Alexandra Staden Movies

Six contestants in a staged reality game show compete to win 20,000 dollars apiece by spending the night in a deserted prison, but realize that the stakes are higher than they ever suspected when the malevolent spirit of the sadistic warden begins to stalk them through the darkened corridors. ~ Jason Buchanan, Rovi

Peter O'Donnell's novels and comic strip was previously brought to film by actress Monica Vitti and director Joseph Losey in an eponymous 1966 spy spoof. Quentin Tarantino had been interested in bringing the character to the screen for a series of films, but the idea languished. Reportedly, Miramax rushed My Name Is Modesty into production because their option on the material was on the verge of expiring. While there were rumors that Luc Besson was going to direct, with Natasha Henstridge starring, that version never came to fruition. The film was released straight-to-video with Tarantino's imprimatur. Relative newcomer Alexandra Staden plays Modesty, and the film serves as a prequel, an introduction to the character of O'Donnell's work. It opens in the Balkans where some soldiers happen upon a resourceful little girl, a wild child. The film then flashes forward to Modesty as a young adult running a casino for the shady businessman, Louche (Valentin Teodosiu). When ruthless bandits attack the casino and the staff is taken hostage, Modesty secretly signals her partner, Garcia (Raymond Cruz), that there's trouble, then buys time by engaging the bandit leader, Myklos (Nikolaj Coster-Waldau of the original Nightwatch), in a battle of wits. She uses the roulette wheel to barter the lives of the hostages for bits and pieces of her life story. And so the film flashes back to her orphaned past, showing how she was taken in by Lob (Fred Pearson), a wily older gentleman, who taught her to read and write several languages and how to thrive in a dangerous world. ~ Josh Ralske, Rovi

Following up on his innovative work Timecode, which featured four stories being told in real time simultaneously, Mike Figgis returns to a modified form of his technique in this film about the tourists, the prostitutes, the tour guides, a killer, and a film crew who frequent the Hungarian Palace Hotel in Venice, Italy. A corrupt Eastern European politician and his moll are visiting the city to complete a shady business deal while Sophie is a high-priced call girl who makes an office in one of the hotel's suites. The film crew is attempting to shoot a Dogma 95-style adaptation of John Webster's The Duchess of Malfi only to run into one problem after another. Magic is a professional assassin with a very odd kink -- he must have sex immediately after completing a job. Quintus, who abandoned his attempts to get fame and fortune as an actor, is a tour guide with an unusual secret. And then there is maid who not only has the skeleton key to the hotel, but also a habit of snooping. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi