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David Beilinson Movies

2010  
 
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Graphic designer Daniel Goldstein leads the fight to prevent government and big business from razing an historic, Brooklyn, N.Y. neighborhood to make way for a more than a dozen skyscrapers and a new basketball arena for the New Jersey Nets. When the local government announced they would be using eminent domain laws to level the Prospect Heights neighborhood and make way for the Atlantic Yards project, the locals became deeply divided; while some saw the project as a way to bring jobs to the area, others were enraged at the thought of being forcefully evicted from their homes. Later, the government awarded the contract to Forest City Ratner -- a private contractor -- and the wheels of change were set into motion. As construction begins, tensions flare and it begins to appear as if the opponents of the project have run out of options. ~ Jason Buchanan, Rovi

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2004  
 
The hard work of bringing a criminal to justice goes under the microscope in this documentary. In 2003, a team of filmmakers began work on a profile of Samantha Steinberg, a sketch artist working with the Miami-Dade County Police Department in Florida, who creates portraits of fugitive criminals based on descriptions from victims. Midway through filming, one case Steinberg was associated with became a hot topic in Miami -- she had created a sketch of a serial rapist who was believed to be responsible for seven assaults in Miami's Little Havana district. With few leads, Fernando Bosch and Elio "Chills" Tamayo, the detectives assigned to the case, distributed the sketch as widely as possible and attempted to bring in as many people as possible who resembled the picture for DNA testing. While media coverage of the case sent the community into a panic as the rapist remained on the loose, the fact the man in the sketch was African-American led many activists to accuse the Miami Police of racial profiling, with the detectives left between a rock and a hard place. Code 33 follows the case from Steinberg's initial sketch to the eventual capture and confession of the rapist. Code 33 was directed by David Beilinson, Michael Galinsky, Suki Hawley, and Zachary Werner; Beilinson, Galinsky, and Hawley previously collaborated on the award-winning film Horns and Halos. ~ Mark Deming, Rovi

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2002  
 
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In 1999, as George W. Bush's bid for the presidency was gaining momentum, free-lance writer J.H. Hatfield contracted with St. Martin's Press to write a biography of the Texas governor and son of former U.S. President George Bush. When St. Martin's published Hatfield's book, entitled Fortunate Son: George W. Bush and the Making of an American President, it gained overnight media attention for its allegation (supported by unnamed sources later revealed to be insiders in the Bush campaign) that Bush was arrested for cocaine possession in 1972, but the Bush family exerted political pressure to have the incident wiped from the records. Alarmed by the controversy the book had generated as well as revelations about Hatfield's past which cast suspicions on his credibility (including the fact he was a convicted felon), St. Martin's buckled under pressure (some allegedly exerted by the Bush family and their legal team) and recalled the book. After Fortunate Son disappeared from shelves, Sander Hicks, a young political activist and punk rock singer, approached Hatfield with a proposal to reissue the book through his small leftist publishing company, Soft Skull Press. Horns and Halos is a documentary which examines the controversy over the book but places its main focus on two major players in this story -- Hicks, whose energetic idealism doesn't always mask his naïveté or his endless self-promotion, and Hatfield, a kind but troubled man whose ambition and desire for literary success, coupled with a desire to tell an important but controversial story, proves to be his undoing. Horns and Halos was named Best Documentary Feature at the 2002 New York Underground Film Festival. ~ Mark Deming, Rovi

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Starring:
Sander HicksJ.H. Hatfield, (more)