Sidney James Movies

Crest of the Wave is the original British title of Seagulls over Sorrento, filmed at MGM's Elstree facilities in 1953 and released stateside one year later. Based on a popular play by Hugh Hastings, the story concentrates on a group of British and American naval personnel, stationed on a Scottish island. The men are engaged on a top-secret project involving a revolutionary--and highly volatile--new torpedo. The British officers resent the intrusion of American scientist Bradville (Gene Kelly), while the Yank sailors can't seem to get along with their English counterparts. Tension mounts from the outset when the first test of the weapon fails, killing several men. After a second test likewise proves disastrous, the urgency to succeed the third time round becomes even more crucial. Can Bradville prove the efficacy of the torpedo without sparking another tragedy--and will he ever gain the full confidence of his most formidable foe, British lieutenant Wharton (John Justin)? ~ Hal Erickson, All Movie Guide

Horseracing provides the framework of this British drama. The story begins as a former champion jockey Sam Lilley is barred from racing. Although he himself can no longer race, the jockey decides to live his dreams through Georgie Crain, who becomes his youthful protege. Sam teaches George all he knows, and also insists that he keep his morals high. But when Georgie's mother encounters financial disaster, the lad and his mentor decide they have no choice but to throw a race for a gang of criminals. Unfortunately, this leads to even more ethical problems. ~ Sandra Brennan, All Movie Guide

A fair stab at yet another World War II comedy, this film by Michael Relph features the humorous antics of an ENSA troupe (the British equivalent of the American USO) and an absurd involvement with an army major (Alfred Marks) that leads to the capture of a German commanding officer (Marius Goring). The troupe of entertainers includes a pair of seasoned crooners, a level-headed piano player, a leader who seems to fail equally well at comedy and singing, his wife, and a few others. This disparate group gets mixed up in the Brit Major's agenda and precipitates a series of unexpected circumstances that somehow lead everyone to bumble through to ultimate triumph. ~ Eleanor Mannikka, All Movie Guide

Arthur Watkyn's droll theatrical piece For Better, For Worse was expertly adapted for the big screen in 1954. Popular young star Dirk Bogarde and strangely forgotten newcomer Susan Stephen star as a young married couple who struggle to make things run smoothly in their first year together. The usual travails befall them, from unpaid bills to uninvited in-laws. Somehow they survive, a denouement tipped off to the audience by the film's airy mood and sparkling color photography. The American distributor of For Better, for Worse pounced upon one isolated incident in the narrative and came up with the new title Cocktails in the Kitchen. ~ Hal Erickson, All Movie Guide

In this action-filled crime drama, a tough journalist relentlessly pursues a fleeing racketeer. When the gangster realizes that he is being pursued, he captures the reporter and then goes after his moll whom he suspects of ratting on him. The reporter escapes and rescues the girl. Meanwhile, the mobster is shot down in a police shoot-out. ~ Sandra Brennan, All Movie Guide

Time Gentlemen Please is a phrase that is all too familiar to British pub patrons; it means that it's closing time, and everyone is invited to go home. Actually, the film has less to do with elbow-bending than with the vagaries of British traditions. A tiny English village is thrown into a panic when the Prime Minister announces an impending visit, to honor the community for 100-percent employment. Alas, Irish reprobate Dan Dancer (Eddie Byrne) steadfastly refuses to get a job. In trying to force Dan into seeking work, the locals lock him up in the local almshouse -- where, thanks to an archaic law, Dan finds himself in line for a yearly income of 6000 pounds! Time Gentleman Please is based on R. J. Nimmey's novel Nothing to Lose. ~ Hal Erickson, All Movie Guide

Belles of St. Trinian's was the first of several British comedies inspired by the fear-inspiring girl's school created by cartoonist Ronald Searle. The girls of St. Trinian's aim their deviltry at a gang of crooks who plan to steal a famous race horse. Alastair Sim wraps up the proceedings with his dual portrayal of the school's severe headmistress (!) and her bookmaking twin brother. Also worth watching is veteran supporting player George Cole, who makes a tidy profit on the alcoholic beverages produced in the girls' science lab, and toothy Joyce Grenfell as a diligent lady constable. Like most of the subsequent "St. Trinian's" farces, Belles of St. Trinian's was a joint effort of the producer/director/writer team of Frank Launder and Sidney Gilliat. ~ Hal Erickson, All Movie Guide

Who better than the estimable Barbara Payton to play the Bad Blonde in this Lippert release? Actually, the film was originally made in England by Hammer Productions, then released in Great Britain as The Flanagan Boy and This Woman is Trouble, but neither one of these titles had the box-office "sock" of Lippert's cognomen. The story finds the duplicitous Lorna Vecchi (Payton) wrapping boxer Johnny Flanagan (Tony Wright) around her little finger. It seems that Lorna is married to Johnny's manager, Giuseppe (Frederick Valk). But when her husband proves to be a nuisance, the "bad blonde" blackmails Johnny into murdering the man. Astonishingly, until the very, very end it looks like Lorna's going to get away with it! Bad Blonde was based on a novel by Max Catto. ~ Hal Erickson, All Movie Guide

Twelve-year old Frankie (Andrew Ray) feels guilty after his best friend falls to his death when they are playing in a bombed-out London building. Len (Sylvester) is a petty thief who has just become a murderer by killing the pub owner in a botched robbery. Frankie and Len's paths cross, and Len learns Frankie's secret then poses as the boy's friend to blackmail the lad into stealing from his parents to finance Len's escape. When the crook suspects that Frankie knows enough to link him to the murder, he tries to silence the boy in a tense, "hide-and-seek" chase played out in a bomb- damaged, highly perilous underground station. The initial idea for this movie may well have been borrowed from The Window (1949), but several intriguing plot twists and effective use of the post-war London location make The Yellow Balloon a unique entertainment in itself. ~ Michael P. Rogers, All Movie Guide

The first Ealing Studios comedy shot in color, Titfield Thunderbolt takes place in a tiny British village serviced by a branch railway line. When the government plans to close the line down, the locals are in a panic--except for a group intending to set up an expensive bus service. The local vicar (George Relph) concocts a scheme with the town's wealthiest man (Stanley Holloway) for the villagers to run the rail line themselves; in this way they hope to prove to the railway inspectors that their branch is still worth keeping. When the bus interests attempt to sabotage this undertaking, the villagers respond by stealing a stray locomotive--and when this proves cumbersome, they reactivate a 19th century train engine from the local museum. The Titfield Thunderbolt is uniquely British in humor and approach, but not so "inside" as to alienate American filmgoers. ~ Hal Erickson, All Movie Guide

Also known as Glory at Sea, a World War II British commander and his crew wage a fierce sea battle against the Germans in spite of their inferior vessel. ~ Iotis Erlewine, All Movie Guide

Based on the stage farce by Vernon Sylvanie, Will Any Gentleman? stars George Cole as milquetoast bank clerk Henry Sterling. While attending a music hall show, Sterling accidentally falls under the spell of stage hypnotist Mendoza (Alan Badel). Undergoing a complete change of character, Sterling becomes an unregenerate womanizer, much to the amazement and dismay of his wife (Veronica Hurst). Anxiously, Mendoza tries to track the latter-day Lothario down and snap him out of his spell. The plot of Will Any Gentleman? certainly wasn't new in 1953, but it was still good for a full supply of belly laughs. Featured in the cast are pair of future "Doctor Who" stars, Jon Pertwee and William Hartnell. ~ Hal Erickson, All Movie Guide