Lois January Movies

Listed as a 1942 release, Arizona Badman was actually lensed back in 1935, and reissued seven years later. Former football star Reb Russell stars (along with his horse, appropriately named Rebel) in this ultra-economical western. Though Russell is physically impressive as he single-handedly rounds up an outlaw gang, his Southern-fried acting leaves much to be desired. The film is stolen with little resistance by Edmund Cobb, playing a "good badman" type who actually has more screen time than either Russell or leading lady Lois January. Arizona Badman is okay so far as B westerns go, though hardly worthy of a theatrical re-release. ~ Hal Erickson, All Movie Guide

Dick Tracy -- or rather his future portrayer Ralph Byrd -- found himself in the unfamiliar surroundings of the range in this Tim McCoy Western from low-budget company Puritan Pictures. Byrd played Tex Weaver, a G-man going undercover as a bank robber in order to flush out gang leader Buff Brayden (Ted Adams). Assisted by former agent Tim Ross (McCoy) and kindhearted gangster's moll Goldie Harris (Lois January), Tex learns of a forthcoming raid on the Bordertown bank. Unfortunately, while appearing with Tim's medicine show, Tex is killed by a bullet fired offstage simultaneously with Tim's. Accused of murder, Tim makes his escape, rejoins the Justice Department, and manages to not only foil the bank heist but also gather enough evidence to convict both Brayden and his boss, bank examiner Willey Taggart (J. Frank Glendon). McCoy, who had joined Puritan in 1935 after leaving Columbia Pictures, would make ten Westerns for the little company, all of them above-average oaters considering their limited budgets of only 10,000 dollars a picture. ~ Hans J. Wollstein, All Movie Guide

After directing three of Universal's finest horror films, James Whale shifted gears with the elegant romantic comedy By Candlelight. Though quite miscast, Paul Lukas successfully conveys the role of Josef, ultra-dutiful valet to the libidinous Count Von Bommer (Nils Asther). Falling in love with Marie (Elissa Landi), whom he assumes to be a countess, Josef poses -- quite convincingly -- as his rakish master. The catch: Marie is herself a poseur, a mere maidservant to Count and Countess Von Rischenheim (Lawrence Grant, Dorothy Revier). Based on a play by Siegfried Geyer, By Candlelight is chock full of delightfully double-entendre pre-Code dialogue and dextrous directorial touches. ~ Hal Erickson, All Movie Guide

Looking for all the world like a 2-reel comedy bloated to 6-reel proportions, Embarrassing Moments was directed by Edward Laemmle, one of the many salaried relatives of avuncular Universal chieftain Carl Laemmle. Chester Morris plays Jerry Randolph, an inveterate and obnoxious practical joker. Things take a serious turn when it looks as though Jerry's latest prank has resulted in the death of his best friend. But the audience is way ahead of Jerry: the whole "tragedy" has been staged to teach the jolly jokester a lesson. Billed third in Embarrassing Moments is Broadway singing star Walter Woolf, who as Walter Woolf King enjoyed a lengthy career as a supporting actor in such films as The Marx Bros.' Night at the Opera and Laurel & Hardy's Swiss Miss. ~ Hal Erickson, All Movie Guide

A genuine oddity, Life Returns was originally filmed by Universal Pictures in 1935. The story, concerning the efforts by researchers Onslow Stevens and Lois Wilson to find a means to briefly bring dead animals back to life for research purposes, was built around the actual accomplishments of Dr. Robert E. Cornish of the University of California-Berkeley. On May 22, 1934, Cornish was successful in reviving a dog that had been pronounced dead: the actual footage of this experiment was incorporated into Life Returns. Presumably because of its controversial subject matter, the film was shelved by Universal and never released by that studio. It finally received distribution in January 1939 via a small-time firm called Scienart Pictures, which also took credit for producing the film. ~ Hal Erickson, All Movie Guide

In this western, brand new rancher Bob Steele, a former gunslinger in search of a more peaceful life, finds his quiet shattered when he finds himself caught between two feuding neighbors. Matters become more complex when he falls in love with one of their daughters. ~ Sandra Brennan, All Movie Guide

The Fred Scott musical westerns were high in audience appeal, but invariably handicapped with syrupy titles like Moonlight on the Range. On this occasion, our hero is suspected of being an outlaw, but the real culprit is his look-alike half-brother (Scott plays both roles). At first hoping to wreak vengeance on his crooked sibling. Scott relents at the end, bringing brother dear in unharmed in hopes of reforming the boy. The film's highlight is a fierce gun battle between hero and villain, with director Sam Newfield doing an excellent job differentiating the two brothers. In the course of events, Fred Scott sings four songs, several of them for the benefit of leading lady Lois January. ~ Hal Erickson, All Movie Guide

A remake of the French comedy Monsieur Sans-Gene, One Rainy Afternoon gets under way when film-actor Phillippe Martin (Francis Lederer) heads to a darkened Parisian movie theater for a romantic rendezvous with his married sweetheart Yvonne (Countess Live de Margaret). But our hero sits in the wrong seat and kisses the wrong young lady: Monique Pelerin (Ida Lupino), the daughter of a powerful publisher Joseph Cawthorn. This innocent mistake snowballs into a national scandal, fomented by the hatchet-faced president (Eily Malyon) of the Purity League, with Phillippe earning the onus of "The Kissing Monster." It all culminates in one of those zany courtroom trails which proliferated in screwball comedies of the 1930s, wherein Phillippe defends himself by insisting that it is in a Frenchman's nature to be romantic, even with perfect strangers -- and as a result he becomes an international hero! One Rainy Afternoon was the first of a handful of United Artists talkies personally produced by studio vice-president Mary Pickford. ~ Hal Erickson, All Movie Guide

Produced by low-budget company Supreme Pictures (which weren't), this middling B-western was saved somewhat by its personable star, the strapping former footballer Johnny Mack Brown. Mack plays Dan Doran, the rogue of the title, who rescues a pretty missionary, Tess (Phyllis Hume), from the ubiquitous runaway team. In town, Doran not only leaves the welfare of the girl to Stella, the saloon hostess (Lois January), but admits to having earlier robbed the stage. Sent up the river for 20 years, Dan makes the acquaintance of Jim Mitchell (George Ball), a fellow inmate, and the two make their escape together. Returning to the scene of the crime, Dan joins Jim's gang of stage robbers. The town's natty-looking banker, Lige Branscomb (Alden Chase aka Stephen Chase) is observed courting Tess, who now owns the Golden Nugget coffee shop. Dan, who is in reality an undercover G-man, has Stella rescue Tess from marrying the villainous Branscomb who, of course, is the secret leader of the gang of stage robbers. Leaving Tess to her coffee shop, Dan proposes to Stella, who accepts. Although already beginning to exhibit the middle-age spread that would mar his later appearances, Johnny Mack Brown once again proves that he was a better actor than most of his B- western rivals. The same cannot be said for Phyllis Hume, who plays the missionary girl with only one expression, bewilderment, and whose only film this seems to have been. Max Davidson, an old-fashioned "Dutch-style" comic who had been in films before Charles Chaplin and almost everyone else, appears briefly and for no apparent reason in order to perform a bit of timeworn shtick as a Jewish salesman. ~ Hans J. Wollstein, All Movie Guide

In this comedy, a woman lives with her recently impoverished family who would do anything to regain their former wealth and status. They use the young woman, and every time any likely person comes to call, they try to foist her upon them. One of these visitors is the son of a conniving lawyer who wants the rest of their fortune for himself. The attorney's other son is a bug collector. The family is so busy with their farfetched money grubbing schemes that they pay no attention to the level-headed young woman's attempts to get by. ~ Sandra Brennan, All Movie Guide

In this bouncy musical, a sax-playing ex-convict joins a swing band and embarks upon a cross-country tour. He does really well until an old friend tries to tempt him into becoming a criminal again. The convict refuses the offer so the "friend" retaliates by doing the job anyway and leaving the con to take the rap. Then the band is kidnapped by a powerful person desiring a private concert. The ex-con saves the band by informing on the crook. He is then allowed to play with them again and musical happiness ensues. Songs include: "Would There Be Love," "Let's Spill the Beans," "I Never Had a Man to Cry Over," and "Fagin Youse is a Viper" (Mack Gordon, Harry Revel). ~ Sandra Brennan, All Movie Guide

The Human Side was adapted by Frank Craven and Ernest Pascal from a play by Christine Ames. Long married and the parents of four children, Gregory and Vera Sheldon break up when Gregory begins keeping time with seductive Alma Hastings (played by Betty Lawford, Peter's mom). Despite the subsequent divorce, Gregory can't resist visiting his ex-wife from time to time, which arouses Alma's jealous nature. The story isn't straightened out, however, until the four Sheldon kids -- Lucille (Charlotte Henry), Phil (Dick Winslow), Tom (George Ernest) and Bobbie (Dickie Moore) -- take a hand in the matter. Befitting the title, The Human Side is realistically written and acted, enhancing the audience's empathy with the characters. ~ Hal Erickson, All Movie Guide

Bob Steele -- or, as he was known in the trade papers, "Our Bob" -- stars as Tom Shaw, the courageous foreman of the ranch owned by Betty Duncan (Lois January). A group of mysterious riders, apparently determined to drive every cattle rancher out of the territory, has launched a bloody campaign of terror, leaving behind a handful of spent shells and a red-stained rope as a warning to the ranchers. The leader of the terrorists is Rattler Haynes (Lew Meehan), but Tom suspects that Rattler takes his orders from a never-seen "Mister Big." With a little diligence and plenty of fisticuffs, our hero outmaneuvers the villains and wins the girl. Based on a story by Johnston McCulley (of The Mark of Zorro fame), The Red Rope was one of the best Bob Steele westerns ever made. ~ Hal Erickson, All Movie Guide