George Balanchine Movies
- 2008
The legendary George Balanchine created and mounted the unusual ballet Jewels in 1967; a stylized and abstract triptych, it pays homage to women and honors the great "ballet capitals" of the world, such as Paris and Moscow. Seventeen years after Balanchine's death in 1983, The Paris Opera Ballet restaged Jewels as an homage to the legendary choreographer; that production appears in this performance release. Featured dancers include: Aurélie Dupont, Marie-Agnès Gillot, Agnès Letestu and Clairemarie Osta; the music consists of pieces from Fauré, Tchaikovsky and Stravinsky. The Orchestra of the Opéra National de Paris provides symphonic accompaniment, with Paul Connelly serving as musical director. ~ Nathan Southern, All Movie Guide
- 1996
This production of the ballet based on Shakespeare's play and Mendelssohn's music stars the Pacific Northwest Ballet. Choreographed by George Balanchine, the two-act performance was accompanied by the BBC Concert Orchestra as conducted by Stewart Kershaw. ~ Cammila Albertson, All Movie Guide
- Starring:
- Pacific Northwest Ballet
- 1993
- G
- Add George Balanchine's The Nutcracker to QueueAdd George Balanchine's The Nutcracker to top of Queue
Director Emile Ardolino's final film brings to the screen George Balanchine's famed ballet of Tchaikovsky's The Nutcracker. Balanchine's choreography has been restaged by the New York City Ballet under the direction of Peter Martins and features dancers Darci Kistler and Damian Woetzel as the Sugarplum Fairy and her Cavalier. Unfortunately, it also features a smirking and incongruous Macauley Culkin as The Nutcracker. The familiar tale concerns Marie (Jessica Lynn Cohen), a young girl who, at Christmas time, is given a gift of a nutcracker by her godfather, a magician. She also meets his nephew (played by Culkin). When she falls asleep, in her peaceful Christmas Eve dreams, the Nutcracker is transformed into a prince who rescues Marie from a multi-headed Mouse King and takes her on a trip to the Land of Sweets. The film is narrated in hushed tones by Kevin Kline. ~ Paul Brenner, All Movie Guide
- Starring:
- Darci Kistler, Damian Woetzel, (more)
One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Anne Bancroft, Shirley MacLaine, (more)
- 1966
This filmization of Shakespeare's Midsummer Night's Dream is actually the New York City Ballet version, as staged by George Balanchine. Topnotch dance artists Suzanne Farrell and Edward Villella head a distinguished troupe in keeping the classic tale of mismatched lovers and magic spells on its toes. At 93 minutes, this film will appeal most to ballet aficionados; don't try to force the kids to watch if they'd rather change over to Barney or the Mighty Morphin Power Rangers. Though George Balanchine is occasionally listed as the film's director, it was in fact Dan Eriksen who set up the cameras and chose the angles. Midsummer Night's Dream virtually defies a cinematic approach, though Eriksen tries his hardest. ~ Hal Erickson, All Movie Guide
- Starring:
- Suzanne Farrell, Edward Villella, (more)
- 1942
Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender plot involves the efforts by humble studio doorman Pop Webster (Victor Moore) to pass himself off as a big-shot Paramount executive for the benefit of his sailor son Jimmy (Eddie Bracken). The overall level of humor can be summed up by the scene in which Webster is advised that the best way to pretend to be a studio big-shot is to say "It stinks!" to everything -- whereupon Cecil B. DeMille shows up to ask Webster's opinion about his current production. Betty Hutton, cast as studio switchboard operator and co-conspirator Polly Judson, is at her most rambunctiously appealing here. The huge lineup of guest performers includes Bing Crosby (and his 8-year-old son Gary!), Bob Hope, Veronica Lake, Dorothy Lamour, Dick Powell, Mary Martin, Alan Ladd, Fred MacMurray, William Bendix, Paulette Goddard, and Eddie "Rochester" Anderson, most (but not all) of them going through their characteristic paces. Highlights include a surrealistic rendition of That Old Black Magic with Johnnie Johnston and Vera Zorina; a frantic staging of the old George S. Kaufman sketch "If Men Played Cards as Women Do" with MacMurray, Ray Milland, Franchot Tone, and Lynn Overman; and The Sweater, the Sarong and the Peekaboo Bang, first performed by Goddard, Lamour and Lake, then lampooned in drag by Arthur Treacher, Sterling Holloway and Walter Catlett! PS: The actor playing Rochester's chauffeur in the Smart as a Tack number is John Ford "regular" Woody Strode. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Moore, Betty Hutton, (more)
- 1940
Actress/ballerina Vera Zorina stars as a phony countess, working in cahoots with two international con artists (Erich von Stroheim and Peter Lorre). She renounces her earlier life after falling in love with one of her victims (Richard Greene), but her old crooked cronies show up to blackmail her. Zorina confesses to her husband, who forgives all. Von Stroheim and Lorre steal everything but the cameras in their brief scenes, outshining both hero and heroine with their patented rascality. I Was an Adventuress ends with a George Balanchine ballet sequence, which like all such film "highlights" goes on too long and is strictly a matter of taste. ~ Hal Erickson, All Movie Guide
- Starring:
- Vera Zorina, Richard Greene, (more)
- 1939
In this musical, a composer abandons vaudeville in favor of the legitimate stage. He soon finds himself entangle with a Russian ballet company that contains his old childhood lover, but when the troupe mistake him for a traitor trouble ensues. Perhaps the film is most notable for Balanchine's choreography of "Slaughter on Tenth Avenue." Songs include: "There's a Small Hotel," "Quiet Night," "On Your Toes," "Princess Zenobia Ballet." ~ Sandra Brennan, All Movie Guide
- Starring:
- Vera Zorina, Eddie Albert, (more)
A longtime admirer of Broadway impresario Flo Ziegfeld, Hollywood producer Sam Goldwyn hoped to emulate the success of The Ziegfeld Follies by producing an annual movie-musical revue. Goldwyn's dream began and ended with 1938's Goldwyn Follies, a film centering on Goldwyn-like movie producer Oliver Martin (Adolphe Menjou). It seems that Martin's films haven't been turning a profit lately, and he wants to find out why by eliciting the advice of the average filmgoer. He makes the acquaintance of pretty Hazel Dawes (Andrea Leeds), who tells Martin that the movies suffer from unbelievable storylines, cliched dialogue and wooden acting. Impressed, Martin hires Hazel as "Miss Humanity," allowing her to judge the merits of his latest production and even to select the cast members. Among Hazel's discoveries are singing hash-slinger Danny Beecher (Kenny Baker), opera diva Leona Jerome (Helen Jepson), and prima ballerina Olga Samara (Vera Zorina). Also hoping to appear in Martin's upcoming epic are ventriloquist Edgar Bergan and his wisecracking dummy Charlie McCarthy, and a trio of zany animal trainers who look, sound and act like the Ritz Brothers. ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, The Ritz Brothers [Al, Jimmy, Harry], (more)
- 1930
This drama centers around a love triangle between an English sculptor, his wife, and a cellist. The story is set during the 1920's in an English suburb. The trouble begins when the sculptor begins to suspect that his wife is having an affair with a famed cellist. In reality they are only friends. The artist decides to teach the musician a lesson. He invites the cellist over so that he can make a plaster cast of his hands. The cellist agrees to this. When his hands are firmly trapped in the hardened plaster, the sculptor then confronts the cellist. To "punish" him, the sculptor says that he will cut off the cellist's hands. He grabs a long fake knife. The poor musician is literally almost frightened to death. This scene is foreshadowed by a lengthy Russian ballet sequence that was choreographed and performed by George Balanchine. ~ Sandra Brennan, All Movie Guide
- Starring:
- Stewart Rome, Frances Doble, (more)
