Pixies Movies

The band that inspired some of the most innovative rock acts of the new millennium reunites to conquer the globe 12 years after calling it quits, and filmmaker Steven Cantor is there to capture all the low-lights and highlights of their tentative reunion in a probing documentary exploring the re-birth of Gen-X alternative giants the Pixies. Plagued by personal problems from the beginning but driven to create such classic albums as Surfer Rosa and Doolittle, Frank Black, Kim Deal, Joey Santiago, and David Lovering smashed convention to deliver a wailing wall of chaotic but catchy riffs that, when combined with Black's disjointed lyrics and volatile vocals, gave birth to an entirely new sound. Initially self-destructing in 1993 and fragmenting into a variety of compelling offshoots, the Pixies weathered out the remainder of the decade and the first years of the new millennial crossover on their own before a series of jam sessions between the former bandmates led to a wildly successful 2004 North American tour. ~ Jason Buchanan, All Movie Guide

Filmmaker Drew Thomas brings California's popular Coachella Valley Music and Arts Festival to the screen with a different kind of musical documentary that not only showcases performances by some of the hottest acts to take the stage, but offers interviews with such musical icons as Beck, Joshua Homme, Mos Def, and Perry Farrell as well. From English icon Morrissey's performance at the inaugural Coachella Festival back in 1999 to Canadian indie rockers the Arcade Fire's electric 2005 set, the musical acts featured here run the gamut from hip-hop to alternative and virtually everything in between. Other artists featured include the Pixies, the Flaming Lips, Kool Keith, Radiohead, Saul Williams, and Squarepusher. ~ Jason Buchanan, All Movie Guide

First-time director Samuel Benmchetrit's 2003 debut Janis et John (Janis and John) follows the comedic exploits of a down-on-his luck insurance salesman as he attempts to make up for some very poor financial decisions. Pablo Sterni (Sergi Lopez), the aforementioned insurance salesman, has, until recently, been an honest business man. As of late, though, Pablo had been siphoning money from one of his more successful client's accounts -- one that covers a very expensive sports car. When that client, Mr. Cannon (Jean-Louis Trintignant), turns in a loss claim for that car for a half-million francs, Pablo finds himself in a tight spot. Inspiration strikes when Pablo learns that his hippy-dippy cousin Leon (Christopher Lambert, billed as Christophe Lambert) has just inherited a million francs from his recently deceased father. Leon, a perpetually stoned record store owner, lives solely for the day his 1973 vision of John Lennon and Janis Joplin's Christ-like return to Earth is fulfilled. After visiting with his cousin, Pablo decides to assist Leon in reliving his dream -- as well as parting him with much of his inheritance -- by convincing his wallflower wife, Brigitte (Marie Trintignant, murdered mere weeks before the film's debut, thus marking her final film appearance) and an out-of-work actor (François Cluzet) to impersonate Janis and John. Janis et John was selected for inclusion in the 2003 Montreal World Film Festival. ~ Ryan Shriver, All Movie Guide

Jérôme lives in a hotel and is preparing for his final examinations, after which he will be through with school and will be free to begin at some career. Jeanne, his girlfriend, is in a similar situation. It is difficult to tell if Jérôme is lucky in his friendship with Albert, a rambunctious, driven, playful boy with an excess of high spirits and a serious shortage of thoughtfulness. However, whenever Albert appears in his life, it is difficult to deny him anything: it takes far too much energy. In one weekend, this troublesome visitor will have rearranged everyone's lives decisively, including his own. ~ Clarke Fountain, All Movie Guide