Glenda Jackson Movies

A murder investigation at a cloistered boy's school is the subject of this British made-for-television adaptation of John Le Carre's novel. Le Carre's famous detective-hero George Smiley (Denholm Elliott) returns from retirement to look for answers in a mysterious murder at a boarding school, where secret societies, rituals and abuse are the norm. ~ Bernadette McCallion, All Movie Guide

Based on the play by Christopher Durang, Robert Altman's Beyond Therapy is a comedy set in New York City but filmed in Paris, where Altman was living at the time. Arrogant Bruce (Jeff Goldblum) grows bored with his live-in lover, Bob (Christopher Guest), so he looks for a change by placing an ad in the personals. He meets neurotic Prudence (Julie Hagerty) at a French restaurant and they prove to be a terrible match-up. Then Bruce goes to see his therapist, Charlotte (Glenda Jackson), who has a strange disorder herself. In the same building, Prudence goes to see her own bizarre therapist, Stuart (Tom Conti), who believes in sex with his patients. Charlotte and Stuart also have an arrangement where they meet for anonymous sexual trysts. Meanwhile, Bob's mother (Genevieve Page) is worried about her son's relationship with Bruce and she interferes with everything. ~ Andrea LeVasseur, All Movie Guide

The British Business as Usual stars Glenda Jackson and John Thaw as the husband-and-wife managers of a boutique. When a huge store chain purchases Jackson and Thaw's establishment, chain executive Eamon Boland is sent to check out the place. It seems, however, that he's more interested in checking out pretty boutique employee Cathy Tyson. Jackson slaps a sexual harrassment charge on Boland, who uses this contretemps as an excuse to fire her from her own store. Down but not out, Jackson conducts a determined public campaign to get her job back and to put Boland in his place. Business as Usual makes no bones about its anti-Margaret Thatcher, anti-Big Business political stance. While this aspect of the film might be lost on American viewers, the plight of Glenda Jackson's character is all too familiar. ~ Hal Erickson, All Movie Guide

Comparatively unknown, the British And Nothing But the Truth is a blistering indictment of government-sanctioned corruption, as well as the "facts of life" of the television industry. Filmmaker Glenda Jackson and reporter Jon Finch head to South Wales, where a farm family has taken on the local village government. Accusations have been raised that a powerful corporation has (within legal limits) bribed the village to permit encroachment upon local farm land. In pursuit of the truth, Jackson and Finch are subjected to character assassination and overt threats. Only gradually do they discover that their own bosses are also on the take. And Nothing But the Truth was originally titled Giro City. ~ Hal Erickson, All Movie Guide

Hedda is a tasteful, literate cinematic translation of the Royal Shakespeare Company's production of Henrik Ibsen's Hedda Gabler. Glenda Jackson plays Hedda, the restless, free-spirited daughter of a Norwegian military officer. Hedda is married to George Tesman (Timothy West), a dull professor whom she does not love. Bored with her lot, Hedda begins playing with the life of the trusting Thea Elvstead (Jennie Linden) and pushes her former love, the poetic Eilert Lovborg (Patrick Stewart), into attempting suicide. Hedda's machinations come to naught when she is threatened with exposure by the lascivious Judge Brack (Peter Eyre); the judge agrees to keep mum if Hedda will become his mistress. ~ Hal Erickson, All Movie Guide

Recently widowed Dr. Nichols (Walter Matthau) finds himself ill at ease in re-entering the singles scene. Then he meets Ann Atkinson (Glenda Jackson), a patient recuperating from a jaw operation. Freshly divorced from a philandering spouse, Jackson is as reluctant to inaugurate a lasting commitment as Walter--but inaugurate they do, in a hilarious scene wherein Jackson and Walter try to emulate those romantic couples in 1930s movies who were forced by the censors to keep one foot on the floor while lying in bed. It is Jackson who encourages Matthau to stand up for his ideals during a lawsuit involving senile head physician Dr. Willoughby (Art Carney, who is unbearably funny at times). Richard Benjamin rounds off the cast of polished farceurs who add so much sparkle to House Calls. The film was later adapted into a TV sitcom starring Wayne Rogers in the Matthau role, Lynn Redgrave (and later Sharon Gless) in the Jackson counterpart, and David Wayne as a less aphasiatic version of the Carney character. ~ Hal Erickson, All Movie Guide

This family adventure movie, based on the novel by Marguerite Henry, is about a mute Arab boy and his constant companion, a beautiful stallion, who have to overcome all manner of hazards and setbacks and later get to meet the King and Queen of England. ~ Mark Hockley, All Movie Guide

Adapted from his own Royal Shakespeare Company production of Peter Weiss' play entitled The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates at Charenton Under the Direction of the Marquis de Sade, Peter Brook directs this fascinating look into revolution, power, and human frailty. During the 19th century, fashionable theatergoers would attend ostensibly therapeutic stage performances by mental asylum inmates. The film opens on July 19, 1809, with Monsieur Coubnier (Clifford Rose), the officious head of the Charenton asylum, introducing that night's show -- a drama about the assassination of French Revolutionary War firebrand Jean-Paul Marat, written by that institution's most notorious resident, the Marquis de Sade (Patrick Magee). The play begins conventionally enough , considering that the lead actress (Glenda Jackson) is a narcoleptic, the actor playing Marat (Ian Richardson) is a paranoiac, and another actor, a sex maniac with very pressing urges, is kept in chains. But the work soon evolves into a dialogue between Marat and De Sade. Though both men were early supporters of the Revolution, their ideas of the shape of the movement took very different courses. Espousing a form of proto-Marxism, Marat is at first presented as the sort of tyrannical idealist that became depressingly familiar in the 20th century, a la Lenin and Pol Pot. But then later, Marat seems haunted by the terror he has unleashed and unable to understand where he went wrong. De Sade, on the other hand, preached his own unusual brand of Nietzschean existentialism. Unlike Marat, he not only recognizes the inherent weakness of the human character, but he revels in it. Murder as an act of individual passion should be celebrated, De Sade at first argues; murder as an anonymous act of statecraft should be deplored. The individual is not given meaning though politics but through acts of spontaneous passion and desire. As the play progresses, the revolution depicted in the play soon develops into an outright revolution on the stage. ~ Jonathan Crow, All Movie Guide

An all-star female cast (Glenda Jackson, Melina Mecouri, Geraldine Page, Sandy Dennis, Anne Jackson, Anne Meara, and Dame Edith Evans) enliven this satirical treatment of the Nixon Watergate scandal, Nasty Habits -- based on Muriel Sparks's novella The Abbess of Crewe. When a dying abbess (Dame Edith Evans) of a Pennsylvania convent is ready to name Sister Alexandra (Glenda Jackson) as her successor, Sister Alexandra and her two flunkies (Sandy Dennis and Anne Jackson) try to get the abbess to sign a document of intent. But their plans are dashed when liberal Sister Felicity (Susan Penhaligon) arrives and wants to change the institution. Her arrival delays the signing of the document of intent, and before the abbess can sign the paper she dies.Now the job of running the convent is up for grabs, with Sister Alexandra employing Nixon-like techniques of surveillance and dirty tricks to get the goods on Sister Felicity. ~ Paul Brenner, All Movie Guide

The made-for-TV Sakharov stars Jason Robards as famed Soviet nuclear physicist D. Andrei Sakharov. Lauded by his government for his scientific achievements, Sakharov nonetheless becomes an outspoken critic of Russia's human rights violations. He is reclassified as a "non-person" and exiled to the cloistered city of Gorky. He is also awarded the 1975 Nobel Peace Prize. Originally slated for a September 1984 premiere, Sakharov debuted over the HBO cable service on June 20. This coincided with Sakharov's internationally publicized hunger strike, designed to secure much-needed medical attention outside the Soviet Union for his second wife, Dr. Yelena Bonner (played in the film by Glenda Jackson). Sakharov was filmed in England and Austria with two separate crews. ~ Hal Erickson, All Movie Guide

Stevie is not a he but a she--famed British poet Stevie Smith. As portrayed by Glenda Jackson, Stevie escapes her dull middle-class existence through her poetry. Though she takes many a spiritual flight of fancy, she never truly leaves the small apartment wherein all the action of the film takes place. The rest of the cast--all three of them--consists of Mona Washbourne as Stevie's aunt, Alec McCowan as her boyfriend Freddie, and Trevor Howard as "The Man." Stevie is a literal adaptation of the stage play by Hugh Whitemore; the poetic interpolations are from Stevie Smith's own works. ~ Hal Erickson, All Movie Guide

Subtitled A Film About London, this drama is a quintessential experimental counter-culture film of the late 1960s that centers on the questions raised by the Vietnam war. Renowned Shakespearean theater director Peter Brook serves as producer and director. It includes many members of the Royal Shakespeare Company, such as London actors Mark Jones, Robert Lloyd), and Pauline Munro, who essentially play themselves. They become obsessed with a photograph of a wounded Vietnamese child and begin discussing the war with their friends and fellow actors. They attend a series of lectures and teach-ins, discussing the issues of the day with a number of activists, including the American Black Panther leader Stokely Carmichael. The discussions are combined with newsreel footage in a bizarre collage of images. Moved to do something, the group of actors puts on a series of skits about the war. ~ Michael Betzold, All Movie Guide

The Boy Friend began life as Sandy Wilson's small-scale pastiche of British musical comedies of the 1920s. When the play was brought to America in 1954, its star was the
teenage Julie Andrews. Because The Boy Friend requires a minimum of sets, props, and costumes, it has become a favorite of amateur theater groups throughout the world. But director Ken Russell, notorious for his onscreen excesses, abandoned the film's simplicity. He fashioned a humongous parody of the Busby Berkeley film musicals of the 1930s, staged on a scale that made Berkeley seem stylistically modest. Fashion model Twiggy plays Polly Browne, an aspiring musical comedy star, working as stage manager of a production of The Boy Friend. She is transformed into a star when she replaces leading lady Rita Monroe (Glenda Jackson, unbilled), who twists her ankle seconds before the curtain goes up. Before the evening is over, Polly is scampering over outsized sets, and ducking around seemingly thousands of chorus girls and boys. Christopher Gable, who plays Polly's on-stage leading man, also choreographed the lavish musical numbers. ~ Hal Erickson, All Movie Guide