
Vault of Horror is the first sequel to 1972's horror hit Tales from the Crypt. It is also known as Tales from the Crypt, Part II. It continues it's predecessor's popular formula of using established stars in five witty short horror episodes. The first, "Midnight Mass," shows that having a vampire for a relative can be upsetting, to say the least. In "The Neat Job" a nagging neat-freak is neatly nullified. In "This Trick'll Kill You," a colonial overlord learns that it's not safe to steal magic tricks from natives. "Bargain in Death" exposes the greed of two insurance swindlers, and "Drawn and Quartered" takes "The Picture of Dorian Grey" one better. Among the stars appearing in these episodes are Terry-Thomas, Glynnis Johns, Curt Jurgens, Denholm Elliott and Tom Baker. ~ Clarke Fountain, Rovi

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1972  
PG  
The phenomenon of Tales from the Crypt seems to have no endings, only changes. This successful pun-filled style of presenting ironic horror tales had its beginnings in William Gaine's E.C. comic series. At one time, outlandish E.C. Comics were at the heart of a national furor over the "evils" of comic books, which were thought to lead to moral degeneracy. The big comic-book publishers were frightened into freezing E.C. out of their distribution network, which killed the business. This British movie was based on the Tales from the Crypt series, which spawned several subsequent movies (and many imitators), at least one television series, and a whole new wave of comic books. Released in 1972, this movie has five episodes based on Gaines' stories, each introduced by Sir Ralph Richardson as the eerily cheery Crypt Keeper. His comedic approach to the role was misunderstood at the time, as reviewers expected a more solemn approach to horror. In "All Through the House," Santa Claus is someone to avoid. In "Reflection of Death" it takes some people a while to realize the truth about themselves. In "Poetic Justice" death cannot prevent one man's revenge. The episode "Blind Alley" demonstrates a new use for razor blades. "Wish You Were Here" cautions against taking native artifacts lightly (among other things). Among the stars featured are Peter Cushing, Joan Collins and Patrick Magee. ~ Clarke Fountain, Rovi

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1971  
 
Thief is a made-for-TV drama starring Richard Crenna as a paroled burglar. Crenna wants to turn over a new leaf and lead an honest life. To do this, however, he has to pull one last major heist which will square all his accrued debts. The focal point of this film is a near-silent cat burglar sequence, which is good enough to make up for the patchy character development and by-rote dialogue. The Thief also includes an early TV appearance by veteran character actor Michael Lerner. ~ Hal Erickson, Rovi

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