Butch Jenkins Movies

In this funny tale of deception and romantic fireworks, a rather prissy New England school marm finally gets a chance to achieve her dream and become a commercial artist when she is hired to illustrate the beloved "Uncle Bump's" latest children's book. She adores Bump's earlier works and is anxious to meet this gentle fellow in New York. Imagine her shock to discover that Bump is actually a boozy, cynical, young man who despises all children. Appalled, she decides to expose him as a fraud. The author's publisher nearly goes bazinga when he thinks of all the money to be lost and so tells the teacher a whopper about how the writer became bitter after his wife died and left him with a troublesome son. This melts the teacher's heart and she decides to help out. But first she wants to speak to the boy. In desperation, the publisher pays a tough, wiseacre urchin to impersonate the nonexistent son. This tough little cookie helps to bring the two opponents closer and love blooms until she learns the truth. Broken-hearted and angry, the teacher returns to New England to marry an old beau. Fortunately, the cagey orphan, who has come to love them both, has a few aces up his sleeve and insures that the two are reunited. A happy family is born and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide

Summer Holiday is a musical remake of the 1935 MGM comedy-drama Ah, Wilderness!, which in turn was adapted from the play by Eugene O'Neill. Mickey Rooney (who played a supporting role in the 1935 film) stars as O'Neill's alter ego Richard Miller, a young man coming of age in early 20th century New England. Anxious to live life to the fullest, Richard ignores the cautionary admonitions of his father Nat (Walter Huston), preferring instead to follow the example of Uncle Sid (Frank Morgan), the family's "black sheep". In his ongoing quest for wine, women and song (he gets precious little of the first two commodities, but plenty of the third!) Richard ignores the fact that the true love of his life, sweet young Muriel (Gloria De Haven), has been under his nose all along. Director Rouben Mamoulien's obsession with cinematic innovations is largely absent here; what emerges is a staid, conventional MGM musical, albeit gorgeously photographed in Technicolor by Charles Schoenbaum. Filmed in 1946 but not released until 1948, Summer Holiday would not be the last musicalized version of Ah, Wilderness!; that honor went to the 1959 Broadway musical Take Me Along, which starred Jackie Gleason as Uncle Sid. ~ Hal Erickson, All Movie Guide

In later years, director Fred Zinneman seldom referred to My Brother Talks to Horses as one of his career highpoints. Even so, this leisurely period comedy has its moments, most of them delivered by precocious Jackie "Butch" Jenkins as the title character. Living with his family in Baltimore, 9-year-old Lewie Penrose (Jenkins) claims that he can converse with horses-and also pick the winners of upcoming races. When it appears as though Lewie is telling the truth, he attracts the interest of gambler Rich Roeder (Charles Ruggles), who needs a "sure thing" in the upcoming Preakness. Meanwhile, Lewie's older brother John (Peter Lawford) carries on a romance with the lovely Martha (Beverly Tyler). An unexpected tragedy slows down the film in the home stretch, but otherwise My Brother Talks to Horses is a pleasant second-echelon MGM production. ~ Hal Erickson, All Movie Guide

An earnest rural melodrama set among Norwegian immigrants in Wisconsin, Our Vines Have Tender Grapes is a slightly updated version of George Victor Martin's 1940 novel. Edward G. Robinson stars as Martinius Jacobson, a farmer devoted to his wife Bruna (Agnes Moorehead) and precocious seven-year-old daughter Selma (Margaret O'Brien), whom he lovingly calls "Jente Mi." Along with her freckle-faced five-year-old cousin, Arnold (Jackie "Butch" Jenkins), Selma lives a carefree, joyous life, which is only temporarily clouded by the sudden death of Ingeborg Jensen (Dorothy Morris), an emotionally disturbed young women whose stern father (Charles Middleton) had refused to let her attend school despite the pleas of newly arrived schoolmarm Viola Johnson (Frances Gifford). The latter is quietly falling in love with Nels Halvorson (James Craig), the town newspaper editor, but cannot envision herself as a rural wife. She changes her mind when, inspired by young Selma, the entire town of Fuller Junction come to the aid of Bjorn Bjornson (Morris Carnovsky), who has lost his livestock when lightning struck a newly erected barn. When Selma generously donates her pet calf to the impoverished farmer, the townspeople in general, and Martinius in particular, follow suit, prompting Viola to reconsider her harsh views of country life and retract her letter of resignation to the school board. ~ Hans J. Wollstein, All Movie Guide

Director King Vidor intended An American Romance as the third entry in his "War, Wheat and Steel" trilogy (the War had been covered in The Big Parade, while Wheat was dispensed with in Our Daily Bread). Two years in production, the film cost nearly $3 million-little of which actually shows up on screen due to heavy post-production editing and rearranging of scenes. Brian Donlevy stars as immigrant laborer Steve Dangon, who becomes convinced early on that the only way he'll get anywhere in life is to accumulate huge sums of money. He takes a job in a midwestern steel mill, calculatedly working his way up the ladder from foreman to owner of an auto manufacturing firm. Though he regards himself as a "man of the people", Dangon resists the efforts of his workers to form a union.--even when his son Teddy (Horace McNally) is won over to the workers' point of view. A bitter three-month strike forces Dangon's board of directors to give in to the workers' wishes Disillusioned, Dangon retires from his business, but returns to work determined to switch over to the manufacture of airplanes when WW2 creates a demand for defense products. The "documentary" aspects of the story are far more compelling that the dramatic passages, with Donlevy's performance vacillating from strong to so-so. Minus any real star names (the leading lady is MGM contractee Ann Richards, a graduate of short subjects), An American Romance flopped at the box office, and Vidor in later years tended to dismiss the film as a misfire, severly damaged by studio tampering. The currently available 121-minute version stands up reasonably well, leading one to wonder if the film was not actually improved by MGM's insistence (over Vidor's protests) upon removing 30 minutes from the running time. ~ Hal Erickson, All Movie Guide