Jon Landau Movies

James Cameron brings Taylor Stevens' famed character Vanessa "Michael" Munroe to the big screen with this adaptation of the best-selling novel concerning a female mercenary who heads to Africa to find a billionaire's missing daughter. ~ Jeremy Wheeler, Rovi

James Cameron's Avatar continues with this third installment detailing the continuing dramatic adventures of the Na-vi, the alien race of Pandora. Cameron once again writes and directs for 20th Century Fox. ~ Jeremy Wheeler, Rovi

Casino Royale's Martin Campbell directs this espionage thriller concerning an FBI agent's mission to thwart a terrorist attack. The Alcon/Lightstorm/8:38 co-production was written by David and Peter Griffiths, with rewrites by Flags of Our Fathers' William Broyles and producing duties headed by James Cameron. ~ Jeremy Wheeler, All Movie Guide

A paraplegic ex-marine finds a new life on the distant planet of Pandora, only to find himself battling humankind alongside the planet's indigenous Na'vi race in this ambitious digital 3D sci-fi epic from Academy Award-winning Titanic director James Cameron. The film, which marks Cameron's first dramatic feature since 1997's Titanic, follows Jake Sully (Sam Worthington), a war veteran who gets called to the depths of space to pick up the job of his slain twin brother for the scientific arm of a megacorporation looking to mine the planet of Pandora for a valued ore. Unfortunately the biggest deposit of the prized substance lies underneath the home of the Na'vi, a ten-foot-tall, blue-skinned native tribe who have been at war with the security arm of the company, lead by Col. Miles Quaritch (Stephen Lang). Because of the planet's hostile atmosphere, humans have genetically grown half-alien/half-human bodies which they can jack their consciousnesses into and explore the world in. Since Jake's brother already had an incredibly expensive Avatar grown for him, he's able to connect with it using the same DNA code and experience first-hand the joys of Pandora while giving the scientific team, led by Grace Augustine (Sigourney Weaver) and Norm Spellman (Joel David Moore), some well-needed protection against the planet's more hostile forces.

On a chance meeting after getting separated from his team, Jake's Avatar is rescued by Neytiri (Zoe Saldana), a Na'vi princess, who brings him into her tribe in order to give the humans a second chance at relating to this new environment. When word gets out of his increasing time with the alien species, Quaritch enlists Jake to do some reconnaissance for the company, as they'd like to persuade the tribe to move their home before taking more drastic measures to harness the treasure hidden below. Yet as Jake becomes one with the tribe and begins to understand the secrets of Pandora, his conscience is torn between his new adopted world and the wheelchair-bound one awaiting him when the psychic connection to his Avatar is broken. Soon battle lines are drawn and Jake needs to decide which side he will fight on when the time comes. The film was shot on the proprietary FUSION digital 3D cameras developed by Cameron in collaboration with Vince Pace, and offers a groundbreaking mix of live-action dramatic performances and computer-generated effects. The revolutionary motion-capture system created for the film allows the facial expressions of actors to be captured as a virtual camera system enables them to see what their computer-generated counterparts will be seeing in the film, and Peter Jackson's Oscar-winning Weta Digital visual-effects house supervises Avatar's complex special effects. ~ Jeremy Wheeler, Rovi

This spectacular epic re-creates the ill-fated maiden voyage of the White Star Line's $7.5 million R.M.S Titanic and the tragic sea disaster of April 15, 1912. Running over three hours and made with the combined contributions of two major studios (20th Century-Fox, Paramount) at a cost of more than $200 million, Titanic ranked as the most expensive film in Hollywood history at the time of its release, and became the most successful. Writer-director James Cameron employed state-of-the-art digital special effects for this production, realized on a monumental scale and spanning eight decades. Inspired by the 1985 discovery of the Titanic in the North Atlantic, the contemporary storyline involves American treasure-seeker Brock Lovett (Bill Paxton) retrieving artifacts from the submerged ship. Lovett looks for diamonds but finds a drawing of a young woman, nude except for a necklace. When 102-year-old Rose (Gloria Stuart) reveals she's the person in the portrait, she is summoned to the wreckage site to tell her story of the 56-carat diamond necklace and her experiences of 84 years earlier. The scene then shifts to 1912 Southampton where passengers boarding the Titanic include penniless Jack Dawson (Leonardo DiCaprio) and society girl Rose DeWitt Bukater (Kate Winslet), returning to Philadelphia with her wealthy fiance Cal Hockley (Billy Zane). After the April 10th launch, Rose develops a passionate interest in Jack, and Cal's reaction is vengeful. At midpoint in the film, the Titanic slides against the iceberg and water rushes into the front compartments. Even engulfed, Cal continues to pursue Jack and Rose as the massive liner begins its descent.

Cameron launched the project after seeing Robert Ballard's 1987 National Geographic documentary on the wreckage. Blueprints of the real Titanic were followed during construction at Fox's custom-built Rosarito, Mexico studio, where a hydraulics system moved an immense model in a 17-million-gallon water tank. During three weeks aboard the Russian ship Academik Keldysh, underwater sequences were filmed with a 35mm camera in a titanium case mounted on the Russian submersible Mir 1. When the submersible neared the wreck, a video camera inside a remote-operated vehicle was sent into the Titanic's 400-foot bow, bringing back footage of staterooms, furniture and chandeliers. On November 1, 1997, the film had its world premiere at the 10th Tokyo International Film Festival. ~ Bhob Stewart, Rovi

Erstwhile inventor Prof. Wayne Szalinski (Rick Moranis) has been experimenting with an electromagnetic shrinking machine. He leaves the device unattended in his attic; shortly afterward, it is accidentally activated. Alas, the demon machine is aimed at his children, as well as the son of neighbor Russ Thompson (Matt Frewer). The kids, shrunk to 1/4-inch height, are tossed into the trash bin by the unwitting Szalinski. For the rest of the film, our teeny-tiny protagonists attempt to gain their parents' attention -- and to survive the wilds of the backyard, where all sorts of dangers, from bumblebees to lawnmowers, threaten their well-being. Honey, I Shrunk the Kids features Marcia Strassman as Moranis' wife, and juvenile players Robert Oliveri, Kristine Sutherland, Thomas Brown, Jared Rushton, and Amy O'Neill. The visual effects are the handiwork of such masters as Joe Johnston, Phil Tippett, and David Allen. When originally released to theaters, Honey, I Shrunk the Kids was double-billed with the Roger Rabbit cartoon Tummy Trouble; this is how it is presented on videotape as well. The film (the live-action one, that is) prompted a 1992 sequel, Honey, I Blew Up the Kid. ~ Hal Erickson, Rovi