Sidney James Movies

Bless This House is a feature-length spinoff of the British TV sitcom of the same name. The episodic nature of the film suggests that it was cobbled together from various half hours of the original series. Sidney James and Diana Coupland play the nonplussed owners of a "money pit" new home. Their misadventures involve fire, water, homemade booze, and angry neighbors. Most American viewers got their first chance to savor Bless This House when the featurized version was made available to cable TV in the early 1980s. ~ Hal Erickson, All Movie Guide

The Carry On gang carries on with this 17th entry in the gang's never-ending series of lowbrow British comedy films. This time the Carry On crowd spoofs the stiff-upper-lip, "defending-the-Empire" epics of an earlier era. Comic opera British troops are sent to the Khyber Pass to prevent the local citizenry from discovering what's under the kilts of the Scottish Devil's Regiment. Series regulars Sidney James, Kenneth Williams, Charles Hawtrey and Joan Sims are put through their usual risque paces by their usual director Gerald Thomas. This stirring historical saga was followed by the equally inspiring 1970 epic Carry On, Up the Jungle. ~ Hal Erickson, All Movie Guide

Part of the "Carry On Series", this is a satire on the French Revolution in which Sidney James portrays the Black Fingernail, a rip-off Scarlet Pimpernel using double entendres and jokes of questionable taste and a wide variety of disguises to hid his identity. ~ Tana Hobart, All Movie Guide

Though long defunct in the United States, the tiny production firm of Pathe continued churning out British programmers into the 1960s. Pathe's The Big Job stars Sidney James, Dick Emery and Lance Percival as a trio of none-too-bright bank robbers. Released from jail after 15 years, the intrepid trio makes a beeline for the location where they hid their stolen money. Uh, oh: the cash is squirreled away in a tree, and the tree has now been replanted in front of a police station. Thus, the "big job" of the title consists of the crooks' efforts to retrieve their swag without the Bobbies catching on. ~ Hal Erickson, All Movie Guide

The multi-million dollar film extravaganza Cleopatra was too convenient a target for Britain's "Carry On" funsters to ignore. The plot of Carry on Cleo, if one can discern a plot amidst the sight gags and outrageous puns, involves the attempts by a bungling slave (Kenneth Connor) to rescue Julius Caesar (Kenneth Williams) from assassination. Instigators of the plot are Cleopatra (Amanda Barrie) and Mark Anthony (Sidney James), who comport themselves like a couple of Liverpool pub owners. The best bit involves Mark Anthony's "beheading" of the legendary asp. Filmed on a tight 160,000 pound budget and utilizing leftover sets from the Taylor/Burton epic, Carry On Cleo's reputation rests chiefly on a legal brouhaha involving its advertising artwork, which was deliberately patterned after the ads for the "real" Cleopatra. ~ Hal Erickson, All Movie Guide

In one of the best of the long-running Carry On series, Western clichés are run through the Carry-On wringer. The film takes place in wild and woolly Stodge City, a town held in thrall to the nasty dealings of The Rumpo Kid (Sidney James). The Rumpo Kid holds the town in such abject terror that Judge Burke (Kenneth Williams) compels Sheriff Albert Earp (Jon Pertwee) to run The Rumpo Kid out of town. But when Earp confronts The Rumpo Kid, Earp is shot dead for his troubles. Burke puts out a call for a new lawman for the town and, due to a series of misunderstandings, an English custodian, Marshall P. Knutt (Jim Dale) is hired for the job. Arriving at the same time as Knutt is Annie Oakley (Angela Douglas), who has come to town to get vengeance for her father's murder (her father being the deceased sheriff). Events simmer and boil to a final confrontation between The Rumpo Kid and Nutt, who utilizes his custodial skills to defeat The Rumpo Kid and his evil gang. ~ Paul Brenner, All Movie Guide

A familiar cast and crew -- which will continue carrying on for several more of these comedies by director Gerald Thomas -- once again star in well-established character types. This time around, the put-upon captain of a cruise ship (Sidney James) has five top positions suddenly needing to be filled by replacements, and unfortunately, he gets a rather inept lot. The quintet does not lack for trying, but then that attitude engenders the difficulties in the first place. The new and amateur cook, the sophisticated bartender, and the shapely femme fatale all make their appearance among the eccentrics on board. ~ Eleanor Mannikka, All Movie Guide

In this comedy, a writer tries to scare up some quick cash by writing a book about the Loch Ness monster. Unfortunately, none of the publishers will buy it. The writer and his bohemian friends then create a mock monster, photograph it, and head for Scotland to convince the locals of the picture's veracity. ~ Sandra Brennan, All Movie Guide

One in the series of St. Trinian's off-beat, irreverent comedies that began in 1953 and continued strong through the '60s, this farce by Frank Launder features the usual bevy of comely young women who attend the school. This time around, the femmes terribles have just burnt down the school and shock the world by getting acquitted when hauled into the Old Bailey. It seems the judge is keen on Rosalie (Julie Alexander) and besides, an unscrupulous shyster posing as a professor offers to rebuild the school. Instead, he takes the offenders on a bogus tour of Greece and once they are underway, he leads them to his real goal -- forced matrimony to the sons of an Arab sheik. As always, this St. Trinian's comedy is meant for audiences who enjoy its own brand of humor. ~ Eleanor Mannikka, All Movie Guide