Frank Jaquet Movies

When Ricky (Desi Arnaz) discovers that he holds the "bonus buck" sought after in a radio contest, he generously plants the dollar bill (worth 300 dollars) in Lucy's purse, anticipating the thrill when Lucy (Lucille Ball) finds it. Unfortunately, Lucy uses the bill to pay the grocery boy (Don Garner) -- who in turn passes the bonus buck along to Ethel (Vivian Vance) as change. A battle over possession ensues, leading to the bill being torn in half, with the Ricardos and the Mertzes intending to share the prize (or at least that's what the couples tell each other!) One thing leads to another, and by episode's end, Lucy's half of the bill ends up at the local laundry, where in her zeal to retrieve the dollar Lucy is given the "starch treatment" to end all starch treatments. ~ Rovi

Winning of the West was Gene Autry's first western vehicle for 1953. It was also one of Autry's better offerings, with the star cast as a territorial ranger with an uncharacteristically nasty streak. When a local newspaper publisher is slain by an outlaw gang, Gene hesitates to pull his gun because he recognizes his own brother (Richard Crane) as one of the outlaws. As a result, he is relieved of his duties and forced to fend for himself. After a series of hair-raising adventures, Autry is compelled to face his brother in a showdown. Somehow, a happy ending arises from all this, though it wouldn't be fair to tell how. Gene Autry is supported by his usual cohorts Smiley Burnette and Gail Davis; he also offers four musical numbers, of which "Find Me My Trusty .45" is the best. ~ Hal Erickson, Rovi

This 1952 programmer was the eighth entry in Columbia's profitable "Jungle Jim" series. Johnny Weissmuller, as ever, stars as pith-helmeted Jungle Jim, who this time must grapple with an avaricious ivory hunter. And that's not all: Jungle Jim is confronted by a legendary "giant man," actually a clever hoax cooked up by a tribe of mercenary natives to drive district commissioner Kingston (Lester Matthews) out of office. Columbia contractees Angela Greene and Jean Willes competently share the leading-lady chores. Fans of the "Jungle Jim" series were immensely satisfied by Forbidden Land, else why would Columbia turn out seven additional entries over the next three years? ~ Hal Erickson, Rovi

Billy Winder directed and co-wrote this bitterly satiric comedy-drama which turns a jaundiced eye towards both the news media and its consumers. Chuck Tatum (Kirk Douglas) is a talented but short-tempered reporter whose fondness for booze and unwillingness to bow to authority has cost him jobs at some of America's most prestigious newspapers. When Tatum's car breaks down in Albuquerque, New Mexico, Tatum persuades the editor of the local paper (Porter Hall) to give him a job until he can make enough to get his jalopy running and find a story that will put him back in the good graces of the Big City journals. After a year in Albuquerque, Tatum begins to wonder if a big scoop will ever cross his path, but when he's sent to Los Barios to cover the annual rattlesnake hunt, he lucks into a great human interest story -- Leo Minosa (Richard Benedict), who runs a local diner, motel and curio emporium, is caught in an abandoned mine shaft after a rockslide, which some superstitious locals attribute to an Indian curse. Tatum writes up the story with all the flourish he can muster, and portrays Leo's wife Lorraine (Jan Sterling) as a devoted spouse fearful for her husband's life, even though she can barely stand Leo and is planning to leave him. Tatum's story is picked up by the wire services and he makes friends with local sheriff Kretzer (Ray Teal) to insure he has an inside line on updates on Leo's rescue. When Tatum learns that Leo can be freed in a mere twelve hours, he persuades Kretzer and his men to adopt another rescue method that will take several days, which will generate more copy for Tatum, more press attention for Ketzer's re-election campaign, and more business for Lorraine's diner. Soon Los Barios is the biggest tourist attraction in the state, but as the media circus mounts, Leo begins to fall seriously ill. Also released as The Big Carnival, Ace In The Hole was a major box-office disappointment upon its original release in 1951, even though it was sandwiched between two of Wilder's biggest hits, Sunset Boulevard and Stalag 17. Despite never being released in home video until 2007, Ace In The Hole's bitter tone earned it an enthusiastic cult following, and it's now regarded as one of Wilder's best films of the Fifties. ~ Mark Deming, Rovi

Mercedes McCambridge plays a singing waitress named Cash-and-Carry Connie in The Scarf. This alone should be enough to keep the viewer's interest, but in fact the film has much to please the eye and ear. John Ireland stars as John Barrington, an escapee from a institution for the criminally insane. Actually, Barrington is not a looney tune, but instead the victim of an insidious plot orchestrated by a clever murderer. The only person who believes Barrington's story is turkey-farmer Ezra Thompson (James Barton), who hides Our Hero from the authorities. Things really get hopping when the aforementioned Connie unwittingly provides the clue that will prove Barrington's innocence. Co-starring in The Scarf is Emlyn Williams as an all-too-cooperative psychiatrist. The film was directed by E. A. Dupont, whose American career never quite scaled the heights of his years in the German film industry. ~ Hal Erickson, Rovi

Johnny Mack Brown stars in the Monogram oater Outlaw Gold. The plot is motivated by revenge: sentenced to five years in prison, vicious gunman Sonny Lang (Myron Healey) vows to "get" Dave Willis (Brown) the moment he's released. Our Hero, however, can't be bothered by such trivialities. He's too busy trying to prevent the hijacking of a gold shipment on the Mexican border. Inevitably, Willis and Lang's paths cross, but not before Willis exposes the mastermind behind the robbery. The film's romantic element is handled by Marshall Reed (cast as a crusading newspaperman) and Jane Adams. ~ Hal Erickson, Rovi

Johnny Mack Brown stars in the rubber-stamp western Over the Border. Bringing Bart Calhoun (Marshall Reed) to justice for his complicity in a robbery/murder, Johnny assumes that his job is over. Not by a long shot! Calhoun's arrest leads to the uncovering of a wide-ranging conspiracy to smuggle silver from Mexico to the United States. With Calhoun's cooperation, Johnny exposes the "Mister Big" behind the whole operation. There isn't much action in Over the Border; the screenwriters seem more concerned with mystery and intrigue. Johnny Mack Brown is obviously getting too old for this sort of thing, but he carries his years -- and excess poundage -- quite well. ~ Hal Erickson, Rovi

Filmed under the title Highway Patrol, Lippert's Motor Patrol stars Don Castle as Ken, a rookie policeman. When his fiancee's brother is killed by car thieves, Ken volunteers to bring in the murderers. He poses as a big-city racketeer and infiltrates the gang. After the inevitable unmasking, the film ends in a blaze of artillery. The film strives for a documentary "feel" by including long, detailed sequences dramatizing real-life police procedure. This being a Lippert Film, the presence of Sid Melton as comedy relief is inevitable. ~ Hal Erickson, Rovi

Daring Cabellero was the third of producer Phil Krasne's Cisco Kid "B" westerns. Duncan Renaldo and Leo Carrillo return as Cisco and Pancho, roles they'd carry over into a popular 1950s TV series. Once more stumbling into a dangerous situation, Cisco and Pancho risk their own necks by saving an innocent man from hanging. Eventually, our heroes learn that a corrupt political machine is behind the killing. Leading lady Kippie Valez is cast as "herself," which must have meant more in 1949 than it does today. Unlike the subsequent TV series, Daring Caballero does not end with the leading actors reciting their standard mantra "Oh, Pancho! Oh, Cisco!" ~ Hal Erickson, Rovi

Gene Autry enjoyed considerable success with his recording of Stan Jones' haunting "Riders in the Sky". He then parlayed this success into a film, which proved to be one of Autry's best postwar efforts. The basic plot concerns Autry's efforts to clear rancher Ralph Lawson (Steve Darrell) of a trumped-up murder charge. The trumper-upper, Rock McCleary, is played by Robert Livingston, a former cowboy star who turned to character roles late in his career. The heroine is played by Gloria Henry, ten years removed from her TV fame as Alice Mitchell in Dennis the Menace. The title song is imaginatively staged by director John English, with a ghostly Tom London riding hard and fast as a montage of moody images play across the screen. So effective was this vignette that Columbia included it in the coming-attractions trailer for Riders in the Sky. ~ Hal Erickson, Rovi

Beauty contest winner Patricia Knight's one bid for screen stardom was Columbia's Shockproof. Knight plays Jenny Wright, a convicted murderess paroled in the care of probation officer Griff Marat (Cornel Wilde). What begins as an aloof professional relationship eventually blossoms into romance. The fly in the ointment is shady Harry Wesson (John Baragrey), the gambler who inveigled Jenny into committing murder. The girl is torn between creature comforts offered her by Wesson and the promise of a clean life offered by Griff. This early Douglas Sirk effort contains a smattering of the stylistic touches which distinguished his later work.The screenplay was written by famed director Samuel Fuller, known for his gritty realism and hard-boiled style. ~ Hal Erickson, Rovi

Director Henry King's adaptation of John Hersey's novel is a faithful telling of the story of Major Joppolo (John Hodiak), who is assigned to administrate the Sicilian town of Adano after World War II and attempts to return it to its pre-war tranquility. His initial actions include feeding and clothing the villagers, who have been left starved and destitute by the ravages of the war, and preventing the hanging of its former mayor, a Mussolini supporter, although he makes clear that any hints of Fascism will not be tolerated. Suspicious at first, the villagers finally come to trust Joppolo when he works to reclaim the town bell, stolen from the city hall and a symbol of its identity. Gene Tierney plays the fisherman's daughter that Joppolo falls for, while William Bendix is his compassionate orderly and assistant. A Bell For Adano is a low-key look at the effects of war that builds to a quietly powerful conclusion. ~ Don Kaye, Rovi