Jessica James Movies

Hauled before a federal grand jury, Murphy (Candice Bergen) gallantly accepts a jail for refusing to reveal a source. After preparing to go into full martyr mode while serving her time, Murphy is a bit disappointed when she is sentenced to a luxurious "Club Fed" minimum-security facility. Her cushy incarceration quickly turns out to be too much of a good thing--and it looks like it will be a long, long time before her appeal comes through. ~ Hal Erickson, All Movie Guide

In this vaguely allegorical science fiction-crime film, a Los Angeles cop tries to solve the murder of his best friend with the help of his new partner -- a member of a star-faring alien race. In the near-future world of Alien Nation, the "Newcomers" are a race of formerly enslaved humanoids seeking refuge and integration into Earth society. These unusual immigrants face anger and resentment from some humans, including Matthew Sykes (James Caan), a cop whose partner, Tug (Roger Aaron Brown), was killed in a shoot-out with several Newcomers. In order to get some insight into Newcomer society and track down the "slags" who killed Tug, Sykes volunteers to take on a new partner,Sam "George" Francisco (Mandy Patinkin), the first alien ever promoted to the rank of detective. As Sykes tries to overcome his bigotry against George and his kind, who eat raw beaver and get drunk on spoiled milk, the friendly, helpful George soon learns the identity of Tug's killer: William Harcort (Terrence Stamp), a pillar of Newcomer society who is secretly manufacturing the same powerful narcotic that was used to enslave his race. It's up to Sykes and George to stop Harcort before he turns his fellow Newcomers into drooling addicts and pulls the skeletons out of his race's closet for all of humankind to see. Omen 3 director Graham Baker made his screenwriting debut with Alien Nation, as did co-writer Rockne S. O'Bannon. Kenneth Johnson, creator of the miniseries V, would adapt Alien Nation into a weekly television show in 1989 and several made-for-TV movies in the mid-'90s. ~ Brian J. Dillard, All Movie Guide

A star-studded cast portrays political movers and shakers in this drama about politics and the media. Richard Gere is Pete St. John, a gilt-edged "image" advisor to the likes of powerful and often crooked politicians -- including a South American candidate for the top office in his country and, reluctantly, a conservative industrialist named Jerome Cade (J.T. Walsh). Cade is after a Senate seat vacated by Sam Hastings (E.G. Marshall), a liberal politician who fits in with the views that Pete once upheld. When things start to go wrong, it looks like Cade's gruff advisor Arnold Billings (Denzel Washington) might hold one of the keys to Pete's discovery of the truth about Cade -- and may be the reason why Hastings is leaving his job. ~ Eleanor Mannikka, All Movie Guide

Ideally tailored to the talents of Rodney Dangerfield, Easy Money casts Rapid Rodney as Monty Capoletti, the black sheep of a prominent family. Nothing can curb Monty's drinking, gluttony, gambling, smoking, or general carousing. Nothing, that is, except the possibility of inheriting millions from mother-in-law Mrs. Monahan (Geraldine Fitzgerald). For one whole year, Monty must toe the line and clean up his act. Can he do it? And will viewers laugh uproariously? The answer to the second question: Yes, they will! ~ Hal Erickson, All Movie Guide

Larry Cohen wrote the screenplay to this updating of Mickey Spillane's notorious 1947 novel. Cohen was originally engaged to direct the film as well but was pulled from the director's chair after a week's worth of shooting because he had already run up the budget by $100,000; he was replaced by television director Richard T. Heffron. In this 1982 I, the Jury, Mike Hammer (Armand Assante) is a Vietnam veteran who wears hip duds and drives around in a bronze Trans Am in much the same way as Robert Mitchum's Philip Marlowe was refurbished for Michael Winner's re-make of The Big Sleep. After a cheesy rip-off of a James Bond-style credit sequence, the story kicks in. One-armed detective Jack Williams (Frederick Downs) is murdered. Jack was Hammer's best friend, and Hammer decides that he will become a one-man vigilante squad and seek vengeance on the person responsible for his death. He enlists the aid of his vivacious secretary Velda (Laurene Landon) and is also helped and hindered by police-chief Pat Chambers (Paul Sorvino). Hammer latches on to the killer's trail, then the film veers in a radically different direction from the book, introducing government conspiracies and mind-control techniques by the CIA and the Mafia. Also introduced is Hammer's love interest Charlotte Bennett (Barbara Carrera), an administrator of a kinky sex clinic (depicted as a psychiatrist in the original novel). ~ Paul Brenner, All Movie Guide

Trying to recreate the screwball comedy success of his collaborations with Peter Bogdanovitch, actor Ryan O'Neal headlined this sporadically funny mixture of light farce and social satire. O'Neal stars as Bobby, an intellectual English professor who leaves his job when his father Jack (Jack Warden) appeals to him for help. A garment manufacturer, Jack is in serious debt to humongous loan shark Eddie (Richard Kiel), and he desperately needs his business to provide the capital to pay Eddie back. Completely by accident, Bobby invents the solution to his dad's problem: see-through denim blue jeans with strategically placed holes in the rear that expose one's backside. The fickle public goes mad over the "sexy" new style, and the money starts flowing in, but Bobby exacerbates his father's problems greatly when he falls for and begins dating the amorous Lira (Mariangela Melato), whose husband is none other than Eddie. So Fine was the feature directorial debut of popular Blazing Saddles (1974) writer Andrew Bergman, who would wait eight years before getting behind the camera again with the much more successful The Freshman (1990). ~ Karl Williams, All Movie Guide

In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. ~ Clarke Fountain, All Movie Guide