Sidney James Movies

In this British parody of an American western, an Englishman travels to Canada to run the ranch he recently inherited from his grandfather, a crusty old sheriff. ~ Sandra Brennan, Rovi

This remake of the Alfred Hitchcock thriller does not have his flair for suspense, but director Ralph Thomas keeps the action moving, offers some comic highlights, and the story itself carries the 90-minute running time. Richard Hannay (Kenneth More) is at a vaudeville show when a shot rings out and some commotion forces him to protect a young woman by bringing her home. His protection fails after she is stabbed by an assailant who escapes. She dies -- but not before she tells Richard there is a secret organization run by a man in Scotland, trying to smuggle some important plans out of the country. He must stop them, and as soon as she mentions 39 steps, she expires. Richard has only two days to find the head of the organization, get the plans, and foil this espionage attempt. Along the way to Scotland he is literally hooked up with an attractive schoolmarm after they are handcuffed together, and his misadventures continue with her in tow. ~ Eleanor Mannikka, Rovi

Belles of St. Trinian's was the first of several British comedies inspired by the fear-inspiring girl's school created by cartoonist Ronald Searle. The girls of St. Trinian's aim their deviltry at a gang of crooks who plan to steal a famous race horse. Alastair Sim wraps up the proceedings with his dual portrayal of the school's severe headmistress (!) and her bookmaking twin brother. Also worth watching is veteran supporting player George Cole, who makes a tidy profit on the alcoholic beverages produced in the girls' science lab, and toothy Joyce Grenfell as a diligent lady constable. Like most of the subsequent "St. Trinian's" farces, Belles of St. Trinian's was a joint effort of the producer/director/writer team of Frank Launder and Sidney Gilliat. ~ Hal Erickson, Rovi

Though long defunct in the United States, the tiny production firm of Pathe continued churning out British programmers into the 1960s. Pathe's The Big Job stars Sidney James, Dick Emery and Lance Percival as a trio of none-too-bright bank robbers. Released from jail after 15 years, the intrepid trio makes a beeline for the location where they hid their stolen money. Uh, oh: the cash is squirreled away in a tree, and the tree has now been replanted in front of a police station. Thus, the "big job" of the title consists of the crooks' efforts to retrieve their swag without the Bobbies catching on. ~ Hal Erickson, Rovi

Adapted from the play by Terence Rattigan, The Deep Blue Sea stars Vivien Leigh as the troubled wife of a London attorney (Emlyn Williams). Racked with emotional problems, Leigh turns her back on her loveless marriage and sets up house with a handsome RAF officer (Kenneth More). When her lover proves to be shallow and unreliable, Leigh attempts to kill herself. She is rescued by a gambler (Eric Portman), who'd once been a doctor before being drummed out of his profession in disgrace. The kindly ex-doctor builds up Leigh's confidence in herself, allowing her to go on with her life without relying upon men to define her self-image. ~ Hal Erickson, Rovi

The Extra Day is a portmanteau film in the tradition of the earlier Derby Day. The ball gets rolling when Joe Blake (Richard Basehart), the assistant to film director Kurt Vorn (Laurence Naismith), routinely summons a group of movie extras for a few necessary retakes. The audience then learns the "backstories" of the various extras. Starving artist Steven Marlow (George Baker), who has been doing crowd work to pay the bills, is the object of movie star Michele Blanchard's (Simone Simon) affections, even though he doesn't know it. Prizefighter Barney West (Sidney James) worries that he'll lose his extra job if his face is messed up in the ring. Socialite Toni Howard (Josephine Griffin) works in films to get away from the social whirl; her callback to Vorn's set nearly scotches her impending marriage to a famous singing star. And so it goes until the extras are assembled and Vorn yells "action." Future pop star Shani Wallis makes her screen debut in The Extra Day in a minor role. ~ Hal Erickson, Rovi

Basil Radford is cast superbly to type as The Galloping Major. The story concerns the efforts by retired Major Arthur Hill (Radford) to purchase a valuable race horse. He manages to attain financial backing from 300 fellow racing enthusiasts--and then messes things up for all concerned by buying the wrong horse. Persevering, Major Hill enters the steed in the Grand National, whereupon the horse disappears on the eve of the big event. The comic frustrations faced by the Major and his creditors are played effectively for light chuckles rather than belly laughs. The cast includes such polished farceurs as Hugh Griffith, Joyce Grenfell (a favorite of director Henry Cornelius, as witness Genevieve), Sydney Tafler and Alfie Bass. ~ Hal Erickson, Rovi

A carnival freak show provides the setting for this murder mystery. The trouble begins when the "Starving Man" the world's longest survivor of a fast is found dead inside his glass cage. It is later learned that he was killed because he had witnessed the murder of an extortionist. ~ Sandra Brennan, Rovi

Lensed in England, The Iron Petticoat has been out of circulation for so long that it's difficult to determine whether it is a long-lost classic or the unmitigated disaster many have claimed it to be. Essentially a rehash of Ninotchka, the film stars Bob Hope as Chuck Lockwood, an American military officer assigned to "de-Communize" defecting Russian aviator Vinka Kovelonko (Katharine Hepburn). Meanwhile, Vinka tries to win Chuck over to the glories of the People's Republic. The film remains on a fairly subtle comic level until its unecessarily slapsticky finale, which, in to paraphrase one reviewer, caused many film fans to completely "give up Hope." Those who've seen The Iron Petticoat are astounded at how well Bob Hope and Katharine Hepburn worked together, especially since it has been well documented that the two stars were decidedly not close chums off screen. The film sparked a now-famous war of words between Hope and scriptwriter Ben Hecht, both of whom took out long, rambling trade-paper ads to lambaste each other for "ruining" the project. ~ Hal Erickson, Rovi

Charles Crichton directed this Ealing caper comedy, with a witty script by T.E.B. Clarke that won an Academy Award. Alec Guinness is Henry Holland, an unassuming transporter of gold bullion who, after working for twenty years with no rewards in sight for his faithful service to his company, decides to reward himself by stealing one million pounds worth of gold. Calling on his old friend Pendlebury (Stanley Holloway), a manufacturer of paperweights and an amateur sculptor, and a couple of Cockney crooks, Lackery (Sidney James) and Shorty (Alfie Bass), they conspire to lift a gold shipment. After absconding with the gold, Henry melts the gold into a collection of souvenir Eiffel Towers, which he then ships off to Paris. But chaos reigns when a group of English schoolgirls purchase the gold towers, and the gang now become embroiled in a wild goose chase to recover their stolen gold. ~ Paul Brenner, Rovi

A stellar cast redeems the tawdry European-filmed melodrama 3DThe Man Inside3D. Nigel Patrick plays Sam Carter, a mild-mannered British clerk who spends half his life fantasizing about stealing a valuable diamond. When he is finally able to pull off this heist, it is at the cost of another man's life. Escaping to the Continent, Sam lives like a king, throwing his money around and romancing an unending stream of willing females. Private detective Milo March (Jack Palance) suspects that Sam is in some way tied in with the jewel theft, as are several less reputable types. Among the latter category are femme fatale Trudie Hall (Anita Ekberg) and two-bit crooks Lomer (Bonar Colleano, whose last film this was) and Rizzio (Sean Kelly). Anthony Newley also shows up briefly as a comedy-relief cabbie. If 3DThe Man Inside3D seems like a dry run for the "James Bond" films of the 1960s, it may be because the film was produced by Albert "Cubby" Broccoli and scripted by Richard Maibaum, both mainstays of the Bond series. ~ Hal Erickson, Rovi

One in the series of St. Trinian's off-beat, irreverent comedies that began in 1953 and continued strong through the '60s, this farce by Frank Launder features the usual bevy of comely young women who attend the school. This time around, the femmes terribles have just burnt down the school and shock the world by getting acquitted when hauled into the Old Bailey. It seems the judge is keen on Rosalie (Julie Alexander) and besides, an unscrupulous shyster posing as a professor offers to rebuild the school. Instead, he takes the offenders on a bogus tour of Greece and once they are underway, he leads them to his real goal -- forced matrimony to the sons of an Arab sheik. As always, this St. Trinian's comedy is meant for audiences who enjoy its own brand of humor. ~ Eleanor Mannikka, Rovi