Selmar Jackson Movies

The Cartwright boys' fraternal horseplay takes a painful turn when they accidentally injure their hired hand Jebediah Milbank (John Carradine). As Milbank recovers in Ben Cartwright's bedroom, Ben orders his rambunctious sons to tend to Jeb's unfinished responsibilities-and to that end, he dispatches Adam, Hoss and Joe to three different directions. Also appearing are Jena Engstrom as Ann, Claude Johnson as Paul, Denver Pyle as Theodore and John Qualen as Parley. First telecast October 1, 1961, "Springtime" was written by John Furia Jr.. ~ Hal Erickson, All Movie Guide

Sixty-year-old gardener Phil Canby (Tom Tully) woos neither wisely nor well when he falls in love with 18-year-old Sue Thompson (Phyllis Love). Later on, Sue's father is killed, and Sheriff Willetts (Alan Baxter) arrests Phil for the murder. Protesting his innocence, Phil insists that he was babysitting his grandson on the night of the killing. The outcome of the story hinges on the sound of a baby's cry...but not from a baby. ~ Hal Erickson, All Movie Guide

Angered over being forcibly retired, jewelry store employee Andrew Thurgood (Claude Rains) would seem to be the most likely suspect when an expensive necklace is stolen. Surprisingly, Andrew's boss, Dr. Rudel (Stephen Bekassy), is willing to forget about the robbery, so long as the insurance company pays for the loss. It is only when Andrew returns home to his daughter (Betsy Von Furstenberg) that he finds out why his employer was so eager to sweep the matter under the rug. ~ Hal Erickson, All Movie Guide

The final film of director William Berke (his son, Lester William Burke, took over shooting following his father's death during filming) , The Lost Missile is a very cleverly constructed low-budget sci-fi thriller with some fascinating twists. A rogue missile, apparently from outside our solar system, ends up plunging into the Earth's atmosphere -- driven by atomic power, it cruises at an altitude of five miles and a speed of 4,000 miles per hour, generating a temperature of one million degrees in its wake, in a field five miles across, destroying anything and anyone it passes over; most of the planes that try to shoot it down miss and are destroyed, and no missile within range can get near enough to damage it with conventional explosives. Starting from the Bering Strait, the rogue missile lays waste to ever more populated real estate as it heads in an arc that will carry it over Ottawa and then New York, 63 minutes away; what's more, if it isn't stopped, the missile will lay waste to the entire surface of the Earth in the weeks that ensue as it arcs across the skies. Only one missile, the Jove (obviously a stand-in for the real-life army ballistic missile the Jupiter-C), still in the experimental stage, may be able to intercept it, and it doesn't have a warhead. The only answer is a "baby warhead," using the plutonium trigger projected by the American booster fast enough and exploded close enough to destroy the rogue -- but can the hero (Robert Loggia) assemble and launch it in time? ~ Bruce Eder, All Movie Guide

The only thing genuinely brave about Three Brave Men is the second word in the title. The film is based on the true story of a Navy employee who was fired as a security risk, then took the case to court to prove his loyalty to the United States. Ernest Borgnine plays the victimized employee, whose life is ruined simply because he once briefly participated in an alleged "Pinko" organization. Borgnine and his family are ostracized from the community when word leaks out about his so-called disloyalty. Lawyer Ray Milland takes Borgnine's case; he pleads so eloquently on behalf of his client's patriotism that the navy, represented by Eisenhower lookalike Dean Jagger, reinstates Borgnine. The problem in Three Brave Men is in how the material is approached. Instead of attacking the atmosphere of paranoia that fostered the Communist "witch hunts" of the 1950s, the crucifixion of Borgnine is treated as a necessary evil in the interests of "democracy." The low point comes at the end, when Ray Milland profusely thanks the Navy for their open-mindedness before his client has been exonerated. ~ Hal Erickson, All Movie Guide

Few actresses other than Joan Crawford could have successfully pulled off the melodramatic excesses of Autumn Leaves. Though a very attractive fortysomething, Crawford remains aloof from romance until she meets Cliff Robertson, a young man half her age. An ardent and persistent suitor, Robertson finally breaks down her resistence to marriage. After a few weeks of wedded bliss, Crawford is confronted by Vera Miles, who claims to be Robertson's first wife. Miles further insists that Robertson is mentally unbalanced...and his subsequent behavior seems to bear this out. What Crawford doesn't know-but the audience does-is that the real villains of the piece are Miles and her middle-aged lover, Robertson's own father (Lorne Greene). Autumn Leaves works far better on screen than it does in print, thanks to the virtuoso performances of practically everyone in the cast. And, as anyone who's listened to top-40 radio during the past four decades already knows, the film also yielded a hit title song, written by Joseph Kosma, Jacques Prevert, and Johnny Mercer and performed during the credits by Nat King Cole. ~ Hal Erickson, All Movie Guide

Jack McCall, the man who shot Wild Bill Hickok in the back, is presented in a sympathetic light in this "revisionist" western. During the Civil War, McCall (George Montgomery) is falsely accused of treason. He escapes to prove his innocence, but vengeful union sergeant Will Bill Hickok (Douglas Kennedy) won't let him. It's Les Miserables, western style, not to mention once of the few cinematic depictions of Hickok as an unregenerate villain: Wild Bill even participates in the murder of McCall's parents! Thus, the death of Hickok is seen as a justifiable act of revenge, with Jack McCall living happily ever after with Rose Griffith (Angela Stevens)--and never mind that the real McCall was hanged shortly after plugging Hickok during that fateful poker game. ~ Hal Erickson, All Movie Guide

Familiar B-western actor Lane Bradford appears in this episode as intrepid test pilot Chris White. While recovering from injuries incurred in a recent crackup, White falls into the hands of enemy agents determined to pry loose some top-secret information. Although the pilot remains grounded for the duration of the episode, Superman (George Reeves) does not--and it is the Man of Steel who strikes the crucial blow for Truth, Justice and the American Way! ~ Hal Erickson, All Movie Guide

An abundance of subplots are expertly woven together by screenwriter/director Richard Brooks in Deadline - USA. Humphrey Bogart stars as crusading editor Ed Hutcheson, whose newspaper is on the verge of closing thanks to the machinations of the mercenary daughter (Audrey Christie) of Mrs. Garrison (Ethel Barrymore), the paper's owner. Though he and his staff will all be out of work within a few days, Hutcheson intends to go out with a bang, exposing the criminal activities of "untouchable" gang boss Rienzi (Martin Gabel). Despite numerous disappointments and setbacks, Hutcheson achieves a pyrrhic victory as the film draws to a close. Throughout the story, the many pressures brought to bear upon a big-city newspaper--political, commercial, etc.--are realistically detailed, as is the relationship between Hutcheson and his ex-wife Nora (Kim Hunter). The cast of Deadline USA is uniformly excellent, from featured players Warren Stevens, Jim Backus, Paul Stewart Fay Baker and Ed Begley to such unbilled performers as Tom Browne Henry, Raymond Greenleaf, Tom Powers, and Kasia Orzazewski (essentially reprising her unforgettable characterization in Call Northside 777). ~ Hal Erickson, All Movie Guide

Having supped full of success with the multi-storied O. Henry's Full House, 20th Century-Fox assembled another all-star "omnibus" film, We're Not Married. The unifying factor of this enjoyable seriocomedy is provided by justice-of-the-peace Melvin Bush (Victor Moore), who learns to his horror that his license is invalid. Bush and his wife (Jane Darwell) feverishly track down the five couples whom he has married "illegally" to inform them of the fact and invite them to renew their vows. Couple #1 is Fred Allen and Ginger Rogers, a husband-and-wife radio team whose huggy-kissy behavior on the air conceals the fact that they'd dearly love to cut each other's throats. Couple #2 consists of David Wayne and his contest-happy spouse Marilyn Monroe, who's just won the "Mrs. Mississippi" pageant. Couple #3, Paul Douglas and Eve Arden, ran out of things to say to each other long ago. Couple #4 is millionaire Louis Calhern and his avaricious young bride Eva Gabor, who intends to jilt the old coot and make off with his millions. And Couple #5 is young GI Eddie Bracken and his pregnant wife Mitzi Gaynor. When Bush delivers the news that these unions aren't legal in the eyes of the state, the results range from poignant to hilarious: particularly satisfying is Calhern's puckish revenge on his gold-digging wife. And yes, that is Lee Marvin as Eddie Bracken's army buddy. ~ Hal Erickson, All Movie Guide

In this romance, an industrial designer is bitterly disappointed when he discovers that upon graduation his daughter decides to elope with her psychology professor rather than pursue a career. The professor's family is also not pleased by the union. Both families, who despise each other, try to get the newlyweds to annul their marriage. This quest unites the families and they become friends. When they finally catch up to the couple, both sides are appalled to discover that marital strife threatens to rip the couple apart. The families rally together and the marriage remains intact. ~ Sandra Brennan, All Movie Guide