Sidney James Movies

This is the 20th feature in the successful "Carry On" series of bawdy slapstick comedies. Sidney Bliss (Sidney James) and his faithful assistant Sophie (Hattie Jacques) run a bogus matrimonial agency designed to unite people looking for love and romance. One couple never speaks a word in the film but are seen kissing in strange and familiar places. Three love-starved ladies offer their services to anyone who asks, and an excellent pie fight harkens back to the days of the classic silent comedies, with continual running gags and sexual innuendo permeating the film. ~ Dan Pavlides, Rovi

The "Carry On" gang take on employment agencies in this labored edition to the long-running comedy series. Sidney James is Bert Handy, who starts an employment agency by the name of "Helping Hands, Ltd." Bert proceeds to hire a bunch of loonies to do a collection of screwball jobs employers want done. As is usually the case, the employees make hash out of every assignment given to them. In fact, the agency is so unsuccessful that their landlord (Stanley Unwin) tries to have the business removed from his premises by raising their rent. But the landlord makes a deal with Bert that if his company can fix up an old house, they can have a 99-year lease on the property. Chaos ensues. ~ Paul Brenner, Rovi

An extremely low budget -- shot on an obvious studio set and featuring cheap and grainy stock footage -- only adds to the hilarity in this 1970 entry in the "Carry On" series. Series stalwarts Sidney James and Joan Sims star, as the gang head deep into the Amazon in search of an endangered species of bird. There they must contend with a tribe of Amazons and a horny gorilla. As if that weren't enough, they find themselves pursued by ravenous headhunters who must have seen all the "Carry On" troupe's routines one too many times. ~ Paul Brenner, Rovi

On the outs in Hollywood due to the blacklist, director Edward Dmytryk briefly operated in England in the late 1940s. Though filmed in its entirety in London, Dmytryk's Give Us This Day is set in New York during the depression. Fellow blacklistee Sam Wanamaker is starred as the head of an Italian immigrant family struggling to survive the economic crisis. Perhaps had it been made in Hollywood as intended, Give Us This Day would not have been allowed to run on for 120 minutes, nor would the actors have been permitted to indulge in terminal sanctimony. Based on Pietro di Donato's novel Christ in Concrete, Give Us This Day was released in the US under the intriguing title Salt to the Devil. ~ Hal Erickson, Rovi

Crest of the Wave is the original British title of Seagulls over Sorrento, filmed at MGM's Elstree facilities in 1953 and released stateside one year later. Based on a popular play by Hugh Hastings, the story concentrates on a group of British and American naval personnel, stationed on a Scottish island. The men are engaged on a top-secret project involving a revolutionary--and highly volatile--new torpedo. The British officers resent the intrusion of American scientist Bradville (Gene Kelly), while the Yank sailors can't seem to get along with their English counterparts. Tension mounts from the outset when the first test of the weapon fails, killing several men. After a second test likewise proves disastrous, the urgency to succeed the third time round becomes even more crucial. Can Bradville prove the efficacy of the torpedo without sparking another tragedy--and will he ever gain the full confidence of his most formidable foe, British lieutenant Wharton (John Justin)? ~ Hal Erickson, Rovi

Part of the "Carry On Series", this is a satire on the French Revolution in which Sidney James portrays the Black Fingernail, a rip-off Scarlet Pimpernel using double entendres and jokes of questionable taste and a wide variety of disguises to hid his identity. ~ Tana Hobart, Rovi

In this comedy three bookies attempt to win back their recent losses by kidnapping the favored horse and substituting it with a heavily drugged nag. ~ Sandra Brennan, Rovi

In this comedy, an off-center widow and her eccentric daughters must deal with a series of comic mishaps while they wait for one of the daughters to have a baby. The nervous father-to-be complicates matters. ~ Sandra Brennan, Rovi

Arthur Watkyn's droll theatrical piece For Better, For Worse was expertly adapted for the big screen in 1954. Popular young star Dirk Bogarde and strangely forgotten newcomer Susan Stephen star as a young married couple who struggle to make things run smoothly in their first year together. The usual travails befall them, from unpaid bills to uninvited in-laws. Somehow they survive, a denouement tipped off to the audience by the film's airy mood and sparkling color photography. The American distributor of For Better, for Worse pounced upon one isolated incident in the narrative and came up with the new title Cocktails in the Kitchen. ~ Hal Erickson, Rovi