Sidney James Movies

King Shadov (Charles Chaplin), the newly deposed monarch of a small European country, arrives in New York to face a life in exile. No sooner does he get here, however, than he discovers that his prime minister has stolen the entire royal treasury and departed for parts unknown. Stranded in New York in a luxury hotel without any money, the king tries to adjust to life in America and elicit interest in his plan for the peaceful use of nuclear power. He finds America in 1957 to be too noisy for his taste, however -- a run-in with some rock & roll dancers leads to some slapstick antics, and he doesn't take much to modern movies or the blaring entertainment that goes with them. He meets a pretty young lady (Dawn Addams) in a slightly risqué slapstick encounter in which he is trying to "rescue" her, and she maneuvers him into helping to plug a deodorant on television. The king proves so beguiling on the small screen that he is deluged by offers from advertising agencies, which he rejects at first. But the king soon finds that advertising may be the only thing he can do to earn enough money to keep him living like a king in exile, and he tries to work the system to his advantage, his earnings from television enabling him to remain in the country and push his peaceful nuclear plan. He soon finds the true dark side of life in the United States, however, when he crosses paths with an unhappy little boy (Michael Chaplin, the star/director's own son) whose parents are about to be jailed as part of the anti-Communist hysteria of the period. In the end, the king provides a shelter to the boy but compromises himself in the process, and while he does make the Congressional committee investigating him look foolish, he sees that he has done all of the good that he can do for now in the United States and leaves. ~ Bruce Eder, Rovi

In this comedy, an American learns that he is an English earl. He travels to Great Britain to run his estate. Mayhem ensues when he falls in love with a girl there. His girl friend back home is not amused until she finds a new love of her own. ~ Sandra Brennan, Rovi

Lana Turner stars as Sara Scott, an American war correspondent whose whirlwind romance with a young British journalist (Sean Connery) ends in tragedy when his plane crashes while covering an assignment. After recovering from a nervous breakdown, Sara tries to come to terms with her grief by visiting her lover's widow (Glynis Johns). Based on the novel Weep No More by Lenore Coffee, Another Time, Another Place did excellent box-office business thanks to the concurrent real-life scandal involving the death of Turner's gangster boyfriend Johnny Stompanato at the hands of her teenage daughter. ~ Hal Erickson, Rovi

Bless This House is a feature-length spinoff of the British TV sitcom of the same name. The episodic nature of the film suggests that it was cobbled together from various half hours of the original series. Sidney James and Diana Coupland play the nonplussed owners of a "money pit" new home. Their misadventures involve fire, water, homemade booze, and angry neighbors. Most American viewers got their first chance to savor Bless This House when the featurized version was made available to cable TV in the early 1980s. ~ Hal Erickson, Rovi

This film brings more ribald nonsense from the British "Carry On" gang. This time the setting is the Spanish resort town of Elsbels. A group of stereotypical British tourists - led by courier Stuart Farquhar (Kenneth Williams) show up for a four-day weekend at a "luxury hotel." There are only two setbacks: the hotel doesn't seem to be finished yet...and it's raining through the roof. Oh, yes...all the staff members look suspiciously like the same person. Stalwart "Carry On" troupers Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Kenneth Connor and Hattie Jacques are in attendance, while the toothsome Barbara Windsor shows up as "Miss Sadie Tompkins". ~ Hal Erickson, Rovi

The British "Carry On" series was in its 12th year when Carry On Again, Doctor was unleashed upon a panting public in 1969. Veteran Carry On-ers Kenneth Williams, Sidney James, Charles Hawtrey, Joan Sims, Hattie Jacques, Jim Dale and Barbara Windsor fill the principal roles in this hospital farce. Dale has the central role as a manic medico who stumbles upon a formula for weight control. The film's South-Sea setting permits plenty of female pulchritude to insinuate its way across the screen in between the one-liners and slapstick setpieces. Gerald Thomas directs, as ever. ~ Hal Erickson, Rovi

The "Carry On" gravy train continues in this entry that registers high on the randiness and vulgarity levels. Sid Boggle (Sidney James) and his best pal Bernie Lugg (Bernard Bresslaw) take off for the holidays with their girlfriends Joan Fussey (Joan Sims) and Anthea meeks (Dilys Laye). The gals know that the boys are taking them camping -- what they don't know it that it is also a nudist camp. Once there they are attracted to other campers -- particularly a group of gals from the Chayste Place Finishing School. Sexual innuendoes and double entendres become the order of the day. . . and night. ~ Paul Brenner, Rovi

The "Carry On" gang take on law enforcement in this rude and crude slapstick comedy. When a flu epidemic leaves a British police station decimated with illness, three incompetent rookies are given the chance to prove themselves as police officers. The three screwy recruits are Tom Potter (Leslie Phillips), a two-bit lothario; Stanley Benson (Kenneth Williams), an uppity intellectual with unique views on law enforcement procedures; and Charlie Constable (Kenneth Connor), an obsessive type who is consumed with astrology. With the help of the swishy Special Officer Timothy Gorse (Charles Hawtrey), the stooges manages to mess up every assignment they are given. But when a criminal gang robs a payroll truck, the four nincompoops are forced to prove their worth. ~ Paul Brenner, Rovi

A familiar cast and crew -- which will continue carrying on for several more of these comedies by director Gerald Thomas -- once again star in well-established character types. This time around, the put-upon captain of a cruise ship (Sidney James) has five top positions suddenly needing to be filled by replacements, and unfortunately, he gets a rather inept lot. The quintet does not lack for trying, but then that attitude engenders the difficulties in the first place. The new and amateur cook, the sophisticated bartender, and the shapely femme fatale all make their appearance among the eccentrics on board. ~ Eleanor Mannikka, Rovi

The producers of the popular British "Carry On" series aren't going to fix something if it is not broken. This workable, slapstick comedy returns to a hospital setting and benefits from the same gags that made Carry On, Nurse a top draw in Britain. Instead of Dr. Kildare, this emergency unit has Dr. Kilmore (Jim Dale), the usual curmudgeon supervisor (Kenneth Williams) and a bedpan full of quirky quacks and petulant patients. The hospital staff is plagued by bathroom humor, romance, medical mistakes and beautiful nurses who distract the doctors and patients alike. Sight gags and comedy ensues, and this film is just what the doctor ordered for those in need of some laughs. ~ Dan Pavlides, Rovi