Josiane Balasko Movies

The wildly popular British television show Absolutely Fabulous gets a Francophonic makeover with this film version directed by Gabriel Aghion. In this go around, Josiane Balasko and Nathalie Baye play the incorrigible Eddie and Patsy, who leave no impulse unenacted and no lust unsated -- be it for sex or the latest in designer clothing. Waking up from a night of drunken debauchery, the two dip right into a feast of champagne and caviar, much to the irritation of Eddie's elegant mother and her resentful daughter. As Eddie stretches an appalling pair of leopard-print leotards (complete with matching shoes, purse, and hat) over her massive rear end, she and Patsy learn of a handsome young Rollerblading delivery boy who quickly becomes the object of their lust. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Directed by Guillaume Nicloux, Cette Femme-La (That Woman) follows divorced police captain Michele Varin (Josiane Balasko), whose grief comes to a head with the swiftly approaching anniversary of her young son's death. Alone except for her late son's sick rabbit, Michele is dealing with crippling insomnia, and what little sleep she does get is marred by nightmares. Meanwhile, along with her co-worker Sylvain (Eric Caravaca), Michele tries to solve a strange suicide case, and meets several mysterious people along the way: a private investigator (Thierry Lhermitte), a strange young boy who lives near the suicide location, and Daniel (Frederic Pierrot), a lumber yard worker. ~ Tracie Cooper, All Movie Guide

Gallic actress-turned-director Josiane Balasko - a Euro cinema mainstay best known for her unconventional romantic lead in Bertrand Blier's 1989 Trop belle pour toi - helms and co-stars in Cliente, a quirky and offbeat look at the bittersweet life of a male prostitute, which Balasko co-adapted from her 2005 novel with screenwriter Franck Lee Joseph. Eric Caravaca stars as Marco, a French hustler in his mid-30s whose path criss-crosses with that of infomercial actress Judith (Nathalie Baye) in a local park. A nascent divorcee, she's in the mood for a quick fling, and follows suit with Marco, but this infuriates her sister, Irene (Balasko). Both sexual partners intend to enjoy the liaison as a one-time engagement; for better or worse, it soon repeats itself on multiple occasions and evolves into a deep-seated and very sticky relationship with lots of emotional strings. Significantly, this makes matters very complex and messy for Marco, who happens to be married to hairdresser Fanny (Isabelle Carre) and shares a residence with her, her mother (Catherine Hiegel) and her goth-decked sister (Marilou Berry, Balasko's real-life daughter)). Fanny, it seems, harbors no knowledge of Marco's real profession; when she discovers the truth, she systematically attempts to use her husband's profession to her own selfish advantages in lieu of objecting passionately or leaving him. ~ Nathan Southern, All Movie Guide

In this French fantasy-comedy, a magical moonbeam turns a dog into a man's best friend. Annabelle (Caroline Cellier) is a reporter who is sent on an overseas assignment and doesn't think it would be such a great idea to bring Didier, her Golden Retriever, along, so she leaves the pooch in the care of her friend Costa (Jean-Pierre Bacri). Costa is less than excited about being handed dogsitting duties, since he has enough on his mind as it is; he's the coach of a soccer team that has been playing poorly since their star player was sidelined with an injury, and his girlfriend has just given him his walking papers. But one evening a moonbeam glides over Didier, and suddenly the dog is magically transformed into a man (played by Alain Chabat), as luck would have it for Costa, a man who happens to be a really great soccer player. ~ Mark Deming, All Movie Guide

In this French comedy, a man discovers that he has something unexpected in common with his wife -- they're both involved with another woman. Loli (Victoria Abril) is a woman of Spanish blood married to a French businessman, Laurent (Alain Chabat). Loli is not especially happy as a housewife, though she'd likely be even less happy if she knew that her husband is chronically unfaithful and has had a string of mistresses. Laurent, on the other hand, is convinced that his wife isn't the type who would never have an affair, and what she doesn't know won't hurt her. One day, a truck breaks down in front of Loli's home, and Marijo (Josiane Balasko) asks to use their phone. Marijo is a gruff-looking lesbian who works as a plumber; as it happens, Loli has a stopped-up sink, so in exchange for using the phone, Marijo gets Loli's drain back in working order. Soon Loli and Marijo are getting to know each other a bit better, and Loli discovers that she's powerfully attracted to her new visitor. Marijo becomes Loli's bedmate and a permanent guest at the house, which is more than a bit perplexing to Laurent, but after he accidentally reveals his infidelities to Loli, he's not in much of a position to pass judgement. Josiane Balasko, who plays Marijo, is also the film's director and co-screenwriter. ~ Mark Deming, All Movie Guide

The kidnapping and assassination of Moroccan political activist Mehdi Ben Barka, fictionalized in Yves Boisset's L'Attentat in 1972, gets a more historically accurate treatment in Serge Le Péron's noirish docudrama, the tabloid-headline-titled I Saw Ben Barka Get Killed. The film is narrated by cynical ex-con Georges Figon (Charles Berling), whose dead body is shown at the film's opening. Figon talks about the heady times, as newsreel footage of the civil rights movement and the anti-colonial uprisings of the 1960s is shown. In flashbacks, Figon wants to be a film producer, and has connections to screenwriter Marguerite Duras (Josiane Balasko) who puts him in touch with director Georges Franju (Jean-Pierre Léaud). Figon keeps promising to make his actress girlfriend, Anne-Marie Coffinet (Fabienne Babe), a star. But he still has ties to the underworld, and through them he meets the shady Chtouki (Azize Kabouche), a Moroccan operative who offers him a lot of money to scrap his current filmmaking plans to make a documentary about the worldwide anti-colonial movement. Chtouki's main interest is that the exiled Barka (Simon Abkarian) be hired as a consultant on the doc, so that he'll come to Paris to meet with Figon, Franju, and Philippe Bernier (Mathieu Amalric). On the day of the meeting, Figon watches from the café window as the French police intercept Barka and take him away. After witnessing what becomes of Barka, Figon grows increasingly concerned for his own safety, and goes to the press with a sensationalized version of the events. I Saw Ben Barka Get Killed was shown by the Film Society of Lincoln Center in 2006 as part of their annual Rendez-Vous with French Cinema. ~ Josh Ralske, All Movie Guide

Jean-Paul Belmondo plays Michel Gauché, a stunt double and trickster who is crazy in love with his former fiancee, work-mate, and fellow stunt performer Jane (Raquel Welch). She, however, is so angry with him for landing her in the hospital due to a badly performed stunt that she breaks off the engagement. Belmondo also plays Bruno Ferrari, the movie star he is doubling for, an effeminate homosexual who lusts after his stuntman. Because Jane is angry with Michel, she falls into the arms of a film producer, and arranges for Michel to re-do the same stunt over and over again endlessly. She also tries to woo Bruno the movie star and discovers that he is not interested in women. Michel tries hard to win her back, sometimes pretending to be the movie star, which confuses her to no end. Just as she is about to marry a dull aristocrat, Belmondo appears in an old gorilla outfit and abducts her from the aisles of the church. Belmondo was famous for doing all his own stunts, and he continued that tradition in this film. ~ Clarke Fountain, All Movie Guide

Eleven-year old Alexandrine (Sandrine Blancke) may be making something more out of what is happening in her family than is really there, but she appears to be afraid to be touched by her father (Alain Bashung), and gets really edgy when her mother (a nurse) has to work late. When one of her teachers puts two and two together and suspects incest, she encourages Alexandrine to press charges against her father. The girl at first tries to do that, but when her father shows up at the police station, the clams up. Even if she is only experiencing an imaginary terror, her father's nonchalance, her mother's complete refusal to consider the possibility and her grandparent's refusal to offer any consolation in the face of some troubling evidence must be horrifying to the girl. Whether there is incest in the family is open to some doubt, but there is no question that it harbors one very unhappy little girl in its midst. ~ Clarke Fountain, All Movie Guide

In a satire on family values that tends to pass off human cruelty as amusing, this story about an odd family of five children, a father, grandmother, and neighbor is not particularly laugh-provoking. When the mother of this "tribe" of five children leaves for good, their inept father is not sure how to keep the family clothed and fed, and without the help of his neighbor Simone (Josiane Balasko), he would be nowhere. She is attracted to him but eventually gives up on the relationship. Meanwhile, the father grabs his brood and they take off for Paris in search of the wife (after abandoning the body of the grandmother in a hospital corridor because they cannot pay for her funeral). Simone accidentally ends up on the same train to Paris, and out of generosity she puts the family up in her brother's apartment. Actually, her brother is now her sister because he had a sex change. The family records a song together that makes it to the top of the charts, and for good measure they win the lottery. With this change in fortunes, even Simone's relationship to the family may be affected -- especially since a respect for the integrity of women or the ability of men to run a household is never an issue in this nonsensical mish-mash. ~ Eleanor Mannikka, All Movie Guide

A young boy and his two grandmothers flee from headhunters and other villainous types in the Brazilian rain forest in this wacky family adventure. Benjamin (David-Alexandre Parquier), whose mom is dead and whose dad is off in the jungle searching for gold, is more cool-headed than his two grandmothers, both of whom hate one another. Upper class teacher (Fanny Ardant) bristles at the coarse behavior of working class Suzanne (Josiane Balasko), who shoplifts and cheats at cards. Soon bad guys threaten them, and the chase begins. ~ Jonathan Crow, All Movie Guide

Gabriel Aghion directs this bawdy period romp about a day in the life of 18th century philosopher and sensualist Denis Diderot (Vincent Perez), who produced the first ever encyclopedia while living a life of delicious decadence. Though the Church immediately banned Diderot's opus, which they deemed to be a compendium of forbidden knowledge, copies continued to circulate. Diderot, along with his wife (Francoise Lepine) and daughter, are staying in the country estate of the Baron and Baroness d'Holbach -- who put a pair of illegal printing presses and a legion of typesetters in a chamber beneath the family altar. At the same time that the Church sends a grumpy Cardinal (Michel Serrault) to ferret out the clandestine press, comely Madame Therbouche (Fanny Ardant) shows up to paint Diderot's portrait. While Diderot occupies himself with his artist friend, the Baroness keeps the Cardinal occupied with her laundry list of sordid confessions. Naughty fun soon ensues. ~ Jonathan Crow, All Movie Guide

Three workers in a social services office on Christmas Eve find themselves the center of a vortex of rag-tag humanity that all need their professional help, and more. Their visit from Santa Claus does not involve a trip down a chimney, but a walk-in by a somewhat derelict, irascible St. Nick hunting for the unfortunate Mrs. Nick, whose girth is wider than her husband's because she's carrying the future little Nick or Nicola -- she also has a sack, given that she is a bag lady, and she herself is in need of an orthodontist. This unusual couple is complemented by other characters in need of assistance, including a woefully abject transvestite and one character who no longer needs assistance because corpses are pretty much beyond help. Events conspire to bring everyone to the zoo, a fitting place for the cast of eccentrics, social workers not excluded. ~ Eleanor Mannikka, All Movie Guide

Six of France's greatest screen comedians reunite in this long-awaited sequel to the classic box-office hits Les Bronzes and Les Bronzes Font du Ski. Skirt-chasing Popeye (Thierry Lhermitte) has settled down and married beautiful Graziella (Ornella Muti), and together they run an upscale resort hotel in Sardinia. However, Popeye still has his eye on the ladies rather than the bottom line -- he's carrying on with a beautiful young cook -- and Graziella warns him that he has to stop giving free rooms to his old friends. Unfortunately, this edict comes down just as Popeye's pals arrive, expecting a stay on the house. Jerome (Christian Clavier) was making a fortune as a plastic surgeon until a malpractice suit ended his career; now he hopes to reconnect with his former wife Gigi (Marie-Anne Chazel). However, when Gigi shows up it's clear she's also been seeing a plastic surgeon, and has brought along her new beau, upscale wig salesman Jean-Claude (Michel Blanc). And wealthy and smug Bernard (Gerard Jugnot) and Nathalie (Josiane Balasko) arrive with their dog in tow, though their vacation goes through a rough patch when Bernard makes a potentially disturbing discovery about their son. Les Bronzes 3: Amis Pour La Vie (aka Les Bronzes 3: Friends Forever) was directed by Patrice Leconte, who was also behind the camera for the original two films. ~ Mark Deming, All Movie Guide