Jamie Smith Jackson
- 1986
The Second Amendment of the Constitution forms the basis of this drama that follows the crusade of a lawyer to allow citizens to carry handguns. He launched his fight after his wife and daughter were killed during a robbery. ~ Sandra Brennan, All Movie Guide
- 1978
This third entry in the made-for-TV Having Babies saga was first telecast March 3, 1978. Susan Sullivan heads the cast as Dr. Julie Farr, presiding over three impending births. In true soap-opera fashion, Dr. Farr cannot help but get involved in the lives of her troubled patients. Marnie Bridges (Jamie Smith Jackson) must not only cope with parenthood, but with a faithless husband (Michael Lembeck); Gloria Miles (Rue McClanahan), left alone with her two children, suddenly goes into labor miles from the hospital; and Leslie Wexler (Patty Duke Astin), Dr. Farr's best friend, must decide whether or not to postpone a crucial mastectomy to have her baby. Having Babies III became a weekly TV series on March 7, 1978, again starring Susan Sullivan. Shortly thereafter, the title was changed to Julie Farr, MD. ~ Hal Erickson, All Movie Guide
- 1978
Expectant mother Susan Saint James goes into labor and is carted off to a somewhat forbidding hospital. When she awakens, she is told that her baby has died. The grieving Saint James reluctantly resumes her life as a schoolteacher. But not long afterward, she is haunted by bizarre dreams, indicating that her child is in fact alive. Someone knows the whole truth: is it her helpful husband Michael Parks, jovial doctor William Conrad, slyly smiling nurse Dolores Dorn, or sinister Cathleen Nesbitt? The made-for-television Night Cries first spooked its way into American living rooms on January 29, 1978. ~ Hal Erickson, All Movie Guide
- 1977
Like 1976's "Part One," Having Babies, Part 2 is a multiplotted TV movie about the effect of parenthood on four couples. The first film concentrated on a natural childbirth class. This second film broadens the subject matter with glances at adoptions and unwanted pregnancies. Among the many new parents are Tony Bill (taking time off from his producing career), Carol Lynley, Wayne Rogers, Lee Meriweather and Rhea Perlman. The film closes on some actual footage of twins being born. One year later, a third Having Babies film was telecast, under the imaginative title Having Babies III. Repeating her role from "Part 2" was Susan Sullivan, whose obstetrician character became the basis of the short-lived series Julie Farr, MD. ~ Hal Erickson, All Movie Guide
- 1976
An Americanized version of Truffaut's The Wild Child, this drama centers on the attempts of a behavioral psychologist to educate a boy, raised in the wilds by dogs, and teach him how to function in society. This film spawned a brief television series, Lucan. ~ Sandra Brennan, All Movie Guide
Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Robert Redford, (more)
The last gasp of gimmick-horror auteur William Castle (who produced and co-wrote), Bug is an entertaining throwback to the mutant-monsters-amok theme of the 1950s (themselves throwbacks of another kind) that he found so profitable. The film stars Bradford Dillman as a kinder, gentler mad scientist who discovers the presence of a bizarre strain of mutant cockroach emerging from the earth after a severe earthquake. Although larger than the average beetle, the most disturbing aspect of the critters is their innate ability to ignite fires with their bodies -- a talent dramatically revealed after a few of the bugs crawl up a vehicle's tailpipe. When Dillman discovers that the creatures possess a group intelligence, he attempts to train and breed them -- which proves to be less than a good idea. In Castle's heyday, this would have proven an ideal theme for one of his patented gimmicks (perhaps having little rubber bugs drop from the ceiling onto unsuspecting patrons at appropriate moments), but director Jeannot Szwarc (who later helmed Jaws 2 and the hankie-fest Somewhere in Time) plays the story straight, with remarkably chilling results. This is also remarkably violent for a mainstream PG film (particularly in the scene where Bad Seed Patty McCormack's hair is ignited by the six-legged arsonists) with a downbeat ending typical of many horror movies of the '70s. ~ Cavett Binion, All Movie Guide
- Starring:
- Bradford Dillman, Joanna Miles, (more)
- 1974
Four teenage girls disappear in a small New England town. One of the girls suddenly reappears in a crumbling old house (yes, the same house mentioned in the title). She claims that she's been held prisoner by a group of satanists. Subsequent events prove her right--but that's not the whole story. First telecast in the spring of 1975 as part of ABC's Wide World Mystery anthology, the taped, 90-minute House of Evil stars Andy Robinson, Jamie Smith Jackson, Salome Jens, and Dabney Coleman. ~ Hal Erickson, All Movie Guide
One of the most memorable made-for-TV horror films of the 1970s, Satan's School for Girls is set an exclusive institution of learning in Salem, MA, where students have been committing suicide at an alarming rate. A young woman named Elizabeth Sayres (Pamela Franklin) enrolls at the all-girl's school under an assumed name, hoping to find out why her sister felt compelled to kill herself. Slowly and deliberately, Elizabeth is drawn into a coven of Satan worshipers -- and soon she realizes that she herself has demonic potential. Of special interest is the presence in the cast of two future Charlie's Angels regulars, Kate Jackson and Cheryl Ladd (here billed under her maiden name, Cheryl Jean Stoppelmoor). Originally broadcast by ABC on September 19, 1973, Satan's School for Girls was remade for television in 2000, with Kate Jackson assaying the role of the school's sinister headmistress (originally played by Jo Van Fleet). ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Thinnes, Kate Jackson, (more)
- 1973
In this drama set in WW II, an uncle living with a New England family shares his memories after the family's four sons head off for combat duty. ~ Sandra Brennan, All Movie Guide
The made-for-TV movie The Affair (working title: Love Song) marked the return to television of Natalie Wood after an 18-year absence (her last regular small-screen work was on the 1954 sitcom The Pride of the Family). Wood plays a crippled 32-year-old songwriter whose handicap has made her cynical and suspicious of the kindnesses of strangers. Robert Wagner (the real-life husband of Natalie Wood) co-stars as a compassionate lawyer who falls in love with her. By the time she has warmed up to her new beau, she finds that her family opposes the relationship. Written by Barbara Turner, The Affair first aired November 20, 1973. ~ Hal Erickson, All Movie Guide
- 1973
"Alice" was the pseudonymous name of the teenaged author who wrote the book upon which this above-average TV movie was based. Jamie Smith-Jackson portrays a shy, slightly overweight high schooler who is so anxious for acceptance that she falls in with the drug crowd. In a methodical, almost casual matter, we see how Alice descends into a nether world of pushers, pimps and prostitution. Perhaps to make the point that this could be the story of any impressionable youth, few of the characters are identified by name: Julie Adams plays "The Mother," William Shatner "The Professor," Andy Griffith "The Priest," and so on. Filmed in a cinema-verite fashion, Go Ask Alice makes excellent use of relatively unfamiliar Los Angeles locations. ~ Hal Erickson, All Movie Guide
In this Counterculture vs. Establishment romance, Frank Harmon (William Holden) is a middle-aged businessman, recently divorced and a bit bitter about the state of his life and the world in general. One morning, he discovers a pretty, hippie-esque girl who calls herself Breezy (Kay Lenz) asleep on his front porch. Frank asks her to leave and she politely follows suit; she forgets her guitar, however, and returns the next day to retrieve it. Breezy also asks Frank if he would be so kind as to let her take a bath; he agrees, and even lets her sleep at his house that night. A few days later, Breezy turns up at again at Frank's doorstep, with a cop in tow -- after being arrested for vagrancy, she told the police that she lived here with her uncle Frank. Frank plays along and, against his better judgment, agrees to let her stay with him. After spending some time together, Frank and Breezy begin opening up to each other, discussing their feelings on a variety of issues. A friendship grows between them that, in time, becomes a love affair, but Frank's friends find fault in his new romance, and he breaks it off -- a decision he comes to regret. This was the first film Clint Eastwood directed in which he did not star, something he would not do again until Bird in 1988. ~ Mark Deming, All Movie Guide
- Starring:
- William Holden, Kay Lenz, (more)
- 1973
Kay Lenz essays the troubled title role in the made-for-TV Lisa, Bright and Dark. Unhappy at school and at home (her parents, Anne Baxter and John Forsythe, are the just-don't-understand type), Lisa is on the verge of a nervous breakdown. Three of her classmates (Anne Lockhart, Debralee Scott and Jamie Smith-Jackson) come to her rescue. They submit Lisa to their own interpretation of a group therapy session, learning a lot about themselves in the process. Based on a novel by John Neufield, Lisa, Bright and Dark was originally telecast November 28, 1973. ~ Hal Erickson, All Movie Guide
