Selmar Jackson Movies

American actor Selmer Jackson first stepped before the cameras in the 1921 silent film Supreme Passion. Silver-haired and silver-tongued, Jackson so closely resembled such dignified character players as Samuel S. Hinds and Henry O'Neill that at times it was hard to tell which actor was which -- especially when (as often happened at Warner Bros. in the 1930s) all three showed up in the same picture. During World War II, Jackson spent most of his time in uniform as naval and military officers, usually spouting declarations like "Well, men...this is it!" Selmer Jackson's final film appearance was still another uniformed role in 1960's The Gallant Hours. ~ Hal Erickson, All Movie Guide
1951  
 
In this romance, an industrial designer is bitterly disappointed when he discovers that upon graduation his daughter decides to elope with her psychology professor rather than pursue a career. The professor's family is also not pleased by the union. Both families, who despise each other, try to get the newlyweds to annul their marriage. This quest unites the families and they become friends. When they finally catch up to the couple, both sides are appalled to discover that marital strife threatens to rip the couple apart. The families rally together and the marriage remains intact. ~ Sandra Brennan, All Movie Guide

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Starring:
Clifton WebbAnne Francis, (more)
1951  
 
Ever in pursuit of novelty, Republic Pictures assembled a series of westerns in the early 1950s starring youngsters Michael Chapin and Eileen Janssen. In Buckaroo Sheriff of Texas, the kids are left virtually alone when their elders ride off to war. Bad guy Tristram Coffin tries to take advantage of the situation by going on a land-grabbing spree. With the help of old codger James Bell, the kids manage to foil the villains. Watch for future Wyatt Earp star Hugh O'Brian in a supporting role. ~ Hal Erickson, All Movie Guide

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Starring:
Michael ChapinEilene Janssen, (more)
1951  
 
Singer Frances Langford stars as herself in Purple Heart Diary. The film is a reenactment of Langford's USO tours during WW II, as reported in the singer's newspaper columns for the Hearst syndicate. Also appearing as themselves are two of Langford's fellow troupers, singer Tony Romano and comic pianist Ben Lessy. Since Langford couldn't very well participate in a fictional wartime romance (her actual love life was public domain thanks to the various Hollywood columnists of the era), the love interest is handled by Aline Towne and Brett King, cast respectively as an army nurse and a crippled ex-football jock. The musical sequences in Purple Heart Diary play a lot more credibly than the melodramatic "courage under fire" setpieces. ~ Hal Erickson, All Movie Guide

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Starring:
Frances LangfordJudd Holdren, (more)
1951  
 
Mistakenly believing that America has gone to war, the Bowery Boys (Leo Gorcey, Huntz Hall, Billy Benedict, et al.) join the army. Our heroes get off to a bad start when they crash a party at the Officer's Club, a breach of protocol that earns them the undying enmity of Sergeant Frisbie (the ever-flustered Donald MacBride). Meanwhile, sweet-shop owner Louie Dumbrowski (Bernard Gorcey), feeling lonely without the boys around to cheat him out of sodas and candy, heads down to the recruiting office to enlist. Because of his stellar World War I record, Louie is promoted to the boys' commanding officer, a job he takes quite seriously. A gang of sinister spies kidnaps Louie in the hope of extracting vital top secrets, but the boys come to the rescue. Even non-Bowery Boys fans will find this an enjoyable diversion; the film was one of the best of the series' several "service" comedies (Let's Go Navy, Here Come the Marines, Clipped Wings, etc.). ~ Hal Erickson, All Movie Guide

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Starring:
Leo GorceyHuntz Hall, (more)
1951  
 
Dean Martin and Jerry Lewis' second starring vehicle was the odd mixture of slapstick and sentiment known as That's My Boy. Lewis is cast as Junior Jackson, the milquetoast son of former college football All-American "Jarrin' Jack" Jackson (Eddie Mayehoff). Regarding Junior as a disgrace, Jarrin' Jack hires amiable jock Bill Baker (Dean) to make a man out of his son. The film's climax is the inevitable Big Game, in which Junior fumbles and stumbles about before finally proving his mettle. Ruth Hussey plays Junior's understanding mother, while Marion Marshall and Polly Bergen portray Martin and Lewis' respective girlfriends. By 1990s standards, That's My Boy is more melancholy than funny, with Jarrin' Jack coming across as a neurotic blowhard who takes out his frustrations on his clumsy but likeable offspring. Audiences in 1951 were convulsed, however, and the film was a huge success. A TV-sitcom version of That's My Boy, starring Eddie Mayehoff, Rochelle Hudson, and Gil Stratton Jr., appeared in 1955. ~ Hal Erickson, All Movie Guide

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Starring:
Dean MartinJerry Lewis, (more)
1950  
 
Lucky Losers is an uncharacteristically dramatic entry in Monogram's "Bowery Boys" comedy series. Incredibly enough, Slip Mahoney (Leo Gorcey) and Sach Jones (Huntz Hall) have gotten jobs in the office of Wall Street broker David J. Thurston (Selmer Jackson). Soon afterward, Thurston apparently commits suicide (not because of the boys' ineptitude, as one might suspect). Slip and Sach's TV-reporter pal Gabe Moreno (Gabriel Dell) suspects that Thurston was murdered, prompting the boys to search for clues in the dead man's office. The evidence trail leads to a gambling house, where Slip and Sach secure work as croupiers. Learning that their new boss, Bruce McDermott (Lyle Talbot), was somehow connected to Thurston, the boys report this to Gabe, who makes the information public--and gets beaten up for his troubles. Now it's up to Slip, Sach and the rest of the Bowery Boys to expose the protection racket in which McDermott is involved. There's too much plot and not enough laughs in this "Bowery Boys" entry; Fortunately, Leo Gorcey and Huntz Hall are in top form, making the most of their very few comic opportunities. ~ Hal Erickson, All Movie Guide

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Starring:
Leo GorceyHuntz Hall, (more)
1950  
 
A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, All Movie Guide

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Starring:
Barbara StanwyckJohn Lund, (more)
1950  
 
Gunmen of Abilene top-bills Republic western hero Allan "Rocky" Lane and his horse Black Jack. Lane plays a U.S. marshal who is sent to investigate a reign of outlaw terror in Abilene. He arrives in town incognito, securing a job as deputy sheriff. Soon he discovers that the outlaws want to scare off the populace so that they can claim the gold ore that rests beneath the town. It's no surprise that Roy Barcroft is the chief heavy, though it is a bit startling that Barcroft's partner-in-crime is played by Peter Brocco, an actor usually cast as a pasty-faced gangster henchman or communist spy. ~ Hal Erickson, All Movie Guide

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Starring:
Allan LaneDonna Hamilton, (more)
1950  
 
Louis Calhern repeats his Broadway role as Chief Justice Oliver Wendell Holmes in this 1950 cinemazation of Emmet Lavery's stage play The Magnificent Yankee. The film is for the most part confined to the Holmes home in Washington, where the good gray judge parries affectionately with his level-headed wife Fanny (Ann Harding). A steady stream of historical personages parade through the Holmes manse, including jurist Louis Brandeis (Eduard Franz) and novelist Owen Wister (Philip Ober). The death of his wife devastates Holmes, but only briefly; he ends up serving his country for nearly forty years. The British title of Magnificent Yankee was The Man With Thirty Sons, a somewhat misleading reference to the Harvard Law graduates whom Oliver Wendell Holmes sponsored. Also available on videocassette is a 1965 TV production of Magnificent Yankee, starring Alfred Lunt and Lynn Fontanne. ~ Hal Erickson, All Movie Guide

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Starring:
Louis CalhernAnn Harding, (more)
1950  
 
Mark of the Gorilla was Number Four in Columbia's "Jungle Jim" series. Johnny Weissmuller stars as Jim, who this time around contends with homicidal fortune hunters. At stake is a buried treasure, consisting of ill-gotten Nazi loot. Villain Brandt (Onslow Stevens) hires a couple of thugs to pose as killer gorillas, in hopes of scaring the natives away from the burial site. Believe it or not, this monkey masquerade was played straight, though it's difficult not to giggle when watching the film today. As was customary in the "Jungle Jim" series, Mark of the Gorilla has two leading ladies: Trudy Marshall (the mother of actress Deborah Raffin) as Jungle Jim's assistant, and Suzanne Dalbert as an incognito European queen. ~ Hal Erickson, All Movie Guide

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Starring:
Johnny WeissmullerTrudy Marshall, (more)
1949  
 
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The hero of Ayn Rand's The Fountainhead is Howard Roark (Gary Cooper), a fiercely independent architect obviously patterned after Frank Lloyd Wright. Rather than compromise his ideals, Roark takes menial work as a quarryman to finance his projects. He falls in love with heiress Dominique (Patricia Neal), but ends the relationship when he has the opportunity to construct buildings according to his own wishes. Dominique marries a newspaper tycoon (Raymond Massey) who at first conducts a vitriolic campaign against the "radical" Roark, but eventually becomes his strongest supporter. Upon being given a public-housing contract on the proviso that his plans not be changed in any way, Roark is aghast to learn that his designs will be radically altered. Roark sneaks into the unfinished structure at night, makes certain no one else is around, and dynamites the project into oblivion. At his trial, Roark acts as his own defense, delivering an eloquent paean to individuality. He is acquitted, while the newspaper tycoon, upset that he could offer Roark no help during the trial, kills himself. This clears the way for a final clinch between Roark and Dominique on the skeleton of his latest building project. Ayn Rand's celebration of Objectivism didn't translate very well to film, with Gary Cooper coming off more selfish and petulant than anything else. The Fountainhead's saving graces are the solid direction by King Vidor, the rhapsodic musical score by Max Steiner, and the symbolism inherent in Cooper's manipulation of his power drill when he first lays eyes on Patricia Neal! ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperPatricia Neal, (more)
1949  
 
Forgotten Women is Monogram's cut-rate 65-minute spin on MGM's The Women. The film deals with four lovely ladies, each of whom is plagued with Man Trouble. Elyse Knox is on the verge of divorce, Veda Ann Borg has been separated from her husband for months, Theodora Lynch's hubby doesn't want her to pursue a singing career, and Noel Neill (yes, Superman's Noel Neill) is a lonely gal looking for an eligible guy. In real life, Elyse Knox was the wife of football star Tom Harmon and the mother of film star Mark Harmon. Approximately 65 minutes too long, Forgotten Women could just as well have been titled Forgotten Movie. ~ Hal Erickson, All Movie Guide

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Starring:
Elyse KnoxEdward Norris, (more)
1949  
 
This second of four film adaptations of Damon Runyon's Little Miss Marker is tailored to the talents of Bob Hope. A shifty Broadway bookie, Sorrowful Jones (Hope) becomes a reluctant foster parent when an anxious gambler leaves behind his little girl Martha Jane (Mary Jane Saunders) as a "marker," or IOU. When the father is killed by mobster Big Steve Holloway (Bruce Cabot), Sorrowful decides to hide Martha Jane from the authorities, lest the poor girl get tossed in an orphanage. Lucille Ball co-stars as Sorrowful's erstwhile girlfriend Gladys, who along with Mary Jane is instrumental in "reforming" the cynical Jones. The climactic scenes, wherein Sorrowful tries to smuggle a horse into a hospital in order to bring the little girl out of a coma, deftly combines slapstick with pathos. A remake of 1934's Little Miss Marker, which starred Shirley Temple in the title role, Sorrowful Jones was itself remade in 1962 as the Tony Curtis vehicle Who's Got the Action; it was filmed again in 1980, once more as Little Miss Marker, with Curtis as the villain and Walter Matthau in the Bob Hope role. ~ Hal Erickson, All Movie Guide

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Starring:
Bob HopeLucille Ball, (more)
1949  
 
Two things are certain from the beginning of Renegades of the Sage. One is that star Charles Starrett will play a character named Steve Somebody-or-Other. The other certainty is that, when the need arises, Steve Somebody-or-Other will assume the identity of the masked righter-of-wrongs, The Durango Kid. The plot finds Steve/Durango attempting to capture ex-Civil War guerilla fighter Miller (Trevor Bardette), who may be the man who's been going around knocking down telegraph wires. Renegades of the Sage has plot holes large enough to swallow a rhinoceros, but Charles Starrett fans didn't mind so long as their hero delivered the goods, action-wise. ~ Hal Erickson, All Movie Guide

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Starring:
Charles StarrettSmiley Burnette, (more)
1949  
 
Columbia's "Crime Doctor" series drew to a close with 1949's Crime Doctor's Diary. A visibly weary but still virile Warner Baxter stars as Dr. Robert Ordway, whose previous life of crime has made him something of an expert in the field of detection. This time, Ordway takes the case of parolee Steve Carter (Steve Dunne), who claims he was framed for arson by his former employers. Things get sticky when Carter is accused of the murder of Anson (George Meeker), the man who took over his old job. When the genuine murderer is revealed, it comes as a genuine surprise to both cast members and viewers alike. The cast of Crime Doctor's Diary ranges from such veterans as Robert Armstrong to such comparative newcomers as Lois Maxwell (later to achieve worldwide fame as Miss Moneypenny in the "James Bond" films). ~ Hal Erickson, All Movie Guide

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Starring:
Warner BaxterLois Maxwell, (more)
1949  
NR  
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Hoping to make the magic of King Kong happen again, the production team of Merian C. Cooper and Ernest B. Schoedsack came up with the 1949 special-effects smorgasbord Mighty Joe Young. Robert Armstrong reprises his Kong portrayal of Carl Denham as hot-shot showbiz entrepreneur Max O'Hara. While in Africa looking for authentic decorations for his new night club, O'Hara makes the acquaintance of Mr. Joseph Young, a ten-foot-tall ape. Unlike King Kong, Joe Young has a heart of gold, thanks in great part to his owner, a lovely lass named Jill Young (Terry Moore). Against her better judgment, Jill allows O'Hara to bring Joe back to the States as a nightclub attraction. Joe proves to be a smash as he participates in Jill's musical act (he lifts her grand piano while she plays "Beautiful Dreamer") and performs a tug-of-war routine with an imposing lineup of professional wrestlers (including Tor Johnson, Man Mountain Dean and Primo Carnera). But when the patrons go home each night, Joe is unhappily relegated to his cage. When a group of obnoxious drunks begin teasing Joe, the disgruntled ape breaks loose and goes on a rampage. Slated to be put to death, Joe redeems himself by rescuing a group of screaming children from an orphanage fire. Featured in the cast are Ben Johnson as the nominal romantic lead, Frank McHugh as Robert Armstrong's assistant, and an uncredited Irene Ryan as a cocktail-lounge patron. ~ Hal Erickson, All Movie Guide

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Starring:
Terry MooreBen Johnson, (more)
1949  
 
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Tulsa was, in 1949, the most elaborate production released to date by the Eagle-Lion corporation-though all evidence, especially the technical credits, suggests that the film was put together at Universal-International, then merely distriibuted by Eagle-Lion (who made a fortune at the box office). The film traces the matriculation of the sleepy Oklahoma village of Tulsa into a major oil center Susan Hayward stars as an amibitious cattleman's daughter who wishes to wreak vengeance on the encroaching oil interests but who becomes a "black gold" mogul herself. Robert Preston costars as a geologist who hopes to rescue his beloved Oklahoma from being utterly devastated by drilling and derricks. This being a late-1940s film, Greed runs a poor second to Good at film's end, with the oilmen and the conservations learning to work together rather than as bitter enemies. While the story is a good one, the true selling angle of Tulsa was its action sequences, notably a fire scene that must have cost as much as all the other Eagle-Lion releases of 1949 combined. Originally lensed in vibrant Techicolor, Tulsa is usually seen today in washed-out, two-color Public Domain prints. ~ Hal Erickson, All Movie Guide

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Starring:
Susan HaywardRobert Preston, (more)
1949  
 
Dauntless Navy intelligence officer Richard Travis is dispatched to the Frozen North to smash a spy ring. By a fortuitous circumstance, Travis is the exact lookalike of a recently deceased enemy agent. This plot contrivance is given surface credibility by the film's semi-documentary style. Onetime child actress Helen Westcott is second-billed in a cast busting to the seams with familiar faces, ranging from saturnine James Griffith to dignified Jason Robards Sr. Alaska Patrol was released by Film Classics, a reissue firm of the late 1940s that dabbled in production from time to time. ~ Hal Erickson, All Movie Guide

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Starring:
Richard TravisHelen Westcott, (more)
1948  
 
The darker side of the American dream is explored in the fascinating film noir Pitfall. Dick Powell stars as John Forbes, a successful insurance man with a trophy wife named Sue (Jane Wyatt) and a model child named Tommy (Jimmy Hunt). Despite all that he's achieved in life, Forbes feels somehow unfulfilled. During an attempt to recollect illegally purchased goods by a convicted bank robber, Forbes falls for his glamorous client Mona Stevens (Lizabeth Scott). When she "comes on" to him, it sparks an affair between them. Forbes suffers the pangs of guilt, a fact immediately capitalized upon by the seedy private eye MacDonald (Raymond Burr), who is upset because Mona has rejected him. If adultery has been committed, can murder be far behind? Many individual scenes in Pitfall are standouts, notably a brief moment wherein Forbes' son Tommy suffers a horrible nightmare -- in almost exactly the same manner that child actor Jimmy Hunt would endure a similar bad dream in 1953's Invaders from Mars. ~ Hal Erickson, All Movie Guide

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Starring:
Dick PowellLizabeth Scott, (more)
1948  
 
Though it is not so frankly identified in the film, an insidious white-slavery racket motivates the plotline of Monogram's Stage Struck. Double-dyed villain Nick Mantee (Kane Richmond) manages to make a good living by preying on young girls who've come to the Big City in hopes of becoming actresses. Mantee has built up a stable of disillusioned females who are forced to accommodate libidinous customers at a seedy nightclub. When one of the girls is murdered, the police, represented by Lt. Williams (Conrad Nagel), swing into action. Williams is aided in his racket-busting efforts by Nancy Howard (Audrey Long), sister of the murder victim. Onetime silent star Evelyn Brent is wasted in a tiny supporting role. ~ Hal Erickson, All Movie Guide

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Starring:
Kane RichmondAudrey Long, (more)
1948  
 
An honest football player single-handedly takes on a professional gambler and the crooked publisher of a sports magazine to bust up their game-fixing scheme. Unfortunately, his efforts get him killed. This crime drama chronicles the efforts of a different player and an earnest D.A. to bring the killers to justice. Matters are not helped by the fact that the attorney is publisher's stepson. ~ Sandra Brennan, All Movie Guide

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Starring:
Janet MartinWilliam Wright, (more)
1948  
NR  
Cary Grant met his future wife Betsy Drake on the set of the appropriately titled Every Girl Should be Married. Grant plays well-known baby specialist Madison Brown, who is Dr. Spock in everything but name. After a chance meeting with headstrong young Anabel Sins (Drake), poor Brown finds his every move and thought monitored by Anabel, who intends to become his wife come heck or high water. Upset that Brown steadfastly resists her charms, Anabel decides to make him jealous by playing up to her boss Roger Sanford (Franchot Tone). When Brown still won't bite, our plucky heroine mounts a campaign enlisting everybody in town to wear down the doctor's resistance. Nowadays, this is called "stalking"; in 1948, it was called "funny." Produced, directed and written by Don Hartman, Every Girl Should be Married was a box-office winner to the tune of $775,000. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantFranchot Tone, (more)
1948  
 
Elmer Rice's clever stage comedy Dream Girl is Hollywoodized and "dumbed down" almost beyond recognition in this 1948 film version. In place of the original play's Betty Field, Betty Hutton stars Georgina Allerton, who periodically escapes her humdrum existence by retreating into elaborate daydreams. Georgina's fantasy excursions disturb her parents (Walter Abel and Peggy Wood) and her married sister (Virginia Field), who wish that she'd grow up already and stop all this nonsense. Only when she falls truly in love with Clark Redfield (Macdonald Carey) does Georgina abandon her dream world. Like the previous year's Secret Life of Walter Mitty, the film version of Dream Girl substitutes the quiet whimsy of its source with slapstick and overstatement; additionally, Elmer Rice's three-dimensional supporting characters are transformed into cardboard stereotypes. And just so the audience doesn't miss anything, the producers have added a voiceover narration to explain what has just been seen. With all this going against Dream Girl, Betty Hutton emerges unscathed, delivering a lot better performance than her material warrants. ~ Hal Erickson, All Movie Guide

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Starring:
Betty HuttonMacDonald Carey, (more)
1948  
 
The Girl From Manhattan is a minor but watchable variation on the old "mortgage-on-the-farm" plot device. The girl of the title is Carol Maynard (Dorothy Lamour), who after several years in the Big Apple returns to her home town, where her uncle, boarding-house manager Homer Purdy (Ernest Truex) faces eviction. The villain of the piece at first seems to be brash young minister Tom Walker (Robert Montgomery), who wants to build a church on Truex's property. But after reviewing the sitaution, Carol and Tom figure out that they have a common enemy: dishonest financier Sam Griffin (Howard Freeman), who intends to use the old church property for his own crooked purposes. Saving the film from wallowing in its own bathos is the timely arrival of Charles Laughton as a cherubic Bishop. ~ Hal Erickson, All Movie Guide

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Starring:
Dorothy LamourGeorge Montgomery, (more)
1948  
 
In this wartime drama, an American officer is accused of secretly working as an SS man. Though all evidence is against the officer, one Army prosecutor is not convinced of the man's guilt and begins working to prove his innocence. He is assisted by a beautiful woman who knows the defendant is innocent. Along the way the lawyer and the woman must endure constant assaults and accusations of treachery, but in the end they prevail. ~ Sandra Brennan, All Movie Guide

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Starring:
Ray MillandFlorence Marly, (more)

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