Michael Kenneth Williams Movies

A pessimistic pothead struggles with his own cynicism after his Senegalese roommate is stricken ill and an insensitive municipal employee inadvertently exacerbates an already desperate situation. Ben Singer (Matthew Broderick) wanted to be a children's folk singer; instead he's become a career proofreader and the world's worst weekend dad. But while Ben's life may be a mess, at least his regular chess games with his roommate, Ibou, offer some amount of intellectual release. That all changes when Ibou falls mysteriously ill, and his malady is compounded by the indifference of a rude municipal employee. Convinced that his negative world view has finally been confirmed, Ben channels all of his energy into a frivolous lawsuit against the city before discovering that his misanthropy may be a simple matter of perspective. ~ Jason Buchanan, Rovi

Training Day director Antoine Fuqua takes viewers on a dark ride through the streets of Brooklyn, following three New York Police officers as they wrestle with temptation, loyalty, and duty while attempting to uphold the law and deal with the pressures of the job. Eddie Dugan (Richard Gere) is days away from retirement, but he's been burnt-out for years. Unable to remember why he signed up for the job in the first place, all Eddie can think about is retreating to his fishing cabin in Connecticut, and forgetting the horrors that he's seen during his decades on the job. At the same time, undercover narcotics cop Clarence "Tango" Butler (Don Cheadle) is right in the thick of it. As hard as he tries to quit, however, his superiors always find a way of keeping him on the job. Much like Dugan, he's lost sight of his priorities, and these days Tango's loyalties seem to lie more with notorious inner-city drug dealer Caz (Wesley Snipes) than with the boys in blue. And Tango isn't the only cop who's being drawn to the dark side of the law; narcotics officer Sal Procida's (Ethan Hawke) wife is currently pregnant with twins, and he's barely making enough to keep his family afloat. When Sal learns that his wife is at risk of losing their unborn children, desperation drives him to consider unethical means of ensuring financial stability. In seven days, the lives of all three officers will converge at one crime scene as the NYPD attempts to clean up the BK projects, the epicenter of lawlessness in the highest-crime precinct. ~ Jason Buchanan, All Movie Guide

Training Day director Antoine Fuqua takes viewers on a dark ride through the streets of Brooklyn, following three New York Police officers as they wrestle with temptation, loyalty, and duty while attempting to uphold the law and deal with the pressures of the job. Eddie Dugan (Richard Gere) is days away from retirement, but he's been burnt-out for years. Unable to remember why he signed up for the job in the first place, all Eddie can think about is retreating to his fishing cabin in Connecticut, and forgetting the horrors that he's seen during his decades on the job. At the same time, undercover narcotics cop Clarence "Tango" Butler (Don Cheadle) is right in the thick of it. As hard as he tries to quit, however, his superiors always find a way of keeping him on the job. Much like Dugan, he's lost sight of his priorities, and these days Tango's loyalties seem to lie more with notorious inner-city drug dealer Caz (Wesley Snipes) than with the boys in blue. And Tango isn't the only cop who's being drawn to the dark side of the law; narcotics officer Sal Procida's (Ethan Hawke) wife is currently pregnant with twins, and he's barely making enough to keep his family afloat. When Sal learns that his wife is at risk of losing their unborn children, desperation drives him to consider unethical means of ensuring financial stability. In seven days, the lives of all three officers will converge at one crime scene as the NYPD attempts to clean up the BK projects, the epicenter of lawlessness in the highest-crime precinct. ~ Jason Buchanan, Rovi

David Simon's masterful social commentary went back to school, quite literally, in the fourth season, which focuses on Baltimore's crumbling education system. A relevant link to its first three seasons is supplied by Roland "Prez" Pryzbylewski (Jim True-Frost), who left the police department to become a teacher at Edward Tilghman Middle School, a hardscrabble institution on life support that services a low-income, drug-infested neighborhood. (Incidentally, Prez's career path is similar to one of the series' producers, Ed Burns). His eighth-grade math class includes a close-knit quartet of friends -- Randy Wagstaff (Maestro Harrell), Michael Lee (Tristan Wilds), Duquan "Dukie" Weems (Jermaine Crawford) and Namond Brice (Julito McCullum). The wisecracking Brice is ignominiously selected to be part of a university experiment studying at-risk kids, which counts a former police commander, Bunny Colvin (Robert Wisdom), as a consultant. Out on the corners, Marlo Stanfield (Jamie Hector) strengthens his grip on the city's West Side narcotics trade once dominated by the Barksdale gang, and with his cold-blooded lieutenants, Chris (Gbenga Akinnagbe) and Snoop (Felicia Pearson), devises an ingenious method to hide the collateral damage of his ascent from the law. This sleight-of-hand bedevils detectives Freamon (Clarke Peters), Greggs (Sonja Sohn) and Bunk (Wendell Pierce). The trio are flummoxed by the lack of victims that would surely coincide with Marlo's ever-widening domain, a savage power grab that also threatens the relative peace of the New Day Co-Op under East Side pooh-bah Proposition Joe (Robert F. Chew). Meanwhile, the Democratic primary in the city's mayoral campaign pits the entrenched African-American incumbent, Clarence Royce (Glynn Turman), against Councilman Tommy Carcetti (Aidan Gillen), a scrappy politico with a savvy campaign manager in Norman Wilson (Reg E. Cathey), but a long shot to become Charm City's first white chief executive in years. ~ Joe Friedrich, Rovi

Season three of The Wire continues the series' even-handed dissection of the Baltimore "drug wars," as seen through the eyes of both the police investigators and the drug lords. With charismatic hoodlum Stringer Bell (Idris Elba) emerging as the unofficial leader of the Barksdale drug empire, and with narcotics detective James McNulty (Dominic West) allowing his personal demons to catch up with him vis-à-vis an ever-increasing dependence upon booze, a curious dichotomy is established whereby Stringer often comes off as the more mentally stable and morally responsible of the two men. Even so, Stringer and McNulty are but two of the series' 40-plus recurring characters, meaning that their individual travails are never permitted to overwhelm the series' overall narrative thrust. Dictating the direction in which the 12 episodes of season three will follow is a burgeoning political-reform movement in Baltimore, with the ongoing drug investigation becoming a volatile campaign tool. Before long, "body counts" on both sides are being publicly tallied in a manner that dredges up grim memories of Vietnam. And though the story arcs have become more complex and multi-layered, there is still plenty of time to develop such quirky vignettes as the "trading" of drug-free urine from Baltimore's daycare centers. The season's final episode is titled "Mission Accomplished" -- as grotesquely ironic as when those same two words were prematurely applied to war in Iraq. The most startling development of the season-three finale is the sudden demise of one of the series' main players...with his greatest enemy becoming his biggest mourner. ~ Rovi

Setting the tone for all seasons to come, season one of HBO's The Wire divides its attention equally between cops and dealers, offering a fascinatingly objective overview of the Baltimore drug scene. The weekly, hour-long series also pays homage to its spiritual predecessor, Homicide: Life on the Street (both series were created by Tom Fontana), by basing its debut episode (originally telecast June 2, 2002) on the same book (by David Simon) that inspired the earlier program. After drug dealer D'Angelo Barksdale (Larry Gilliard Jr.) beats a murder rap, Detective James McNulty (Dominic West) vows never to let D'Angelo out of his sight, hoping that the criminal will lead him to an even bigger fish -- namely, D'Angelo's uncle, drug kingpin Avon Barksdale (Wood Harris). McNulty's task is complicated by a variety of things, including the corruption and dissension within the police department -- which in turn hampers the effectiveness of the man leading the investigation of the Barksdale empire, Lt. Cedric Daniels (Lance Reddick). Meanwhile, Avon Barksdale and his second-in-command, Stringer Bell (Idris Elba), are likewise bedeviled with their own personal and professional problems as they gear up to do battle against their underworld rivals. Throughout the series' first 13 episodes, police officers and criminals alike are seen to possess their own curious codes of honor and rules of conduct, allowing viewers to empathize with both the hunter and the hunted (without, of course, ever completely siding with the "bad guys"). And though the season finale is titled "Sentencing," it is clear that the story is far from over. ~ Rovi

This tense urban drama stars Nicolas Cage as Frank Pierce, a paramedic on the brink of physical and emotional collapse. Frank has worked for years in one of New York's most brutal neighborhoods, and the pressure of his job has taken its toll; plagued with self-doubt, he is haunted by the spirits of the people he couldn't save, and while he desperately wants to quit his job, outside forces won't let him walk away. Bringing Out the Dead brought director Martin Scorsese back to the streets of contemporary New York, one of his favorite locations, after three films set elsewhere: Kundun, Casino, and The Age of Innocence. The film also reunited Scorsese with screenwriter Paul Schrader, who scripted Taxi Driver, Raging Bull, and The Last Temptation of Christ. The supporting cast includes Patricia Arquette as the daughter of a heart attack victim that Frank has fallen in love with, and John Goodman and Ving Rhames as two of Frank's fellow drivers. ~ Mark Deming, Rovi

Seven years after his comedy Earth Girls Are Easy (1988), former music video director Julien Temple returned to feature films with the direct-to-video crime melodrama Bullet (1995), which featured a fine supporting cast. Mickey Rourke stars as Butch "Bullet" Stein, a Jewish junkie from the mean streets of Brooklyn who is paroled after eight years in prison. Butch rips off a runner for local drug dealer, Tank (Tupac Shakur), and is soon right back into his old habits of snorting coke and shooting up heroin with his best friend Lester (John Enos III). Enraged by Butch's affront and already determined to get revenge on him for a past wrong, Tank sets about getting even with his old enemy by hiring a hulking brute, Gates (Ray Mancini) to beat Butch. When the confrontation occurs, however, Gates breaks his hand on the battle-hardened Butch. Besides Lester, the only people in Butch's corner are his two brothers, the mentally-unhinged Vietnam War veteran Louis (Ted Levine) and aspiring artist Ruby (Adrien Brody), neither of whom can be counted on to help him in the inevitable showdown. ~ Karl Williams, Rovi