Allan Jeayes Movies

The Reluctant Widow in this muted British comedy is young 19th-century governess Elinor, played by Jean Kent. Inadvertently inheriting a vast estate, Elinor is bedeviled by both British turncoats and French espionage agents, who hide out in the mansion while preparing to steal Lord Wellington's battle plans for Waterloo. One of the British traitors is played by Julian Dallas, who as "Scott Forbes" would later star on TV's Jim Bowie. For reasons unknown, the film was heavily re-edited and restructured before its general release, making certain portions of the storyline incomprehensible. Through it all, however, Jean Kent maintains her dignity and charm as she quietly outwits the many villains. ~ Hal Erickson, All Movie Guide

Blacklisted in Hollywood, director Edward Dmytryk managed to find work in England. Dmytryk's Obsession is based on Alec Coppel's suspense play A Man About a Dog. Robert Newton stars as Dr. Clive Riordan, the insanely jealous husband of unfaithful Storm Riordan (Sally Gray). Aware that Storm is having a torrid affair with an American named Bill Kronin (Phil Brown), Riordan kidnaps the man and chains him up in a deserted building, intending to kill him with an acid bath. The wife's dog, however, turns up at the last minute and spoils his plot. Obsession was released in the U.S. as The Hidden Room. ~ Hal Erickson, All Movie Guide

This lush 18th century period romance, based on historical fact, was the first color film from Britain's famed Ealing Studios, but it proved to be such a box office disappointment that Ealing never attempted such a lavish costume drama again. Sophie Dorothea (Joan Greenwood) is a young woman forced into a loveless marriage with Prince George Louis of Hanover (Peter Bull). George Louis is later crowned King George I of England. Despairing of ever experiencing true love, the depressed queen finds life at court no solace. Sophie then falls for a dashing Swedish soldier of fortune, Count Konigsmark (Stewart Granger). The feeling is mutual, and an affair begins, the couple carefully plotting to flee England to begin a new life together. Disaster strikes when they are overheard by Countess Platen (Flora Robson), a jealous former lover of Konigsmark's who takes her information to the king. Adapted from the Helen Simpson novel, Saraband for Dead Lovers (1948) was an early film for writer Alexander Mackendrick, who would later direct the classic Sweet Smell of Success (1957). ~ Karl Williams, All Movie Guide

Previously costarred in The Trojan Brothers, David Farrar and Patricia Burke were reteamed in the British musical The Lisbon Story. Though the film ostensibly concerns the wartime exploits of a Gallic chanteuse (Burke) and a British spy (Farrar), the film's main selling angle was international popular operatic tenor Richard Tauber. Peripherally involved in the storyline, Tauber steals the show with his spirited musical renditions. The fact that the villains in the film are Nazis must have gratified Tauber, who would have faced extinction at the hands of the Gestapo had he remained in his native Germany. Sadly, The Lisbon Story proved to be Tauber's final screen appearance; he died two years later. ~ Hal Erickson, All Movie Guide

A couple's wartime separation provides an unexpected tonic for their romance in this drama. Robert and Catherine Wilson (Robert Donat and Deborah Kerr) are a married couple whose relationship has hit a dry patch; neither of them have much enthusiasm for each other, and when Robert is drafted into the Royal Navy during the war, they almost welcome the separation. Life in the Navy gives Robert a more easygoing outlook on life, especially after he has a brief fling with Elena (Anne Todd), a nurse who recently lost her husband. On the home front, Catherine makes friends with Dizzy (Glynis Johns), a free spirit who encourages her to smoke, wear makeup, and enjoy a dalliance of her own with a man named Richard (Roland Culver). After the end of the war, Robert and Catherine both dread their reunion, but each find that they're pleasantly surprised with the changes that time has brought to their mate. Perfect Strangers was also released under the highly appropriate title Vacation from Marriage. ~ Mark Deming, All Movie Guide

The Shipbuilders is a rare film of true merit from prolific British "quota quickie" director John Baxter. Clive Brook heads the cast as the owner of a shipbuilding firm, presently dedicated to the War effort. Though naturally concerned that his business will flag once the war is over, it is shown that Brook has nothing to worry about, so long as diligent, patriotic men like riveter Morland Graham are on his payroll. The film's message is clear: While it's important to think of one's service to the present National Crisis, it is equally important to take the Future into consideration. Actual footage shipbuilders at work give this hastily assembled patriotic exercise a veneer of reality. ~ Hal Erickson, All Movie Guide

You Will Remember is based on the life of popular English composer Leslie Stuart (born Thomas Barrett in 1864), here played by Robert Morley. The film traces Stuart's rise to fame after the publication of his first song, follows him through his glory days in the early 1900s, then recounts his fall from grace and his comeback in the British music halls of the 1920s, shortly before his death. In true Hollywood "inventory" fashion, Stuart's hit tunes are duly cataloged and performed, including "Tell Me Pretty Maiden", "Floradora", "Sue", "Lily of Laguna" and "Dolly Daydream". Emlyn Williams fills the standard "best friend-severest critic" slot as Stuart's longtime associate Bob Slater, while Tom Finglass portrays tenor Eugene Stratton, who rose to popularity through his heartfelt performances of Stuart's melodies. Jack Raymond's perfunctory direction does not alway do full justice to his subject. ~ Hal Erickson, All Movie Guide

In this thriller, a corrupt talent agent's illegal actions are discovered by his partner. To silence him, the agent kills the partner. Unfortunately, the killing is witnessed by a young woman. Now the agent is after her. He makes one attempt but fails. Fortunately for him, the encounter rendered her an amnesiac. She is sent to her home to recover. The agent follows and decides to try again before her memory returns. Fortunately, a detective and his clever wife take the case and stop him before it is too late. ~ Sandra Brennan, All Movie Guide

In ancient Bagdad, the young prince Ahmad (John Justin) is betrayed, deposed, and imprisoned by his vizier Jaffar (Conrad Veidt), an evil and calculating man who is also a master of the Black Arts. But Ahmad is saved from prison, and certain execution, by Abu (Sabu), a young thief who has made his way in life by stealing whatever he needs. Together they escape from Bagdad and make their way to the port city of Basra, where they hope to sign to sail with the renowned sailor Sinbad. But Ahmad chances to catch a glimpse of the daughter (June Duprez) of the Sultan (Miles Malleson, who also co-wrote the screenplay), and falls hopelessly in love with her. Sneaking into the garden where she spends most of her days, she meets him and the two are bound together forever in that moment, he the first man she has ever seen, and she the most beautiful woman he has ever beheld. But no sooner have they declared their love for each other then Jaffar arrives in Basra, seeking the princess' hand in marriage -- and to secure the blessing of her father, a fanatical collector of toys, he offers the aging Sultan a fantastic mechanical flying horse that bears him into the clouds at will. The sultan agrees to the marriage, but the princess flees the city. Abu and Ahmad are captured and before either can tell the sultan of their plight, Jaffar works his magic, leaving Ahmad blind and transforming Abu into a dog -- conditions that will remain until he holds the princess in his arms.
Everything in the movie up to this point has been told in flashback, by Ahmad, as he is lured to the palace of his enemy. Jaffar has captured the princess, but she has fallen into a deep sleep that will not end -- so his doctors assure him -- until she is reunited with Ahmad. He achieves this goal, and the princess awakens, only to be parted from Ahmad again by Jaffar, who sails for Basra with her as his prisoner. But she won't love him, and the kind of love he wants from her can only be given by her, not taken by him. When Ahmad and Abu -- now restored by Jaffar's regaining the princess -- try to follow him, he calls up a storm that sweeps them from the sea. Abu finds himself on a beach alone, and while searching for Ahmad he finds a strange bottle, which he opens, and out comes a real genie (Rex Ingram), hundreds of feet tall. The genie means to kill him, but Abu outwits the genie and secures from him three wishes. Abu must find Ahmad, but to do that he must go to the Palace of the Goddess of Night, half a world away, and steal the All-Seeing Eye. Abu does this, getting past guards, both human and monstrous, and from there it is on to Ahmad. But a misunderstanding between them leaves the two friends separated, Ahmad captured by Jaffar and sentenced -- along with the princess, who will not love Jaffar -- to death. Meanwhile, Abu is stranded countless miles away. And then one desperate act by the boy suddenly sends Abu into a magical, golden kingdom, the Land of Legend, where he is greeted as their new king. The old king (Morton Selten) shows him the symbols of his rule, which include magical arrows forged to destroy injustice. Abu still must save his friend, and to do it commits one last act of theft -- but can he arrive in time? ~ Bruce Eder, All Movie Guide

Clive Brook heads the cast of this low-key British war film. Brook plays the skipper of a tiny English cruiser, performing convoy duty in the north seas. A German battleship targets the cruiser for a deadly game of cat and mouse. Just when it seems that Brook and his crew will be blown out of the water, a battle squadron comes to the rescue. One of the first World War II combat films, Convoy features future stars Stewart Granger and Michael Wilding in very minor roles. ~ Hal Erickson, All Movie Guide

In this lively British WW II comedy, the Nazis kidnap a hapless farmhand after they mistakenly identify him as one of their spies. Mayhem ensues as the farmhand escapes. En route he is nearly shot by a British spy who thinks he is an enemy agent. ~ Sandra Brennan, All Movie Guide

This was the first sound production of A.E.W. Mason's classic adventure novel, which was brought to the screen three times in the silent era. Harry Faversham (John Clements) is the son of a military man who expects his son to follow in his footsteps on the fields of battle. Gen. Burroughs (C. Aubrey Smith), the father of Faversham's sweetheart, Ethne (June Duprez), was also a hero in the Crimean War, and he often regales Harry with tales of his exploits under fire. However, Harry is not so sure he believes in the family's tradition of military service and resigns his commission in 1898, shortly before his company is scheduled to head into the Sudan. Three of Faversham's comrades in arms, Capt. John Durrance (Ralph Richardson), Lt. Peter Burroughs (Donald Gray), and Lt. Arthur Willoughby (Jack Allen), each present Harry with a white feather, symbolizing their belief that he is a coward; Ethne shares their belief, and gives him one as well. Disgusted with himself, Faversham disguises himself as a Sangali tribesman and travels to the Sudan so that he might be able to move behind enemy lines and serve the British forces as a scout and reconnaissance agent. When his former regiment is attacked, Faversham is able to lead Burroughs and Willoughby to safety, with the wounded Durrance not realizing that the Arab who saved his life was in fact the man that he accused of cowardice. The Four Feathers was a great critical and commercial success and received an Academy Award nomination for Best Cinematography. ~ Mark Deming, All Movie Guide