Gordon Jackson Movies

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Look to the Lady. Set in Suffolk, England during the 1930s, the story concerns the Gyrth Chalice, a 1000-year-old artifact stolen from a once-prominent family now on its uppers. In his efforts to recover the chalice and restore the Gyrth family's prestige, Campion and his assistant Lugg (Brian Glover) enlist the aid of a shabby drifter named Val (Robin Lermette). The key to the story is "the Daisy"--which also happens to be the name of one of the principal characters. In America, "ook to the Lady" was telecast November 23 and 30, 1989, as part of the PBS anthology Mystery! ~ Hal Erickson, Rovi

Set during WWII, this Australian miniseries explores the effects of the conflict on the sleepy burg of St. Helens and its inhabitants, who are busy enough sorting out their religious differences. ~ Michael Hastings, Rovi

Superpatriotic Briton Michael Caine learns from his son Nigel Havers, a Russian translator with Government Communications Headquarters, that the CIA might have ordered the deaths of some GCH employees to avoid any security leaks. When Havers mentions that he's thinking about blowing the whistle on the sordid goings-on, Caine, convinced that whatever the CIA is doing is for the greatest good, implores his son to keep quiet. Soon afterward, Havers is found murdered. Even after this, Caine refuses to think ill of his government and its allies. It takes the death of investigative reporter James Fox to shake Caine out of his self-denial and to confront the persons responsible for the killings within the GCH. The venerable John Gielgud offers a surprising characterization in this complex conspiracy thriller. ~ Hal Erickson, Rovi

This British Merchant-Ivory look-alike was adapted from a novel by Isabel Colgate. In the summer before World War I, British nobleman James Mason invites an assorted group of acquaintances for a weekend shooting party on his huge estate. Among the participants are longtime rivals Edward Fox and Rupert Frazer, Fox's occasionally unfaithful wife Cheryl Campbell, and staunch anti-hunting advocate John Gielgud. The film unfolds in a carefully calculated but seemingly spontaneous fashion, in the manner of its 1938 ancestor Rules of the Game. Also like the earlier film, The Shooting Party casts a jaundiced eye towards class consciousness--and ends with a sudden, senseless but not altogether unexpected tragedy. ~ Hal Erickson, Rovi

Twenty-seven years after Hound of the Baskervilles (1959), Peter Cushing makes a belated return to the role of Sherlock Holmes in the made-for-television Masks of Death. Befitting his age, Cushing plays Holmes in retirement, content to play his violin and look after his bees. He is dragged back into action by a series of baffling East End murders. Each one of the victims has been discovered with an expression of stark, raw fear frozen on his or her face. With faithful Dr. Watson (John Mills) at his right hand, Holmes puts the pieces together. Ray Milland and Anne Baxter co-star in this stylish bouquet to the Baker Street Irregulars of the world. ~ Hal Erickson, Rovi

The Last Giraffe was adapted by Sherman Yellin from the book Raising Daisy Rothschild by Jock and Betty Leslie-Melville. Put two and two together, and you'll figure out from the above information that the giraffe of the title and Daisy Rothschild are one in the same. Filmed in Kenya, the fact-based story details the efforts of married-couple Susan Anspach and Simon Ward to save an injured baby Rothschild giraffe and to rescue the animal's herd from nasty poacher Gordon Jackson. It turns out that Jackson is not the only threat to the Rothschilds: the expanding human population of Kenya is unwittingly stripping the land of the precious foliage upon which Daisy and the other giraffes must feed. Thankfully, the film avoids sappy sentiment and Disneyesque preciousness. Made for television, The Last Giraffe premiered June 7, 1979. ~ Hal Erickson, Rovi

In this pilot for a TV series. Robert Culp stars as a top criminologist and dabbler in the occult. Gig Young is a drunken doctor who is "magically" cured of his alcoholism by Culp's housekeeper. Culp and Young decide to team up as the Holmes and Watson of the exorcist set. Their first assignment: Get the goods on a licentious, megalomaniac financier (James Villiers), who seems to have achieved success through literally diabolical means. ~ Hal Erickson, Rovi

In this British actioner, the professional thieves find that they have become bored with smuggling cocaine. For a new challenge, they decide to steal some plutonium. ~ Sandra Brennan, Rovi

The fifth and final season of Upstairs, Downstairs covers the years 1910 to 1930, bringing the saga of the Bellamy household to a close. So much time has to be dealt with this season that the producers expanded the episode output from 13 to 16 hour-long episodes. And because virtually every one of those episodes deals with the events of a single year, the writers must for the most part abandon the "serialization" format in favor of self-contained plotlines. As the season begins, James Bellamy (Simon Williams), seriously wounded in WW1, has been invalided out of the service. The injuries sustained by James are compounded by the emotional impact of the death from influenza of his wife Hazel. Thoughout the rest of the season, James will desperately cast about for a purpose in life, ultimately entering into a "surefire" stock-speculation scheme that will bring financial ruin to the Bellamys and precipitate James' premature demise. Meanwhile, James' father Richard (David Langton), whose first wife Marjorie went down with the "Titanic" in 1912, marries Virginia Hamilton (Hannah Gordon), a war widow with two children of her own. Richard's ward Georgina (Leslie-Anne Down) returns from an extended stay in America in 1924, as rumors buzz about head butler Hudson (Gordon Jackson) and new housemaid Lily (Karen Dotrice); after a desultory romance with James and a tragic accident which nearly ruins her future, Georgina will eventually wed Robert Stockbridge (Anthony Andrews), the son of a family of noblemen. In 1925, Member of Parliament Richard Bellamy is appointed Britain's Undersecretary of State for Foreign Affairs; and the following year, the "upstairs" and "downstairs" factions of the Bellamy household are virtually torn asunder by the General Strike of 1926. In the series' now-legendary final episode, head maid Rose (Jean Marsh) tearfully wanders through the empty halls of 165 Eaton, wistfully recalling the highlights--and a few of the lowlights--of the past 27 years. ~ Hal Erickson, Rovi

The third season of the British drama series Upstairs, Downstairs sweeps past the Edwardian era to cover the pre-war years between 1912 and 1914. Because actress Rachel Gurney had already announced her intention to leave the series, the producers decided to provide the character of Lady Marjorie Bellamy with a truly unforgettable exit, and to that end took advantage of the 1912 setting in the Emmy-nominated season opener "Miss Forrest". The title refers to the newest member of the Bellamy household, Richard Bellamy's ultra-efficient secretary Hazel Forrest (Meg Wynn Owen), whom Richard (David Langton) hires just before his wife Marjorie is to visit their daughter Elizabeth (played during the first two seasons by the now-departed Nicola Pagett) in America. And how will Majorie cross the Atlantic. Via the new, unsinkable ocean liner, the "Titanic". . . After the death of Marjorie, Hazel becomes unofficial head of the Bellamy household, eventually marrying Richard's troubled son James (Simon Williams). Also joining the household this season are Richard's pretty ward Georgina Worsley (Leslie-Anne Down) and new maid Daisy (Jacqueline Tong), who will fall in love with footman Edward (Christopher Beeny). In other developments, warm-hearted head maid Rose (Jean Marsh), taking pity on impoverished ex-servant Alfred (George Innes)--who left the Bellamy household in disgrace in Season One--allows him to briefly stay in the cellar, a generous gesture that endangers the lives of everyone at 165 Eaton; later, Rose considers the prospect of marriage to Australian sheep farmer Gregory Wilmott (Keith Barron); head butler Hudson (Gordon Jackson) is torn between loyalty to the Bellamys and his own ambition when he is offered a job at the country estate of Richard Bellamy's old friend Bunny Newbury (John Quayle); and Richard himself is innocently swept up in a financial scandal that nearly destroys his political career. The season ends with the Emmy-winning episode "The Sudden Storm" as cook Mrs. Bridges (Angela Baddeley), of all people, is squired by an eligible old bachelor--while outside the relative comfort of the Bellamy home, war clouds are gathering in Europe. ~ Hal Erickson, Rovi

The first appearance of Bette Davis in a made-for-television film has an evil mastermind (Davis) plotting against a CIA agent (Robert Wagner) for control of a deadly submarine. Aired in 1971, Madame Sin was the most expensive TV movie of the time. ~ John Bush, Rovi

Kidnapped avoids the Hollywoodized interpolations of previous film versions of the Robert Louis Stevenson novel, choosing instead to adhere to the story as written. Scottish orphan David Balfour (Lawrence Douglas) is betrayed by his wicked uncle Ebeneezer (Donald Pleasance), who arranges for David to be kidnapped and sold into slavery so that Unk can claim his inheritance. The boy is rescued and befriended by Alan Breck (Michael Caine), a Scottish rebel fighting on behalf of his country's independence from the British (did we tell you that the film takes place during late 18th century?) Both David and Alan undergo several exhilarating adventures before Alan comes to realize that the rebellion is doomed from the start, and David foils his uncle's greedy machinations. Kidnapped was one of several "classic" adaptations released by American-International during the early 1970s, and arguably the best of the bunch (try sitting through AIP's Wuthering Heights sometime). ~ Hal Erickson, Rovi