Dominique Jennings Movies

A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money in this action-comedy. Writer-director Keenan Ivory Wayans also stars as Los Angeles private eye Arthur Shame, a former cop whose troubled past resurfaces when a one-time colleague asks for help in a narcotic case. During the course of his investigation, he encounters various old connections, ultimately confronting the criminal responsible for Shame's expulsion from the force. He must also deal with two women, Angela, a beautiful old flame (Salli Richardson), and Peaches (Jada Pinkett), his energetic but annoying sidekick. Unlike Wayans' blaxploitation parody I'm Gonna Get You Sucka, A Low Down Dirty Shame sticks more closely to genre conventions, lightening the action with wisecracks and standard comic interludes. ~ Judd Blaise, Rovi

Successful LA marketing analyst Michael Boll (James Spader) seemingly has it all-except a sense of self-confidence. Enigmatic drifter Alex (Rob Lowe) enters Michael's life and immediately begins to exert a negative influence. As Michael's self-esteem zooms (aided by generous dollops of sex and drugs) he allows himself to be dragooned into a life of crime by the demonic Alex. The "doppelganger" aspects of Bad Influence, and the film's many unexpected twists and turns, echo films of Alfred Hitchcock, especially Strangers on a Train. The film's boldest stroke is to cast the likeable Lowe as the bad guy (albeit a charming one) and the often villainous Spader as the malleable milquetoast. ~ Hal Erickson, Rovi

Director David Fincher's dark, stylish thriller ranks as one of the decade's most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset's worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset's retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset's last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981). ~ Robert Firsching, Rovi

While still recuperating from his shooting, Will (Will Smith) impulsively proposes to Lisa (Nia Long). So rattled is Lisa that she automatically refuses--then spends the rest of the episode wondering if she's done the right thing. Meanwhile, Will may never totally recover from his wound thanks to the bumbling "helpfulness" of an unusually accident-prone Hilary (Karyn Parsons). ~ Hal Erickson, Rovi