William O'Leary Movies

A normal suburban mother poses as a famous soccer star in order to save her daughter's struggling soccer team in this affectionate sports comedy starring Missi Pyle and Emily Osment. Becca (Osment)'s soccer team is locked into a depressive losing streak, and without a new coach there's no chance they will ever make it to the regional finals. As luck would have it, Italian soccer legend "Lorenzo Vincenzo" is in town, and he's got a foolproof plan to get Becca's team back on the right track. What none of the players or parents realize, however, is that "Lorenzo Vincenzo" is actually Becca's mother Wendy (Pyle) in disguise. Will Wendy be able to maintain her elaborate ruse long enough to lead Becca's team to the regional finals, or will the stress of balancing family responsibility with maintaining her secret identity cause this well-meaning soccer mom to come completely unglued before the winning goal can be scored. ~ Jason Buchanan, Rovi

FBI agent-turned-reluctant beauty queen Gracie Hart (played by Sandra Bullock) is taking on both bad guys and high glamour again in this sequel to the comedy smash Miss Congeniality. After her undercover mission at the Miss United States pageant becomes public knowledge, Gracie becomes something of a celebrity, and the FBI uses her notoriety to generate positive PR for the bureau; however, Gracie would like to get back to some solid police work, especially after scuffling with fellow female agent "Sam" Fuller (Regina King), who isn't impressed with Gracie. Despite their differences, the two find themselves working side by side when two of Gracie's pals from the pageant -- contest winner Cheryl Frasier (Heather Burns) and master of ceremonies Stan Fields (William Shatner) -- fall victim to kidnappers. As she did on the first film, Sandra Bullock served as both producer and star for Miss Congeniality 2: Armed and Fabulous, while director John Pasquin's credits include several episodes of the situation comedy George Lopez, also produced by Bullock. ~ Mark Deming, Rovi

A rape and then a murder occur in a hotel notorious for its high sexual activity. As Danny (Rick Schroder) and Diane (Kim Delaney) investigate, the case becomes more suspicious -- and complicated -- with each new development. Meanwhile, Baldwin (Henry Simmons) and Greg (Gordon Clapp) are taken aback by the extreme kinkiness of a pimp's clients. And off duty, Andy (Dennis Franz) gives his blessing to Danny and Diane's rekindled romance -- but now they're not so sure they want to keep things going. ~ Hal Erickson, Rovi

Dedicated to Tomoyuki Tanaka (1910-1997), who produced the 1954 original and sequels, the Devlin/Emmerich interpretation displays a redesign of Godzilla, now a large lizard mutated after fallout from French nuclear tests. A blinding flash of white light fills the Eastern sky. Thousands of miles away, the Pacific Ocean churns, engulfing a freighter. On another part of the globe, giant footsteps plow a path through miles of Panamanian forests, Tahitian villages, and Jamaican beaches. In the Ukraine, biologist Dr. Niko Tatopoulos (Matthew Broderick), with the U.S. Nuclear Regulatory Commission, is examining the impact of radiation on Chernobyl earthworms. Colonel Hicks (Kevin Dunn) and a military team escort Niko to check out giant claw marks on the beached freighter; they're joined by paleontologists Elsie Chapman (Vicki Lewis) and Mendel Craven (Malcolm Danare). Blood and giant-size footprints indicate "some sort of enormous reptile." French secret agent Philippe Roache talks to the freighter's only survivor, who keeps repeating, "Gojira...Gojira." Tatopoulos et al arrive in Manhattan's Fulton Fish Market where Godzilla surfaces, moving on to the NYC financial district where Mayor Ebert (Michael Lerner) is speaking. Ambitious Audrey Timmonds (Maria Pitillo), who works for TV news anchor Charles Caiman (Harry Shearer), is Niko's former girlfriend, and she uses this to her professional advantage. As the wave of destruction continues, Niko and Roache track the creature through the evacuated city and discover Godzilla's eggs about to hatch in Madison Square Garden. They are followed by Audrey and TV cameraman Victor "Animal" Palotti (Hank Azaria), and soon the hatching Godzilla offspring prowl the Garden corridors, leading to a final showdown. ~ Bhob Stewart, Rovi

This made-for-television comedy picks up where the popular alien TV-series ALF left off. Captured by the military on his way back home, ALF is forced to undergo experiments at the hands of the unsympathetic Col. Gilbert Milfoil (Martin Sheen). Two military officers take pity on poor ALF and decide to free him from his captors. They escape and set out on a road trip that takes them on some bizarre adventures -- but ALF isn't out of the woods just yet. ~ Bernadette McCallion, Rovi

This sequel to director Bernard Rose's superb, metaphorical Candyman is a more straightforward Gothic horror project, discarding any association with the events of the previous film (which was based on the short story "The Forbidden" by horror surrealist Clive Barker) aside from the title entity, played again by the imposing Tony Todd. A melancholy but extremely deadly ghost, Candyman is revealed -- in a compelling sequence of flashbacks -- as the vengeful spirit of Daniel Robitaille, a black portraitist in post-Civil War Louisiana who was set upon and horribly mutilated by an angry white mob in retaliation for his affair with a plantation owner's daughter. In present-day New Orleans, at the height of Mardi Gras festivities (the film's title refers to the literal translation of the Latin "Carnival"), Candyman walks the realm of the undead, with a hook in place of the hand he lost to the lynch mob, waiting to be summoned by the recitation of his name five times into a mirror. The latest victims of his evisceration skills include members of the Tarrant family, with young schoolteacher Annie (Kelly Rowan) next in line. Her family's connection with the Candyman legend is eventually revealed when Annie visits the family estate to uncover the link between her ancestors and Daniel Robitaille himself. This is a well-executed horror film, with fine performances and good use of the subtle menace underlying the Mardi Gras ambience, but the deft hand of Barker is clearly absent, leaving a standard horror plot without the mythical resonance of the original. The chilling Philip Glass score is a definite plus, though. ~ Cavett Binion, Rovi

An attempt to overthrow the President of the United States is the subject of this made-for-cable conspiracy-thriller. Forest Whitaker stars as Colonel Mackenzie Casey, a loyal member of President Foster's (Sam Waterston) inner circle. When Casey discovers a plot by his superior (Jason Robards) to stage a coup during military exercises, he teams up with Foster to thwart the plans before it's too late. The story was based on a novel by Charles W. Bailey and Fletcher Knebel, and Whitaker was nominated for a SAG Award for his lead performance. ~ Bernadette McCallion, Rovi

From director Jim Abrahams, one of the minds behind the Airplane! and Naked Gun films, comes another parody. This time around, Abrahams has his sights set on the action-adventure genre, specifically Top Gun. Charlie Sheen stars as Topper Harley, a maverick air force pilot who constantly lives in the shadow of his father's legacy. Unable to handle the pressure, Harley has left the Air Force to live among a tribe of Native Americans. But when the United States seeks to destroy some Iraqi nuclear facilities, there's only one man for the job. After being coaxed back into service, Harley soon realizes that in addition to Saddam Hussein, he'll have to contend with a rival pilot, played by Cary Elwes, and a devious aerospace executive. Among the many films lampooned are Dances With Wolves, 9 1/2 Weeks, The Fabulous Baker Boys, and Gone With the Wind. ~ Matthew Tobey, Rovi

Adam Horovitz, of Beastie Boys fame, plays a troublesome teen who is shipped off by his wealthy parents to an institute for "problem" youths. This is the sort of place where any sign of rebellion is dealt with in draconian fashion. The strapped-down Horovitz tells his life story to psychiatrist Donald Sutherland. In flashback, we see a fairly docile young Horovitz, whose chance involvement in a rumble instigated by gang leader Don Bloomfield leads to an arrest. Appearing in court, Horovitz is railroaded into the institute by his father, more as a means of getting even with his divorced wife than out of any concern for his son. Sutherland tries to help, but Horovitz betrays the doctor's trust once too often. Only by extricating himself from the influence of Bloomfield does Horovitz have any chance for redemption--and only by undergoing a domestic reversal of his own is Sutherland truly able to aid the boy. ~ Hal Erickson, Rovi

Alex Cox directed this hallucinatory bio-pic starring Ed Harris as 19th-century American adventurer William Walker, who abandoned a series of careers in law, politics, journalism, and medicine to become a soldier of fortune and eventually a Nicaraguan dictator. When his deaf wife (Marlee Matlin) dies of cholera (but not before she utilizes sign language to tell Walker "To Hell with Manifest Destiny"), Walker is backed by multi-millionaire banker Cornelius Vanderbilt (Peter Boyle) to lead a band of mercenaries to Nicaragua in 1855 to make the country safe for Vanderbilt's steamships. When Walker subdues the Nicaraguan opposition, he sets himself up as president and rules the country with unfeeling repression. Finally the Nicaraguans rise up against him, figuring out that "the mad gringo is ripping us off." ~ Paul Brenner, Rovi