Dean Jagger Movies

When American agents in Moscow try to recover a stolen letter implicating America in an anti-Red China plot, they discover a hornet's nest of treason, double agents, murder, and betrayal. The plot has as many switchbacks as a Formula One racetrack, and a pad and paper to keep track of the agents and their code names wouldn't hurt. Still, The Kremlin Letter is an interesting espionage movie with some good performances. ~ Tana Hobart, All Movie Guide

A superb throwback to the "films noir" of old, The Lonely Profession puts icing on the cake with a strong dose of 1960s realism--within reasonable TV-movie limits. Harry Guardino plays a businesslike private eye assigned to trail the mistress (Ina Balin) of a Hughes-like reclusive millionaire. When he catches up with her, the two spend an evening in a motel. Guardino wakes up; the woman does not. Now facing a murder rap, Guardino must get to the bottom of the killing and determine why he's been set up as the fall guy. To do this, he opens his own probe of the dead woman's past. Lonely Profession was a special favorite of its director Douglas Heyes, who is best known to TV buffs for his work on Maverick and Twilight Zone. ~ Hal Erickson, All Movie Guide

Jimmy Stewart and Henry Fonda headline this western in which an old lawman (Stewart) attempts to keep his town safe from a band of recent returnees from the Missouri range wars and their villainous leader (Fonda), who threaten to destroy it with their drunken revelry. The old sheriff usually avoids the town, preferring to live on the outskirts of town with his pregnant wife. He is a bit of a pacifist, and when he sees what the outlaws are doing to the peaceful little village, he decides he must intervene, as no one in town seems to have the grit to fight back. At first the lawman attempts to reason with the outlaws. He fails at this, and even more violence ensues, forcing the sheriff to use a stronger form of persuasion. ~ Sandra Brennan, All Movie Guide

In this WW II drama, a tough-as-steel Medal of Honor-winning Marine finds himself training recruits on a stateside base and waiting for his wife to bear their first child. Unfortunately, he feels bad about being home when so many other soldiers are dying in the Pacific Theater and so asks to be sent there. He becomes an officer and is assigned to command a regiment on the front line. Unfortunately, once there, he finds himself nearly paralyzed by fear and indecision until a much tougher sergeant reminds him what he is really made of. ~ Sandra Brennan, All Movie Guide

As "Eddie Carter", Kimble (David Janssen) is hired as deck hand on the tuna boat owned by cantankerous old fisherman Tony Donovan (Dean Jagger). When Donovan's son Joe (James Callahan), a local labor leader who has organized a fisherman's strike, is arrested by the police, Kimble's true identity comes to surface. Having taken a shine to Kimble, Tony invites him to escape to Mexico on his boat--but Joe alerts the authorities of his father's plans. ~ Hal Erickson, All Movie Guide

Inasmuch as the spectacular Richard Rodgers and Lorenz Hart Broadway musical Jumbo was written in 1935, this 1962 film version can't help but seem a little quaint. Still, the film features the original production's star Jimmy Durante, energetically recreating his stage role as circus owner Pop Wonder; it is Durante's bravura performance that saves the film from dullness. Threatened with foreclosure, Pop Wonder and his pretty daughter Kitty (Doris Day) put their fates in the hands of go-getter Sam Rawlins (Stephen Boyd). What they don't know is that Sam is the son of Pop's biggest rival (Dean Jagger), and he's been sent to undermine the Wonder Circus. It goes without saying that Sam turns the tables on his dad, thereby saving the day and winning Kitty's hand. Martha Raye shows up as Lulu, a fortune teller who can't figure out what's going to happen next (funny, we can). And of course there's Jumbo the elephant, who figures into the film's funniest scene (as well as one of Jimmy Durante's most celebrated punchlines). Old MGM musical hands Charles Walters and Busby Berkeley share directing chores, but somehow the film hasn't the panache of their earlier work. Happily, most of the Rodgers-Hart songs are retained, including "My Romance" and "The Most Beautiful Girl in the World"-not to mention a few Rodgers-Hart tunes borrowed from other show, e.g. "This Can't Be Love". ~ Hal Erickson, All Movie Guide

Dean Jagger stars as Ed Lindsay, a cranky middle-aged man living in a boarding house with several other old-timers, including his former fiancée Vinnie Brown (Carmen Mathews). Fed up with television, Ed squirrels himself away in his room, where he begins tooling around with the antique radio he's found in the cellar. Before long, he is receiving broadcasts from the 1930s and 1940s -- live broadcasts, not reruns. Having opened a window to the past, Ed desperately tries to correct several mistakes he's made in life. Scripted by Charles Beaumont from a story by OCee Ritch, "Static" was one of six videotaped Twilight Zone episodes and was originally telecast March 10, 1961 (and yes, that voice emanating from Ed's old-time radio does belong to future Hogan's Heroes star Bob Crane). ~ Hal Erickson, All Movie Guide

Elmer Gantry (Burt Lancaster), a drunken, dishonest street preacher allegedly patterned on Billy Sunday, wrangles a job with the travelling tent ministry conducted by Sister Sharon Falconer (Jean Simmons). Thanks to Gantry's enthusiastic hellfire-and-brimstone sermons, Sister Sharon's operation rises to fame and fortune, enough so that Sharon realizes her dream of building her own enormous tabernacle. These ambitions are put in jeopardy when a prostitute (Oscar-winning Shirley Jones), a former minister's daughter who'd been deflowered by Gantry years earlier, lures Gantry into a compromising situation and has photographs taken. It took several years for any Hollywood studio to take a chance with Sinclair Lewis' novel, and when it finally did arrive on the screen, producer/director Richard Brooks was compelled to downplay some of the more "sacrilegious" passages in the original. Also appearing in Elmer Gantry are Arthur Kennedy as an H.L. Mencken-style atheistic journalist, and Edward Andrews as George Babbitt, a character borrowed from another Sinclair Lewis novel. ~ Hal Erickson, All Movie Guide

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide

Elvis Presley delivers one of his finest early performances in King Creole. Elvis plays a teenager named Danny Fisher, who is forced to drop out of school to help support his ineffective father (Dean Jagger). Drawn to trouble like a magnet, Danny is saved from a jail term by New Orleans salloonkeeper Charlie Le Grand (Paul Stewart), who gives the boy a job as a singer. It isn't long, however, before local gang boss Maxie Fields (Walter Matthau), a shadowy figure from Danny's criminal past, puts the muscle on the boy, insisting that Danny sing at his establishment. To lure Danny to his side of the fence, Maxie relies upon the seductive charms of his gun moll Ronnie (Carolyn Jones), while Danny's true love Nellie (Dolores Hart) suffers on the sidelines. In addition to the expected musical numbers (which are cleverly integrated into the storyline), the film's highlight is a brief exchange of fisticuffs between Elvis and Walter Matthau. Together with Jailhouse Rock, King Creole is one of the best filmed examples of the untamed, pre-army Elvis Presley. The picture was adapted from Harold Robbins' novel A Stone for Danny Fisher. ~ Hal Erickson, All Movie Guide

Karl Malden plays an air force sergeant who is tempted by a better-paying civilian job. Malden's daughter Natalie Wood is in love with a young colonel (Efrem Zimbalist Jr.) whom her father regards as an insolent hothead. The younger man proves his worth during jet maneuvers, while Malden decides that he's of more value in the service than as a working stiff. Bombers B-52 has some excellent moments, including a well-staged variation of the obligatory "breaking the news to the pilot's widow" scene. The film earned latter-day notoriety in the 1980s when a prominent movie historian analyzed the script (by Irving Wallace) and found an overabundance of sexual innuendo--including such in-flight dialogue as "She's unable to receive fuel" and "Request jet penetration!" ~ Hal Erickson, All Movie Guide

Cult hero Samuel Fuller wrote and directed this visually inventive western, which didn't fare well with American audiences but earned a potent reputation with European cineastes. Jessica Drummond (Barbara Stanwyck) is a despotic landowner who, with a posse of hired guns, has made herself the law of Cochise County, Arizona, with the weak-willed sheriff Ned Logan (Dean Jagger) knuckling under to her demands. One day, Griff Bonnell (Barry Sullivan), a one-time gunfighter turned United States Marshall, arrives with his brothers Wes (Gene Barry) and Chico (Robert Dix) to restore democratic law and order to Cochise County. Griff soon tangles with Drummond's brother Brockie (John Ericson), though Jessica is attracted to the new lawman, and Griff finds love with female gunsmith Louvenia Spangler (Eve Brent). Griff and Louvenia marry, but on their wedding day, Brockie murders Wes, and Griff, who takes pride in the fact that he has never fired his gun since becoming a marshal, must now break his vow of non-violence. ~ Mark Deming, All Movie Guide

Based on a novel by television producer Al Morgan, The Great Man is a Citizen Kane-style look at the private life of a public figure. The Great Man is a beloved radio and television personality who dies suddenly. Jose Ferrer (who also directed) plays a writer/commentator who has a chance to break into the Big Time by preparing a eulogistic broadcast concerning the deceased celebrity. As he interviews the various people who knew the Great Man on the way up (including Julie London and Ed and Keenan Wynn) he learns that the "idol of millions" was actually a conniving, duplicitous scoundrel who stepped on everyone in his path and who took credit for the hard work of others. Warned by his boss (Dean Jagger) that his career will be ruined if he tells the truth, Ferrer nonetheless takes to the airwaves with a "warts and all" biography--and the results are surprising only to those with no cynicism in their souls. The Great Man stirred up a sensation in 1956 because it was perceived to be an a clef study of the enormously popular (and ruthlessly powerful) media star Arthur Godfrey. ~ Hal Erickson, All Movie Guide