Irène Jacob

A successful American novelist who has retreated into the country following the publication of his most recent book meets a most mysterious muse in director/screenwriter Paul Auster's elliptic psychological drama. His latest novel an instant success, famous author Martin Frost (David Thewlis) decides to celebrate by spending some quality down time in a remote country home. Awakening his first morning in the house, Martin is shocked to find that he is sharing his bed with a stunningly beautiful woman. Over the course of the next few days, Martin becomes increasingly fascinated with the mysterious visitor's radiating beauty and acute intelligence - eventually falling deeply in love with her. Could this woman who possesses an uncanny knowledge of Martin's life and work perhaps be the muse who will inspire his greatest work? The closer Martin tries to get to the woman the further she seems to drift away, a disturbing development that eventually leads the author to suspect that she is a figment of his imagination or a ghost that has somehow gained access to his most intimate thoughts. ~ Jason Buchanan, All Movie Guide

In a time of crisis, a young boy tries to make sense of the fine line between fantasy and reality in this drama from Spain. Nicolas (Ricardo Darin) is a toy designer who has married Ingrid (Irene Jacob), a scientist studying birds who has been raising her son Raul (Victor Valdivia) on her own since her husband was killed while serving in Iraq. Nicolas and Raul develop a close bond, and when the boy asks his new step-father about why his dad died, he tells the youngster stories about the fairies that be believed guided the world when he was a boy. Nicolas also shows Raul the shack he built in the woods where he used to go when he was troubled as a kid. While Nicolas's relationship with Ingrid falls apart, he remains close to Raul. One night, Nicolas befriends Sezar (Bebe), a clerk at a grocery store who is beaten when her unscrupulous boss is attacked by a gang of toughs while driving her home. With nowhere else for her to stay, Nicolas takes Sezar back to his shack so she can get a good night's sleep and clear her mind after the trauma. However, when Raul happens by the shack the next morning, he doesn't know what to make of its new occupant until he decides Sezar is one of the fairies Nicolas once believed in. La Educacion de las Hadas (aka The Education of Fairies) was adapted from the popular novel by Didier Van Cauwelaert). ~ Mark Deming, All Movie Guide

A conflicted hitman recently who has reconnected with his childhood soul mate finds his quest for redemption becoming increasingly complicated when the girl steals an important briefcase in director Ra'up McGee's stark crime drama. Jean-Pierre is looking to get out of the life of crime when he begins to rekindle his romance with the girl who captured his heart as a child and never let go. Though the love shared between the pair continues to burn brighter than ever despite their many years apart, the sudden disappearance of both the girl and a mysterious briefcase soon forces the reluctant criminal back into the underworld as he is forced to walk the fine line between protecting the woman he longs for and falling back into a life of crime. ~ Jason Buchanan, All Movie Guide

Comic and actor Mike Binder wrote, directed, and stars in this romantic comedy. Ben Greene (Binder) is an American comedy writer who moves to London when he's hired to work on a British television series called Tedford Gate. Tedford Gate stars Carly Matthews-Portland (Mariel Hemingway), a once-popular American actress who has found new popularity working in Europe; her husband Allen (Colin Firth), a stereotypically stiff-upper-lipped Englishman, is the producer of the show. As Ben adjusts to life in London, Carly decides to play matchmaker and fixes him up with Fiona Delgrazia (Irene Jacob), a lovely makeup artist from France who works on the show. Ben is quite taken with Fiona, and she with him, but Carly finds herself increasingly intrigued by Ben, while Allen secretly carries a torch for Fiona. Everyone has to take a long look at their increasingly complicated romantic commitments when Fiona takes a job in Italy and Allen wonders if he should follow her; Ben, meanwhile, has written a play and has found a British producer willing to stage it, but when he offers the female lead to Carly, he soon comes to the conclusion he's made a mistake. Londinium also features Stephen Fry, Jack Dee, and Christopher Lawford. ~ Mark Deming, All Movie Guide

The border between professional and personal relationships comes under fire in this independent drama. Michael (Martin Donovan) is a filmmaker whose last project featured a beautiful actress named Anna (Irène Jacob). While Michael is trying to work on his next screenplay, he can't get Anna out of his mind, and obsessively watches outtakes from her scenes. Deeply infatuated and desperate for a reason to speak to her, Michael calls Anna and asks is she can help with his script -- he's having some trouble with dialogue and it would help if he could have an actress read the lines with him. Anna agrees, but as she keeps returning to "assist" Michael with his project, he writes more and more of what he wants to hear her say, and his pretense of working on a film begins to melt away. A prizewinner at the Avignon Film Festival, The Pornographer (a love story) also features cameo appearances from Maggie Gyllenhaal and Laura Prepon. ~ Mark Deming, All Movie Guide

Director Hugh Hudson, who made his directorial debut with the award-winning Chariots Of Fire, returns to the theme of British life in the 1920s in the bittersweet family drama My Life So Far. Gamma Macintosh (Rosemary Harris) is the matriarch of a family that inhabits Harewood House, a castle in the Scottish Highlands. Besides Gamma, the adult heads of the household are her daughter, Moira (Mary Elizabeth Mastrantonio) and Moira's husband Edward Pettigrew (Colin Firth), a mildly eccentric inventor who tinkers with experimental automobiles and airplanes. Moira and Edward have two children, son Fraser (Robbie Norman) and daughter Elspeth (Kelly Macdonald). One day Moira's brother Morris (Malcolm McDowell) stops by with his fiancée, a French woman named Heloise (Irene Jacob), whose beauty and sophistication turns Edward's head and stirs new emotions in young Fraser. Filmed in 1997, My Life So Far remained in the editing room until 1999, when it was shown in a special benefit screening at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

An unproduced screenplay written by the late Orson Welles (penned in collaboration with actress Oja Kodar, Welles' significant other in his later years) forms the basis of this drama of political gamesmanship and blackmail. Blake Pellarin (William Hurt) is running for governor of Missouri in a close race going into its final week when a figure from his past reappears. Kim Mennaker (Nigel Hawthorne) was Pellarin's one-time mentor and father figure (after Blake's dad died in the Korean war) who left the United States when public disclosure of his homosexuality ended his political career. This visit from an old friend soon proves less then welcome; when Pellarin was a teenager, he participated in a photo session organized by Mennaker in which he was snapped in sexually compromising positions with both a woman and a man. These photos could put a stake through the heart of Pellarin's life in politics, and Mennaker soon makes clear this is hardly the only dirt he has on Blake. Mennaker also has a ready audience for his stories -- Cela Brandini (Irene Jacob), a European reporter looking for scandal, even though she's having an affair with Pellarin. When Pellarin's wife (Miranda Richardson) and bodyguard (Ewan Stewart) get wind of Blake's indiscretions, his candidacy becomes a disaster waiting to happen. Director George Hickenlooper adapted Welles and Kodar's screenplay with critic F.X. Feeney; among his previous credits, Hickenlooper directed the short film Some Folks Call It A Sling Blade, a short film later expanded by Billy Bob Thornton into his award-winning feature Sling Blade. ~ Mark Deming, All Movie Guide

French-born, UCLA-trained screenwriter Jean-Yves Pitoun made his directorial debut with this French comedy in which self-taught cook Lorenzo, aka Loren (Jason Lee) is discharged from the U.S. Navy after hitting a superior who accused him of serving "sissy food" to the Admiral's guests. Back in Brooklyn, Loren works at his Italian-Irish family's pizza parlor and then heads for France to study with his idol, chef Louis Boyer (Eddy Mitchell). After the death of his wife, Boyer raised his daughter Gabrielle (Irene Jacob), now a successful restaurant architect engaged to physician Vincent (Thibault de Montalembert). Gabrielle and Loren compare recipes and finally choose romance from their menu, while Boyer begins to cave in from the stress of tax problems, restaurant critics, and police seeking illegal foreign workers. Jason Lee learned French in order to do the French dialogue version. In the English-language version, actors speak French but switch to English when Lee is onscreen. ~ Bhob Stewart, All Movie Guide

Actor Oliver Parker made his directorial debut with this adaptation of the tragic play by William Shakespeare that abridges the original text by half and ups the quotient of sex and violence. Laurence Fishburne stars as the Moorish general Othello, who returns a hero after crushing an invasion attempt by the Turkish army near Cyprus. Pledged to marry the lovely Desdemona (Irene Jacob), Othello ignores the advice of his intended's father, who tells him that she may have a deceptive nature. Othello's aide Iago (Kenneth Branagh), jealous over the elevation of his rival, Cassio (Nathaniel Parker, the director's real-life brother) to lieutenant, begins scheming to make Othello believe that Desdemona and Cassio are carrying on an affair. On the slimmest of evidence, Iago manages to manipulate Othello's suspicious, distrustful nature. Played previously in black face on film by actors Orson Welles and Laurence Olivier, Parker's production of Othello (1995) was the first major cinematic production to cast an African-American in the title role. ~ Karl Williams, All Movie Guide

Sullen teenage orphan Johnny Miles (Josh Albee) is wrongfully accused of stealing from his foster parents. Running away from home, Johnny forms a bond with another youthful "runaway"--this one a leopard who has escaped from a nearby wild-animal compound. Both fugitives are sheltered by a harsh but lovable kennel owner, Angela Lakey (Dorothy McGuire), who senses that neither boy nor leopard are as bad as they're cracked up to be. Assuming the responsibility of caring for the animal, Johnny risks being captured by the authorities--and while his punishment will be relatively benign, the leopard might well be destroyed. Adapted from a novel by Victor Canning, The Runaways premiered April 1, 1975, on ABC. ~ Hal Erickson, All Movie Guide

This third feature film version of Joseph Conrad's tragic romantic drama (the best of which remains John Cromwell's 1940 adaptation) is the one that stick's closest to the original story of a reclusive, hard-hearted fellow living on a private island in the Dutch East Indies who must protect his home, and the woman he comes to love, from two brutish villains. The story is told by a sea captain and begins at a turn-of-the century hotel in the port town of Surabaya where the Dutch entrepreneurs come to drink and wind down while listening to an all-female orchestra led by creepy conductor Sam Giancomo (Simon Callow). The joint is owned by an unpleasant, bigoted German named Schomberg (Jean Yanne) who constantly pesters the conductor to sell him Alma (Irene Jacob), the prettiest girl in the band. Eventually Sam relents, causing the frightened Alma to beseech taciturn patron Axel Heyst (Willem Dafoe) to help her escape. At first Axel refuses, but then has a change of heart and takes her with him to his lonely island where she will live with himself and his valet Wang (Ho Yi). Initially, Axel wants nothing to do with Alma, but things change and they become lovers. Meanwhile, the vengeful Schomberg plots revenge. He gets a chance to enact it with the arrival of the villainous Mr. Jones (Sam Neill) and his henchmen who turn Schomberg's bar into a gambling house. Seeing that Jones is ruthless and avaricious, Schomberg casually mentions that there is an untapped fortune lying in an abandoned mine located on Axel's island. ~ Sandra Brennan, All Movie Guide

Oleg (Oleg Basilashvili) is in for a really strange time, that much is clear. Of course, just the fact of his desire to visit a gypsy fortuneteller in the first place is an indication of that. He's well past middle age, in his 50s, and is an established, well-known writer. When the fortuneteller told him the same thing (you will have an unusual time), he didn't really believe her. However, when he runs into a 25-year old man in his apartment claiming the same parentage, profession, name and birthday - as well as having a scar over his eye identical to the one older Oleg has, it seems like the prediction has already come true - but it is just beginning. Oleg the younger (Andrei Sokolov) says he's leaving for Israel in the morning, but between then and now, he's at Oleg the older's disposal. For some reason, the presence of this near-doppelganger lends the older man courage and recklessness unlike anything he ever had before, and as he sets things right and gets revenge for previous slights, strange adventures abound. ~ Clarke Fountain, All Movie Guide

The 1993 remake of The Secret Garden is a beautifully produced rendition of the classic Frances Hodgon Burnett novel about a young girl (Kate Maberly) who discovers an abandoned garden on her uncle's large Victorian country estate, as well as an invalid cousin she didn't realize she had. With the help of a local boy, the girl sets out to restore the garden and, once it is blooming again, she discovers it has magical powers. After it has flowered, she brings her cousin to the garden, and he is magically healed. Although this version of The Secret Garden isn't quite as strong as the original 1949 movie, the story is nevertheless moving in any format and the production is very beautiful to look at. ~ Stephen Thomas Erlewine, All Movie Guide