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Betty Jardine Movies

1944  
 
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Set not in the 14th century milieu of Geoffrey Chaucer but in wartime Britain, A Canterbury Tale begins with rural justice of the peace Eric Portman adopting a "lock up your daughters" policy when the American soldiers are stationed nearby. To escape the arbitrary edicts of Portman, British tank sergeant Dennis Price, American GI John Sweet and shopkeeper Sheila Sim head down the road to Canterbury. Each of the principals finds their lives changed by the journey. In particular, Sweet (a real-life American sergeant, rather than the usual stereotyped "yank" common to British war films) encounters genuine romance. A product of the always adventuresome "Archers" (Michael Powell and Emeric Pressburger), A Canterbury Tale contains some extremely creative cinematic moments, though it is the quieter scenes which work best. Esmond Knight narrates the film and shows up in a couple of amusing cameos. A ubiquitous presence on American TV, Canterbury Tale is available in two versions; the American release version, cut from 124 to 95 minutes and including several arbitrary scenes with Kim Hunter, is the lesser of the two. ~ Hal Erickson, Rovi

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Starring:
Eric PortmanSheila Sim, (more)
 
1944  
 
The "2000 Women" of the film's title are the female inmates in a WW II German concentration camp in France. Though many of the women don't get along, they are united in their hatred for their Nazi captors. The story takes a truly melodramatic turn when three English airmen parachute into the camp, offering a ray of hope for those inmates planning an escape. Some of the humor is "black" indeed, involving a card-playing corpse and other questionable sources of laughter, but this was the sort of material that wartime audiences wanted. Heading the cast of 2000 Women are Phyllis Calvert, Flora Robson and Patricia Roc, fine British actresses all who overcome an abundance of script deficiencies. The film was the first production of Individual Pictures, formed by the producer-director-writer team of Frank Launder and Sidney Gilliat. ~ Hal Erickson, Rovi

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Starring:
Phyllis CalvertFlora Robson, (more)
 
1943  
 
In this patriotic but romantic musical comedy, a young teacher runs a day school for the workers at a munitions factory. As she makes arrangements to locate the school in the empty home next to her apartment building, she falls in love with the property owner. ~ Sandra Brennan, Rovi

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1942  
 
This musical is loosely based upon the career of the British "Forces' Sweetheart" Vera Lynn, a popular BBC radio singer who spent much time entertaining the troops in London. It all begins when she falls in love with a Scottish soldier who breaks her heart when he jilts her in favor of her best friend. Following the break up, she decides to leave London and spend her time entertaining troops all over Europe. ~ Sandra Brennan, Rovi

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1941  
 
One of the few "Inspector Hornleigh" films to gain a wide US distribution, Mail Train stars Gordon Harker as Hornleigh and Alastair Sim as his dumb-like-a-fox assistant Sergeant Bingham. Borrowing a bit from the 1939 British box-office hit Night Train, the plot pits Hornleigh and Bingham against a clever gang of Nazi espionage agents. Most of the action takes place aboard a speeding train, with our heroes never quite certain who can be trusted and who can't. Phyllis Calvert contributes to the intrigue as one Mrs. Wilkinson, who is, as the phrase goes, not all she seems to be. With Walter Forde in the director's chair, it shouldn't be surprising that Mail Train contains as many laughs as thrills. ~ Hal Erickson, Rovi

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Starring:
Gordon HarkerAlastair Sim, (more)
 
1941  
 
Carol Reed directed this adaptation of the H.G. Wells novel about a British shopkeeper who inherits money and tries to crash society; it was later the basis of the Tommy Steele musical Half a Sixpence. Michael Redgrave is Arthur Kipps, a nondescript storekeeper who finds himself heir to a large fortune. Society golddigger Helen Walshinham (Diana Wynyard) immediately comes on the scene, hoping to trick Kipps into marrying her. Right before the wedding, Kipps gets cold feet and instead runs off with his childhood sweetheart, Ann Pornick (Phyllis Calvert). The two get married but Ann wants to live simply while Kipps continues to want to live large with his inherited fortune. ~ Paul Brenner, Rovi

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Starring:
Michael RedgraveDiana Wynyard, (more)
 
1941  
 
In this thriller, a group of stranded passengers are terrified by the weird tales of a stationmaster who tells them of the "ghost train" that rumbles down the darkened tracks. It turns out that the phantasmical locomotive is very real and is used by a gang of arms smugglers. ~ Sandra Brennan, Rovi

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1940  
 
Also known as Girl in the Case, this early Carol Reed effort tended to be dismissed or ignored by its director in later interviews. Even so, the film is a worthwhile effort, with an intricate and sometimes amusing script by Sydney Gilliat. Young lawyer Stephen Garringdon (Barry K. Barnes) manages to clear his first client, nurse Anne Graham (Margaret Lockwood), of charges that she has been systematically murdering his patients. At first exultant, Garringdon begins suffering pangs of guilt because he never completely believed in his client's innocence. When another murder occurs during Anne's shift, the lawyer begins to wonder if he is actually an accessory after the fact. Admittedly, things look bad for Anne, but unexpected salvation is at hand in form of affable Mr. Tracy (Emlyn Williams), who knows a lot more about the killings than anyone else-except, of course, the victims. ~ Hal Erickson, Rovi

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Starring:
Margaret LockwoodBarry Barnes, (more)
 
1938  
 
This 1938 remake of the 1930 British farce Almost a Honeymoon makes a few slight alterations in the text. Originally, a wandering vagrant accidentally found himself sharing a bed with an amorous old crone. In the remake, the hero (popular cockney comedian Tommy Trinder, here making his screen debut) is a man of wealth. His inadvertent bed-mate is an attractive young girl (Linden Travers), who is occupying the hero's sleeping quarters when he stumbles in after a night on the town. Nothing really happens (this is a 1938 film), but you can't censor the gleam in the supporting characters' eyes. Like the first Almost a Honeymoon, the second film is based on a stage play by Walter Ellis. ~ Hal Erickson, Rovi

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