Ernest Jay Movies

In this romantic comedy, four children are seemingly orphaned and remanded to their aunt and uncle's custody after their parents, renowned explorers, are lost. The proper English aunt is the sister of the missing mother; the playboy uncle is the brother of their father. Both are single and whichever marries first is the one who will get full custody. Naturally, the disparate duo dislike each other at first. But this is a movie, and after much mayhem, they fall in love, marry and adopt the children. ~ Sandra Brennan, All Movie Guide

Curse of Frankenstein was the "breakthrough" picture for the fabled Hammer Studios. Told in flashback, the story centers around Baron Victor Frankenstein (Peter Cushing), a dangerously arrogant scientist who takes it upon himself to play God. Using portions of dead bodies, Victor fashions a synthetic monster (Christopher Lee) with a bad attitude. In a radical departure from the Frankenstein canon, it is the imperious Victor who orchestrates the film's two murders by "borrowing" the brain of a learned professor, then leaving his next victim at the mercy of the monster. In 1958, the film spwaned the sequel Revenge of Frankenstein. ~ Hal Erickson, All Movie Guide

Three disparate male travellers quietly amuse themselves by fantasizing about the same beautiful blonde in this interesting, episodic comedy. A French bus driver sees her first and promptly imagines that she is a seductive photographer's model. In his fantasy, the two end up having a passionate affair on the French Riviera. In the next episode, a Yankee Army officer sees her on the ferry across the Channel and imagines that she is a cabaret chanteuse from Berlin. In the final episode, a British fellow sees her on the boat and imagines that she is a film star who needs his help to get away from the pesky press. Unfortunately, for the three, she proves to be a different sort of woman all together. ~ Sandra Brennan, All Movie Guide

The second of Disney's British-produced "historicals" (the first was Robin Hood, the last was Rob Roy, the Highland Rogue), The Sword and the Rose eschews historical accuracy in favor of wall-to-wall adventure and eye-filling pageantry. The film takes place in the court of King Henry VIII (James Robertson Justice), whose sister Mary Tudor (Glynis Johns) has fallen in love with soldier of fortune Charles Brandon (Richard Todd). Mary appoints Brandon Captain of the Guards, which rests not at all well with her erstwhile suitor, the Duke of Buckingham (Michael Gough). Rather than foment court intrigue, Brandon decides to move on to America, only to end up in the Tower of London when Mary tags along with him, disguised as a boy. Mary is ordered by Henry to wed the aging King of France (Jean Mercure), who promptly dies, leaving the girl at the mercy of the evil Dauphin (Gerard Oury). When rescued by the Duke of Buckhingham, Mary is informed that Charles is dead, but in fact her true love still lives, as he proves beyond doubt in a climactic battle with the duplicitous Duke. Sword and the Rose was based on Charles Major's novel When Knighthood Was in Flower, previously filmed in 1923 with Marion Davies. ~ Hal Erickson, All Movie Guide

Inspired by the recent success of The Blue Lamp, I Believe in You is a multiplotted British drama about parole officers. Several short character vignettes pass our way as the film studies the various methods employed by the officers in dealing with their charges. The film settles upon Cecil Parker, a compassionate official who takes special interest in the parolees. Parker tries simultaneously to reform a hardened criminal, and to dissuade a budding juvenile delinquent from a life of perdition. The semi-documentary approach established early in I Believe in You gives way to sentiment as the film winds down. ~ Hal Erickson, All Movie Guide

Set in a quiet British village, Franchise Affair details the ramifications of a malicious lie. Schoolgirl Ketty Kane (Ann Stephens) hopes to cover up her own misbehavior by claiming that two local women, Marion Sharpe (Dulcie Gray) and Marion's mother (Marjorie Fielding), have kidnapped and abused her. Though the authorities swallow Ketty's story, village lawyer Robert Blair (Michael Dennison) had his doubts. Risking ostracism from the community, Blair quietly sets about to prove the innocence of the two women. ~ Hal Erickson, All Movie Guide

Businessman Spencer Tracy is devoted beyond all reason to his son Edward. Tracy lies, cheats, steals, commits arson, and drives two people to suicide in order to smooth Edward's path in life. The boy repays this loyalty by becoming an ungrateful wastrel, who fathers a child out of wedlock and ends up killing himself. After serving a prison sentence for his crimes, Tracy tries to pick up the pieces of his shattered life by searching for Edward's child. Based on the play by Robert Morley and Noel Langley, Edward My Son unsuccessfully retains the play's devices of never showing Edward and of having Spencer Tracy speak directly to the audience. ~ Hal Erickson, All Movie Guide

Blanche Fury combined two elements that were surefire moneymakers in postwar Britain: a brooding, Gothic-novel storyline and the dazzlingly handsome Stewart Granger. Heroine Blanche Fury (Valerie Hobson) is an impoverished governess who marries into wealth and sets herself up as the mistress of a vast estate. Enter Heathcliffe-like stable boy Philip Thorn (Granger), who intends to run the estate and eventually claim Blanche as his own. After a torrid, bodice-ripping romance between Blanche and Philip, the story segues into a no-names-please reenactment of the infamous 19th-century "Rush Murder." To "explain" the motives of the characters, the screenwriters deviate from the original Joseph Shearing novel by imposing all sorts of 20th-century "psychological disturbances" upon hero and heroine, with an abruptness and lack of logic that takes the viewer's breath away. Up until the end, however, Blanche Fury is a prime example of high-budget postwar British melodrama. Oddly, despite its $1.5 million price tag, con brio performances and superb Technicolor cinematography, Blanche Fury was a box-office disappointment, bringing an end to the "Gothic cycle" that had begun so promisingly with 1943's The Man in Grey. ~ Hal Erickson, All Movie Guide

Produced, directed and scripted by Peter Ustinov (who did not star), Secret Flight was released in Great Britain in 1946, but not distributed in the U.S. until 1951 -- at which time it was panned as being out-of-date! The fact-based screenplay details the efforts of five dedicated British scientists to develop Radar and other preventative measures on the eve of WW II. The five "boffins" are played by Ralph Richardson, Raymond Huntley, John Laurie, Ernest Jay and David Tomlinson. Some excitement is engendered when a test pilot (Richard Attenborough) cooperates with the scientists' remote-control airflight experiments. Given the film's sober treatment of certain British wartime military maneuvers, it is surprising that Peter Ustinov frequently chooses to depict the scientists as Dr. Watson-style comic figures. ~ Hal Erickson, All Movie Guide

Toothy, ukelele-plucking British comedian dominates the proceedings in I See Ice. The nonsensical story concerns the misadventures of a prop man (George Formby) for a travelling ice-skating troupe. Inventing a new sort of candid camera in his spare time, our hero gets into a passel of trouble when he photographs what he shouldn't. Though well directed and exceptionally well cast (Kay Walsh and Cyril Ritchard appear in support), I See Ice wouldn't amount to a hill of beans without the presence of the ebullient Formby, who halts the action every once in a while for one of his unsubtly risque comic songs. Not surprisingly, the film was infinitely more popular as a "regional" than as a big-city attraction. ~ Hal Erickson, All Movie Guide

Song of the Road is the U.S. title for the British Auld Lang Syne, originally released in 1938. The star is legendary Scots entertainer Sir Harry Lauder, who previously headlined the unrelated 1929 part-talkie Auld Lang Syne. Lauder is typecast as travelling showman John MacGregor, whose daughter Jean (Ethel Glendinning) dies shortly after marrying ne'er-do-well Donald Carson (Bruce Seton). As MacGregor tries to deal with Carson's efforts to get his hands on Jean's inheritance, the old man promotes his other daughter Sheila (Ruth Haven) into stage stardom as a singer of sentimental ballads. And of course, the wily old protagonist gets to perform such beloved Harry Lauder standards as "A Wee Dock 'n' Dorris" and "Roamin' in the Gloamin'." ~ Hal Erickson, All Movie Guide

This tragedy is a remake of D.W. Griffith's classic silent film. The story is based on "The Chink and the Child," a story by Thomas Burke that tells of the mystical romance between a Chinese fellow and a cockney lass who meet in London's slums. The young woman is seeking to escape her boozy and abusive daddy when she encounters the young Chinese man. He takes her in and they become friends. He is kind and likes to array her in Chinese costumes. Tragically, her father learns of her hiding place and comes to kill her. ~ Sandra Brennan, All Movie Guide