Jason Robards, Jr. Movies
One of Hollywood's elder statesmen, Jason Robards Jr. had a rich, deep voice and authoritative aura that befit the distinguished citizens he often played. The son of stage and screen actor Jason Robards Sr., Robards kept alive his rich heritage throughout the second half of the 20th century.Born July 26, 1922, in Chicago, Robards was a military man before becoming an actor. He served seven years in the Navy, and was at Pearl Harbor when it was attacked in 1941 (he later received the Navy Cross). Following his service, Robards moved to New York to pursue an acting career. He found work in incidental plays, radio soap operas, and live television dramas, driving a cab and teaching school to support himself. After a decade of obscurity, he rose to prominence in 1956 in the Circle in the Square production of Eugene O'Neill's The Iceman Cometh. He appeared on Broadway the following year in Long Day's Journey Into Night, for which he won a New York Drama Critics Award. Following that success, he remained a busy and popular Broadway performer, and, in 1958, got the opportunity to appear with his father in The Disenchanted.
Making his onscreen debut in The Journey (1959), Robards maintained a TV and screen career while continuing to work on the stage. He tended to appear in two or three movies per year during the '60s, including the acclaimed 1962 screen adaptation of Long Day's Journey Into Night and Sergio Leone's much lauded 1968 Western Once Upon a Time in the West. Two years after his role in the war epic Tora! Tora! Tora! (1970), the actor was in a near-fatal car crash, but managed to make a complete recovery, returning to Broadway two years later. He ended the '70s by winning Oscars for his supporting roles in All the President's Men (1976) and Julia (1977), and was nominated for the same award for his portrayal of reclusive billionaire Howard Hughes in Melvin and Howard (1980), The slew of awards and nominations during this period also served as a nice complement to the six Tony awards he had been nominated for between 1960 and 1974. In 1978, Robards returned to the material that had helped to cement his reputation by directing himself in a revival of Long Day's Journey Into Night, which opened at Brooklyn Academy of Music Opera House.
Robards continued to act on-stage and in film throughout the '80s, in addition to working on a number of documentaries and made-for-TV movies. Among his more notable television portrayals were the title role in the acclaimed 1980 miniseries F.D.R.: The Last Year (1980) and a lead part in You Can't Take It With You (1984). He also participated in the 1982 documentary Burden of Dreams, a highly acclaimed film about the making of Werner Herzog's Fitzcarraldo. Robards' screen roles during that decade were usually limited to the part of the patriarch in such films as Square Dance (1987) and Parenthood (1989), although he was introduced to a younger audience with his lead in the 1989 comedy Dream a Little Dream, which featured Corey Haim and Corey Feldman and little else.
Robards worked steadily throughout the '90s, taking on roles in such acclaimed features as Philadelphia (1993), A Thousand Acres (1997), and Beloved (1998). He also continued to appear in a number of TV miniseries. In 1999, Robards lent his voice to the widely lauded documentary The Irish in America: The Long Journey Home, further demonstrating that, in addition to being one of Hollywood's most respected figures, he was also one of its most versatile. One of Robards' last roles was a suitably complex one, a dying man longing for a reconciliation with his estranged son in Paul Thomas Anderson's Magnolia (1999). The actor died of cancer, himself, the following year. ~ All Movie Guide
- 1978
As warm as winter's fire and sentimental as the sixth glass of wassail, this heart-tugging made-for-television holiday drama tells the Depression-era story of a gruff Minnesota grandfather and his wife who must take in their teenage grandson for Christmas. A city kid, the youth finds it difficult to adjust to the quiet of farm living. It is also difficult to deal with his grandfather who treats him cruelly. Unable to stand it, the youth runs away, forcing the grandfather to deal with the reason for his unending anger and to admit that he feels guilty for the death of his son. The teleplay is based on a novel by Glendon Swarthout, The Melodeon. ~ Sandra Brennan, All Movie Guide
Old man Ewing (Jason Robards) owns a ranch right next to the ranch of Ella (Jane Fonda). This is a source of two problems: Ewing wants to gobble up most of the land around the two ranches and also wants Ella's ranch; secondly, when Ella was too young to know better, she went to bed with the man, which, many years later, she considers to have been a grievous error on her part. A third problem arises when oil companies begin pressuring both of them to allow drilling on their land, and Ewing won't allow it -- on his or anyone else's land. Before long, war-veteran Frank (James Caan) enters Ella's life and helps her fight to save her land and her sanity, with added assistance from Dodger (Richard Farnsworth), an old local who knows the score. ~ Clarke Fountain, All Movie Guide
- Starring:
- James Caan, Jane Fonda, (more)
The film traces the lifelong relationship between playwright Lillian Hellman and Julia, a wealthy girl who turns her back on her upbringing to follow her ideals. In the 1930s, while the adult Hellman (Jane Fonda) struggles to establish herself as a playwright with the help of her lover, Dashiell Hammett (Jason Robards), Julia (Vanessa Redgrave) battles the exigencies of the Nazi regime. Visiting Julia in Germany, Lillian realizes how much her friend's idealism has cost her, both physically and financially. Lillian is asked by Julia's friend Johann (Maximilian Schell) to smuggle a large sum of money from Paris to Germany, the better to combat the Nazis from within. Nominated for 11 Academy Awards, including Best Picture, Best Director, and four acting awards, Julia won for Alvin Sargent's screenplay and Robards' and Redgrave's performances, leading to Redgrave's infamous "Zionist hoodlums" acceptance speech. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda, Vanessa Redgrave, (more)
- 1977
This 12-hour TV miniseries (expanded from a 2-hour concept) was based on the political "roman a clef" The Company, by Watergate coconspirator John Erlichman. It was originally titled simply Washington; the Behind Closed Doors part was added to avoid a potential lawsuit from Gore Vidal, author of Washington DC. This thinly disguised recap of the Watergate affair stars Jason Robards as paranoid president Richard M. Monckton, who "buys" his election by making a covert deal with the FBI. Once he's sold his soul, Monckton leaves his administration wide open for corruption. Also appearing in this ham-handed affair are Cliff Robertson as the CIA director, Robert Vaughn as the Machiavellian chief of staff, Andy Griffith as the Southern-born former president, Lois Nettelton as Monckton's mistress, and Stefanie Powers as a domestic spy. With a Southeast Asian war, questionable campaign contributions and a hotel break-in in the manifest, only the most obtuse viewer of Washington: Behind Closed Doors will wonder who's supposedly who in the cast list. The miniseries originally ran from September 6 through 12, 1977. ~ Hal Erickson, All Movie Guide
Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Robert Redford, (more)
Based on the novella by Harlan Ellison, A Boy and His Dog is set in a post-apocalyptic future where canned goods are used as currency and where entertainment often consists of old porn reels. Vic (Don Johnson) is a violent, illiterate scavenger, principally interested in getting laid. He communicates telepathically with his deceptively cute-looking dog Blood (voiced by Tim McIntire); Vic finds food for Blood, while Blood sniffs out girls for Vic. One of these girls is the sexy Quilla June (Susanne Benton), who, unbeknownst to Vic is a spy for an underground society, headed by a Mr. Craddock (Jason Robards Jr.). This subterranean civilization needs a human "sperm bank" to stay alive, and the oversexed Vic fills the bill. Produced by character actor Alvy Moore (Mr. Kimball of TV's Green Acres), A Boy and His Dog was written and directed by another veteran actor, L.Q. Jones. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Johnson, Susanne Benton, (more)
Jason Robards and Colleen Dewhurst star in this made-for-TV adaptation of Eugene O'Neill's final play, featuring the cast and director of the award-winning 1974 Broadway production. James Tyrone Jr. (Robards) is a washed-up former actor whose dreams of stardom on Broadway were washed away by alcoholism and emotional irresponsibility. James makes a meager living renting property; Phil Hogan (Ed Flanders) is an Irish immigrant, who, along side his outwardly gruff daughter, Josie (Dewhurst), works a small farm he's renting from James. James wants to sell the farm and is interested in making a deal with his well-to-do neighbors. Phil hatches a scheme by which Josie will talk James into selling the land to them instead, for a lower price. As James and Josie's conversation veers away from business, they begin to open up to one another about their dreams, their fears, and their many disappointments, and the two begin to realize just how much they have in common -- as well as how wide a gulf separates them. Ed Flanders received an Emmy award for his performance in this production of A Moon for the Misbegotten; Jason Robards and Colleen Dewhurst also received nominations for their work. ~ Mark Deming, All Movie Guide
- Starring:
- Jason Robards, Jr., Colleen Dewhurst, (more)
- 1974
A meek and mild mailman decides that the only way to escape the constant nagging of his battle-ax of a wife is to turn himself into the title tree in this off-beat fantasy. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jason Robards, Jr., Sandy Dennis, (more)
- 1973
Set during Thanksgiving, this feature stars veteran performers Jason Robards, Sr. and Melvyn Douglas in a touching story of warmth, compassion, and reaching out during the feast of the year. ~ Michael Hastings, All Movie Guide
- 1973
Set in 1947, The Thanksgiving Treasure takes place on the small Nebraska farm of the Mills family. 11-year-old Addie Mills (Lisa Lucas) is of the opinion that the purpose of Thanksgiving is to turn an enemy into a friend--just as the Pilgrims and the Indians did back in 1620. Addie hopes to mend the long-entrenched differences between her father (Jason Robards) and a cranky, lonely old man (Barnard Hughes) who lives down the road a piece. Thanksgiving Treasure was first telecast November 18, 1973. It was written by Eleanor Perry as a sequel to her Emmy-winning TV special The House Without a Christmas Tree. ~ Hal Erickson, All Movie Guide
A former friend betrays a legendary outlaw in Sam Peckinpah's final Western. Holed up in Fort Sumner with his gang between cattle rustlings, Billy the Kid (Kris Kristofferson) ignores the advice of comrade-turned-lawman Pat Garrett (James Coburn) to escape to Mexico, and he winds up in jail in Lincoln, New Mexico. After Billy theatrically escapes, inspiring enigmatic Lincoln resident Alias (Bob Dylan) to join him, the governor (Jason Robards Jr.) and cattle baron Chisum (Barry Sullivan) requisition Garrett to form a posse and hunt him down. Rather than flee to Mexico when he can, Billy heads back to Fort Sumner, meeting his final destiny at the hands of his friend Pat, who, two decades later, is forced to face the consequences of his own Faustian pact with progress. With a script by Rudolph Wurlitzer, Peckinpah uses the historical basis of Billy's death to eulogize the West dreamily yet violently as it is desecrated by corrupt capitalists. Both Pat and Billy know that their time is passing, as surely as Garrett's posse knows that they are participating in a legend. Using familiar Western players like Slim Pickens and Katy Jurado, Peckinpah underscores the West's existence as a media myth, and he even appears himself as a coffin maker. Just as the bloodletting of Peckinpah's earlier The Wild Bunch (1969) invoked the Vietnam War, the casting of Kristofferson and Dylan alluded to the chaotic late '60s/early '70s present; the counterculture has little place in a corporate future. Also like The Wild Bunch, Pat Garrett was truncated by its studio; the cuts did nothing to help its box office. Key scenes, particularly the framing story of Garrett's fate, have since been restored to the home-video version. In this director's cut, Pat Garrett and Billy the Kid stands as one of Peckinpah's most beautiful and complex films, killing the Western myth even as he salutes it. ~ Lucia Bozzola, All Movie Guide
- Starring:
- James Coburn, Kris Kristofferson, (more)
- 1972
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Embittered by the death of his wife, James Mills (Jason Robards) refuses to buy a Christmas tree for his 10-year-old daughter Addie (Lisa Lucas). Undaunted, Addie wins a Christmas tree at school, which enrages her father. With the help of her loving grandmother (Mildred Natwick), Addie eventually melts her father's quick-frozen heart. Set in 1946 Nebraska (albeit filmed in Toronto), House without a Christmas Tree was adapted by Eleanor Perry from a story by Gail Rock. Made for television, the film first aired as a 90-minute CBS special on December 3, 1972. ~ Hal Erickson, All Movie Guide
- 1972
- PG
Loosely based on the life and work of cartoonist and essayist James Thurber, The War Between Men and Women stars Jack Lemmon as cartoonist Peter Wilson, who, while visiting an eye doctor for his failing vision, quite literally stumbles upon Terry Kozlenko (Barbara Harris), an attractive but somewhat volatile divorcee with three children. Peter has a well-documented antipathy for women, children, and dogs, so everyone he knows is rather surprised when he finds himself falling in love with Terry -- and she falls in love with him. Peter and Terry get married, but her affection for him is not shared by her kids, who still idolize their father Stephen (Jason Robards, a successful photojournalist; Terry's dog doesn't care for Peter, either. When Peter's eye condition worsens, leaving him nearly blind, he suggests to Terry that she should go back to Stephen for the sake of her children, only to learn that Stephen has been killed while on assignment. Peter is now the only father the children have, and he's forced to find a way to reach out to them. The War Between Men and Women's interpolation of Thurber's life and work, using both live-action and animation, was inspired by a respected but short-lived television series, My World and Welcome to It, in which William Windom starred as Thurber. ~ Mark Deming, All Movie Guide
- Starring:
- Jack Lemmon, Barbara Harris, (more)
The author of the famous late 1930's antiwar book Johnny Got His Gun wrote and directed this film adaptation. It concerns a nameless young soldier (Timothy Bottoms) in a veteran's hospital in the World War I period. The young man has had his face blown off, he is without the use of any of his senses save touch, and also has no arms or legs. He is in a coma at the beginning of the film, and his doctors doubt that he will regain consciousness. This is also what they hope. A nurse, while changing his dressings, discovers that he is awake and responsive. The unrelieved awfulness of his situation is apparent to many. However, in order to keep the "good order" of the military, the regular Army general commanding the hospital will not allow the boy to be seen or his family notified, nor will he permit anyone to perform a mercy killing. Interspersed with this horror are flashbacks of the youth's life before the war. ~ Clarke Fountain, All Movie Guide
- 1971
- PG
The fourth film to explore Edgar Allan Poe's classic tale, this clever adaptation takes some rather broad liberties with the source material. A flamboyant Jason Robards plays Cesar Charron, owner of a Grand Guignol theatre in 19th-century Paris, who is launching a stage adaptation of "Murders in the Rue Morgue" -- much to the dismay of his young daughter Madeleine (Christine Kaufmann), who is tormented by nightmares filled with images from the play. A spate of gruesome murders among the theatre's regular stable of actors leads Charron to suspect the return of his deranged, disfigured former partner René Marot (Herbert Lom), who had been presumed dead after the murder of Charron's wife. Madeleine's nightmares eventually come true when Marot makes his presence known and reveals his intentions to her on the eve of the production's opening night. Director Gordon Hessler's creative handling of the dreams-vs.reality premise is rendered a bit confusing thanks to AIP's sloppy re-editing, but the overall production is still effectively chilling. ~ Cavett Binion, All Movie Guide
Except for the omission of several passages in the original play, this 1970 adaptation of Julius Caesar faithfully retells Shakespeare's account of events surrounding the assassination of Caesar in 44 B.C. The film begins when Caesar John Gielgud is at the height of his power after conquering Pompey "the Great" in a civil war. Important senators worry that Caesar means to become king, diminish their power, and abolish their beloved Roman republic. Two senators, Cassius Richard Johnson and Brutus Jason Robards, hatch an assassination plot involving other disenchanted Roman citizens. Although a soothsayer warns Caesar of trouble ("Beware the ides of March") and his own wife reports ominous signs ("A lioness hath whelped in the streets; and graves have yawn'd, and yielded up their dead"), Caesar decides to go to the senate on the ides (March 15). Upon arrival, the conspirators greet him with daggers. In his funeral oration, Mark Antony Charlton Heston extols Caesar and incites the citizens against Brutus and the other conspirators. Brutus and Cassius flee Rome with their armies, but Antony and two other sympathizers track them down with their armies. When the tide turns against the conspirators, Brutus and Cassius commit suicide. As does Shakespeare's play, the film leaves the discerning viewer wondering who was the real villain -- Caesar, because of his ambition for power, or Brutus, because of his underhanded plot to maintain the status quo. ~ Mike Cummings, All Movie Guide
- Starring:
- Charlton Heston, Jason Robards, Jr., (more)
After the intense bloodshed of The Wild Bunch (1969), this comic western fable took the opposite approach to director Sam Peckinpah's continuing examination of the end of the West. Left for dead by a couple of lizard-slaughtering desperados in the middle of the desert, prospector Cable Hogue (Jason Robards) is saved by his unexpected discovery of water "where there wasn't any." Hogue turns the water hole, felicitously located near a stagecoach route, into a thriving business, creating a rest stop for a never-ending series of parched travelers. On his occasional trips to the closest town, he meets chipper prostitute Hildy (Stella Stevens), who joins him in his oasis, completing Hogue's little paradise. But even though Hogue may be able to succeed and avenge himself against his original attackers, there is one thing that he cannot stop: progress. Completed before The Wild Bunch was released, and replete with comical and even musical interludes, Peckinpah's gently picaresque telling of Hogue's rise and fall stands in distinct contrast to the visual violence of its predecessor. The underlying message about the cost of modernity, however, equals The Wild Bunch in seriousness. The callous randomness of Hogue's fate is as shocking as the Bunch's final blaze of glory; as in Robert Altman's McCabe and Mrs. Miller from the same period, a tool of "civilization" provokes a most uncivilized end for an Old West dreamer. Although the film was as light-hearted in approach as the 1969 smash hit revisionist western Butch Cassidy and the Sundance Kid, Warner Bros. mishandled the release and it did barely any business; Peckinpah returned to his trademark gore in his next film, the controversial Straw Dogs (1971). Still, The Ballad of Cable Hogue is less an anomaly for a master of violence than an ironically charming chapter in Peckinpah's career-long elegy to the western. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jason Robards, Jr., Stella Stevens, (more)
- 1970
- PG
In this drama, a romance is sparked when two people, dissatisfied with their lives, move to San Francisco in hope of a fresh start. Ex-horror star Matthew South (Jason Robards, Jr.) encounters unhappily-married Anais Appleton (Katharine Ross) and the two fall in love. Their newfound happiness is threatened, however, when Anais' jealous husband David (Scott Appleton) sets out to find her. Songs by Kenny Rogers and The First Edition are featured in this film. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Jason Robards, Jr., Katharine Ross, (more)
- 1970
Don't confuse this 1970 Italian/Yugoslav Operation Snafu with the 1962 British comedy-drama of the same name. While the earlier film boasted an engaging story and a boisterous early appearance by Sean Connery, the 1970 film is a witless mess. Even star Peter Falk fails to raise a laugh in his role as an American officer assigned to whip a troop of Algerian soldiers into shape during World War II. Their mission is an all-but-suicidal attack on a Sicilian enemy stronghold. As bad as Falk looks in this thing, his fellow "distinguished" American actors Jason Robards and Martin Landau look worse. The film's official title is Situation Normal, All Fouled Up; after five minutes, everyone in the audience will shout in unison the word for which "Fouled" is the accepted euphemism. ~ Hal Erickson, All Movie Guide
This 25-million dollar epic collaboration accurately recreates the events that led to the Japanese attack on the American naval base during World War II. With Germany's invasion of Poland on September 1, 1939, the wheels are set in motion by Japan to plan the attack. After internal differences in the government, the Japanese quickly mobilize plans for the assault. Key American personnel ignored warnings of the possibility of Japanese aggression. The first part of the film divides scenes from both countries. Part two contains spectacular battle scenes of the bombing that destroyed the American naval base of operations in Hawaii. Governmental errors on both sides add to the confusion, but the Japanese ultimately carry out the deadly mission. The film did well in Japan, did not do well in the he United States, and took years to make back the production costs. It remains an insightful and well crafted World War II action drama that was the result of years of negotiations between the two countries. ~ Dan Pavlides, All Movie Guide
- Starring:
- Martin Balsam, So Yamamura, (more)
- 1968
Vanessa Redgrave stars in this film biography of the free-spirited modern interpretive dancer Isadora Duncan. Trained in classical dance, Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer (Jason Robards) and the Russian poet Sergei Essenin (Ivan Tchenko), her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules, often shunned by the very people who had so passionately embraced her pioneering efforts in dance, women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vanessa Redgrave, John Fraser, (more)
In Sergio Leone's epic Western, shot partly in Monument Valley, a revenge story becomes an epic contemplation of the Western past. To get his hands on prime railroad land in Sweetwater, crippled railroad baron Morton (Gabriele Ferzetti) hires killers, led by blue-eyed sadist Frank (Henry Fonda), who wipe out property owner Brett McBain (Frank Wolff) and his family. McBain's newly arrived bride, Jill (Claudia Cardinale), however, inherits it instead. Both outlaw Cheyenne (Jason Robards) and lethally mysterious Harmonica (Charles Bronson) take it upon themselves to look after Jill and thwart Frank's plans to seize her land. As alliances and betrayals mutate, it soon becomes clear that Harmonica wants to get Frank for another reason -- it has "something to do with death." As in his "Dollars" trilogy, Leone transforms the standard Western plot through the visual impact of widescreen landscapes and the figures therein. At its full length, Once Upon a Time in the West is Leone's operatic masterwork, worthy of its legend-making title. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Charles Bronson, Claudia Cardinale, (more)
- 1968
- PG13
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Narrator Rudy Vallee announces that he knows we are a "real high class audience," thus he has "some swell story to tell." Thus begins The Night They Raided Minsky's, set in the rarefied world of burlesque in the 1920s. Amish girl Rachel Schpitendavel (Britt Ekland) comes to New York in hopes of securing work as a dancing interpreter of religious stories. She gets a job at Minsky's burlesque house, where the dance numbers are "Biblical" only when some gum-chewing stripper performs Salome's Dance of the Seven Veils. The many subplots leading up to Rachel's accidental invention of the striptease during a midnight Minsky's show involve many: top banana Chick Williams (Norman Wisdom) and womanizing straight-man Raymond Paine (Jason Robards Jr.); Billy Minsky (Elliot Gould), whose efforts to stage girlie shows at the National Winter Garden are looked down upon by Minsky Sr. (Joseph Wiseman), who holds the lease on the theater; gangster Trim Houlihan (Forrest Tucker), who intends to shut down Minsky's if he can't get a piece of the action; Ekland's preacher father Harry Andrews, who shows up in New York just in time to see his daughter bare all in front of a cheering audience; and Vance Fowler (Denhom Elliot), self-appointed protector of public morals, whom Paine hopes to embarrass by having Rachel perform her religious dance. A straightforward adaptation of Rowland Barber's novel The Night They Raided Minsky's would seem to be called for here, but novice director William Friedkin and film editor Ralph Rosenblum seem determined to turn the film into a kaleidoscope Hard Day's Night clone. Happily, producer Norman Lear is able to accommodate several nostalgic re-creations of such burlesque chestnuts as "Crazy House" and "Meet Me Round the Corner," as well as six delightful in-period songs penned by Bye Bye Birdie's Charles Strouse and Lee Adams, the best of which is the ribald "Perfect Gentleman." Bert Lahr makes his last appearance on screen in the role of washed-up funnyman Professor Spats; he died during production, and had to be extensively doubled throughout. ~ Hal Erickson, All Movie Guide
- Starring:
- Jason Robards, Jr., Britt Ekland, (more)
