Belinda Balaski Movies

Some teen girls take to the road in this made-for-cable remake of the 1956 original. Set in 1957, three guy-crazy friends take to the road in a stolen car, trying to track down one of their ex-lovers before he goes off into the Navy. The film was part of Showtime's "Rebel Highways" series of remakes. ~ Bernadette McCallion, Rovi

Where the original Gremlins was a horror film spiked with comedy, Gremlins 2: The New Batch is essentially a black comedy, with a couple of horrifying touches. As the film starts, the fantastical trinket shop in Chinatown, which sold the Mogwai in the first film, is demolished by a crazed multi-media businessman called Daniel Clamp (John Glover). The heroes from the first movie, Billy (Zach Galligan) and Kate (Phoebe Cates), happen to work for Clamp in his huge high-rise. They find the Mogwai within Clamp's building, but not before he has accidentally spawned legions of mischievous, lizard-like Gremlins. Soon, the Gremlins are wreaking havoc throughout the building. In the original film, their misdeeds were violent, but here they're also goofy and satirical. Director Joe Dante has filled the film with quick verbal and visual jokes, which, for many, makes Gremlins 2: The New Batch a satire and inversion of the typical horror film. ~ Stephen Thomas Erlewine, Rovi

The 1987 portmanteau comedy feature Amazon Women on the Moon lampoons several film genres in general and the 1954 sci-fi cheapie Cat Women of the Moon in particular. Other sketches in Amazon Women include an opening bit with Arsenio Hall; a vignette titled "Son of the Invisible Man" wherein a naked Ed Begley Jr. runs around in full view of the nonplussed supporting cast; the It's Alive parody "Hospital", which offers the spectacle of Michelle Pfeiffer giving birth to Mr. Potato Head; and a Siskel & Ebert takeoff, featuring Arche Hahn as a TV viewer whose entire life is given a "thumbs down." Directed by several hands, including Joe Dante, Carl Gottleib, Peter Horton, John Landis, and Robert K. Weiss, Amazon Women on the Moon also features a satire of the Kroger G. Babb school of "sex hygiene" exploitation cheapies, with syphilis victim Carrie Fisher being counseled by unctuous doctor Paul Bartel. ~ Hal Erickson, Rovi

A TV news crew manages to videotape a vicious arsonist in the act. Hunter (Fred Dryer) and McCall (Stepfanie Kramer) do their best to bring the firebug to justice, but are stymied at every turn by the well-meaning interference of the TV people. Ultimately, howver,. Hunter squares off against the murderous "torch"--who turns out to be a demented Rambo wannabe, armed with a gigantic flame thrower! ~ Hal Erickson, Rovi

Edward Asner stars as Saturday Review editor Norman Cousins in this made-for-TV biopic, which first aired May 15, 1984. Stricken with a degenerative spinal illness in 1964, Cousins refuses to accept the prognosis that he must spend the rest of his life as a virtual vegetable. He battles his illness by using the most potent weapons at his disposal--a healthy sense of humor, the love and support of his wife, and confidence that he will endure. This sort of spiritual battle is not that easy to film, and some of the scenes--Cousins laughing at the opening titles of a Marx Brothers film, for example--sorely test the acting skills of Ed Asner. But both Cousins and Asner emerge triumphant from Anatomy of an Illness, which was based on Norman Cousins' own book on the subject. ~ Hal Erickson, Rovi

This groundbreaking, darkly comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face to face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist, Dr. Waggner (Patrick MacNee), and brings along her husband, Bill (Christopher Stone), for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods.

Back in the city, Karen's co-workers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets...just in case.

Back at the colony, Dr. Waggner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human...and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Waggner -- are assembling to decide her fate.

Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, Rovi

In this horror story, the happiness of two newlyweds is destroyed when they get into a fatal auto accident on their honeymoon. The bride dies and the groom is so badly injured that he is hospitalized for months. After healing he visits his wife's grave. There her spirit arises and she attempts to seduce him so he will join her. ~ Sandra Brennan, Rovi

A young country-star wannabe takes off from her carhop career to join with a young, modern Billy the Kid wannabe for an adventure in theft, murder and mayhem. ~ Kristie Hassen, Rovi

Tony Baretta (Robert Blake) investigates when the wife of a high-profile attorney is found murdered. It turns out that the dead woman was once a "lady of the evening" -- and that she made several enemies amongst the Syndicate while plying her trade. Hoping to trap the killers, Baretta enlists the aid of his elderly landlord, ex-cop Billy Truman (Tom Ewell). ~ Hal Erickson, Rovi

The 1975 TV movie Death Scream is based on the shameful Kitty Genovese affair of 1964, in which a N.Y.C. woman was stabbed to death while 38 witnesses locked their windows and doors and pretended not to hear. Raul Julia stars as the detective who investigates the murder and stirs up the guilt feelings of those who refused to help. The film casts celebrity actors in the roles of the witnesses (Diahann Carroll, Cloris Leachman, Lucie Arnaz, Nancy Walker, Art Carney, et al.). ~ Hal Erickson, Rovi

Sal Mineo guest stars as Joey Hopper, the Manson-like head of a Satanist cult known as the Butcher Brigade. Escaping from a prison hospital ward with the help of his "family," Hopper swears vengeance against all the jury members that found him guilty of murder. The SWAT team's efforts to track down Hopper are stymied by obstreperous underground-newspaper publisher Ross Collins (William Windom), who might not be so sympathetic toward Hopper if he knew that his own daughter Judy (Belinda Balaski) aided in the cult leader's bloody escape. ~ Hal Erickson, Rovi

Cindy Britton (Belinda Balaski), a teenaged girl from a small town, runs away from home. She ends up in the seedy Venice Beach district of Los Angeles, alone, hungry, and very frightened. Teaming up with a streetwise younger boy named Francis (Claudio Martinez), Cindy endeavors to survive her daunting new environment as best she can -- while the authorities conduct a frantic search for the girl. This Emmy-winning ABC Afterschool Special was filmed on location. ~ Rovi