Megs Jenkins Movies

Eminent British actor John Mills went the sitcom route in the ITV network's Young at Heart. Mills was cast as Albert Collyer, a pottery worker forced into retirement after 50 years at the same job. With no hobbies or outside interests (save for quaffing a few at the local pub), Albert shambled around his house in search of ways to occupy his time. Meanwhile, his wife Ethel (Megs Jenkin) was almost saintlike in her efforts to put up with her constantly underfoot husband. In addition to his acting chores, John Mills could be heard singing the series' familiar theme song. Introduced with a pilot episode on August 4, 1977, Young at Heart was seen from April 14, 1980 to July 2, 1981 on the ITV's ATV channel, then was broadcast by the network's Central Television division from September 24 to November 5, 1982, bringing the total number of episodes to 19. ~ Hal Erickson, Rovi

This lackluster 1970 version of Charles Dickens' classic novel, David Copperfield (made as a film twice before) turns Dickens' picaresque tale into an extended flashback, with David Copperfield (Robin Phillips) as a young man, brooding on a deserted beach, recalling his youth. The characters are all trotted out in choppy flashbacks as David remembers his life as a young orphan, brought to London and passed around from relatives, to guardians, to boarding school. ~ Paul Brenner, Rovi

Nicki (Madeline Hinde) is a troubled teenage girl who feels guilty about her father's death. Her mother Anne (Renee Asherson) is a lonely woman who falls for opportunistic loafer Harry (Patrick Mower). When Harry tries to rape Nicki, she stabs him with a pair of scissors. Nicki is sent to a home for wayward girls where she becomes even more withdrawn. She is seduced by a lesbian and the two manage to escape the facility. They take temporary refuge with an old boyfriend and remain wanted criminals in this routine melodrama. ~ Dan Pavlides, Rovi

Cop-Out is a distressingly "mod" remake of the 1941 French film Strangers in the House. Taking over the role originally played by Raimu, James Mason stars as a retired, scotch-swilling attorney residing in France. Mason disapproves of his daughter's (Geraldine Chaplin) new boy friend (Bobby Darin), but rises to the young man's defense in court when the boy is arrested on a suspicious murder charge. The casting of Chaplin and Darin was meant to "reach" the youth market, but both are way too old for their characters. Cop-Out would have worked better (especially with audiences of the 1990s) without its trendy camerawork and wearisome generation-gap propaganda. ~ Hal Erickson, Rovi

Based on the mystery novel by Marryam Modell (using the pseudonym Evelyn Piper), Bunny Lake Is Missing is a bizarre study in motherhood, kindness, enigma, and insanity. Ann Lake (Carol Lynley), an American freshly relocated to England, wishes to drop off her daughter Bunny for the girl's first day at a new nursery school. Oddly, Ann cannot locate any teachers or administrators, only the school's disgruntled cook (Lucie Mannheim). She is forced to leave Bunny unsupervised in the building's "first day" room, under the reassurance that the cook will be responsible for the child. When Ann returns in the afternoon, the cook has quit and Bunny Lake is missing. The school's remaining employees vehemently deny ever seeing the child, and Ann desperately calls her older brother Stephen (Keir Dullea) for help. Ann was raised fatherless and never married; she and Bunny have lived under Stephen's care and protection for the majority of both their lives. Stephen is enraged by the irresponsibility of the staff, but as Scotland Yard begins its investigation, it comes to light that he had never officially enrolled a child at the school. When Police Superintendent Newhouse (Laurence Olivier) begins to unravel the Lakes' lives and search their belongings, he discovers that not only did Ann once have an imaginary childhood daughter named "Bunny," but that the young Bunny seemed to have no tangible possessions at the Lake apartment. Bunny Lake (whom we have yet to see onscreen) may not be missing: she may not even be real. Terrified that Newhouse will now abandon the search for the girl, the hysterical Ann sets out to prove her sanity and, in the process, surprisingly uncovers the true psychosis behind the disappearance of her little Bunny Lake. ~ Aubry Anne D'Arminio, Rovi

A lonely barber invents an imaginary family for the benefit of his customers. He tells them he is married with two children, but in reality spends his time playing chess with another lonely friend. Barber Figg (John Bennett) believes his marriage proposal to a young widow with two children will cure his isolation. After spending time with the woman, he decides being alone isn't really all that bad under the circumstances. ~ Dan Pavlides, Rovi

Religion and medical ethics clash in this provocative drama that tells the story of a man prosecuted by the system because he refused to grant his dying daughter badly needed blood transfusions because he had faith that God would miraculously heal her. Unfortunately, the girl dies and now, in addition to dealing with the courts, angry doctors and an embittered wife (who had finally caved-in and signed the papers too late), he must also wrestle with his own conflicting feelings. ~ Tana Hobart, Rovi

In this fast-paced actioner, an aging race-car driver finds that he is losing his competitive edge. He tries racing under the sponsorship of an American tire company. He soon falls in love with the sponsor's daughter who pleads with him to stop driving. Adding more pressure to the man's life is his younger brother who swore to his mother that he would not drive until his older brother retires. The older brother still wants to prove himself, and so enters a 1,000-mile Italian race. When his mechanic-navigator is killed, the aging driver quits and the younger brother finally gets to drive. ~ Sandra Brennan, Rovi

Lilli Palmer stars as a nun in a World War 2-era Italian convent. At the risk of her own life and those of her cloistered colleagues, Palmer hides a group of Jewish orphans from the Nazis. She then attempts to shepherd the kids to the safety of foster homes. Danger looms in the form of Nazi colonel Albert Lieven, who isn't quite as sympathetic as the nuns. Costar Sylvia Syms has some of the film's best scenes. There's little in Conspiracy of Hearts that we haven't seen before, but the actors manage to inject humor, warmth and pathos into the all-too-familiar proceedings. ~ Hal Erickson, Rovi

In this airborne disaster movie, a has-been brilliant scientist plants a bomb on a transatlantic jet to exact revenge upon a passenger whom he blames for his daughter's death -- she died during a plane crash. When the booby-trap is discovered and the passengers learn the motive for the scientists' actions, one of the passengers attempts to kill the man the scientist blames. A fight erupts and a window is shattered. The helpful passenger is sucked right out of the plane. Only when the scientist spies a child resembling his own lost daughter does he regain his humanity and disarm the bomb. ~ Sandra Brennan, Rovi

Adapted by Norman Krasna from his play Kind Sir, Indiscreet stars Ingrid Bergman as a wealthy actress and Cary Grant as an international financial wizard. While Grant is visiting London, Bergman's sister Phyllis Calvert and brother-in-law Cecil Parker introduce Grant to Bergman. Because he feels he has no time for marriage, Grant pretends to be married to avoid romantic tangles. Bergman, however, finds the prospect of an affair with a married man to be quite exhilarating. When she discovers the truth, Bergman gets even with the now-smitten Grant by faking a romance with an ex-boy friend--ordering luckless chauffeur David Kossoff to pose as her beau. A comedy by grownups, about grownups and for grownups (at least by 1958 standards), Indiscreet proved to be far more successful as a film than as a stage play. ~ Hal Erickson, Rovi

Story of Esther Costello is the cinematic equivalent of eating a whole box of potato chips; you may hate yourself, but you'll relish every bite in the meantime. Joan Crawford plays a well-meaning woman who throws herself whole-hog into every charitable cause that comes down the pike. She is married to Rossano Brazzi, who is as greedy as Crawford is generous. Crawford rescues blind deaf-mute Heather Sears from her squalid surroundings, leading to her creation of a charity campaign on behalf of handicapped children, with Sears as "poster child." Brazzi, in league with crooked promoter Ron Randell, seizes upon this as a means to line his own pocket--and one night, he decides to assert his manhood with the helpless Sears. The shock of this assault causes the girl to instantly regain her sight and hearing! Crawford reacts to her husband's outrage by driving her car into a tree, snuffing out Brazzi's life as well as her own. Sears--or Esther Costello, for she is indeed the title character--finds happiness with an honest young reporter (Lee Patterson). Set in America and released by an American company (Columbia), Story of Esther Costello was nonetheless filmed in its entirety in England. ~ Hal Erickson, Rovi