Freda Jackson Movies

Blake (Gareth Thomas) learns that the location of Star One, currently the nerve center of the Federation, is known to Gola (Bruce Purchase), the leader of the barbarian Goths. In order to get this vital information, Blake's cohort, Jenna, has to agree to marry the fearsome-looking Gola. As it happens, however, the outcome of the story rests with Gola's exiled father, who is on the brink of death. "The Keeper" was originally telecast on March 27, 1979. ~ Hal Erickson, Rovi

Two brothers looking to avoid becoming pawns of the establishment come up with a better way of making a living -- through theft -- in this satiric comedy. David Tremayne (Oliver Reed) is a successful London architect, and his younger brother Michael (Michael Crawford) is weighing his options after being kicked out of school. The brothers share a bemused disgust with the world around them and a desire to get through life without the burden of labor; toward this end, one day they begin plotting an elaborate scheme to steal the British Crown Jewels. Mind you, they don't intend to sell them, or even keep them very long -- the idea is to return them after a week, simply to prove that it could indeed be done, and make themselves famous in the process. After studying the procedures of Scotland Yard's Bomb Disposal Unit, the inner working of the Tower of London's Jewel Room, and the London ambulance services, the Tremaynes come up with a foolproof plan -- they call in a bomb threat to the Tower, and they are able to enter the Jewel Room posing as men from the bomb squad. They then feign injury and are able to escape in an ambulance. It all seems simple enough, and it actually works, until Michael "forgets" his part of the agreement to take half of the responsibility for the theft. The supporting cast includes Edward Fox, Frank Finlay, and Harry Andrews. ~ Mark Deming, Rovi

TV commentator Stephen Boyd doesn't believe the official verdict of suicide in the death of a famed London psychiatrist. Boyd tries to get to the truth by studying a list of the shrink's patients. While interviewing three of these worthies (Jack Hawkins, Diane Cilento and Richard Attenborough), Boyd discover that each has a deep dark secret that the psychiatrist was privy to. The best-kept secret concerns the schizophrenia of the dead man's teenaged daughter (Pamela Franklin)--a fact that provides the key to mystery. The Third Secret originally featured Patricia Neal as one of the suspects, but her scenes were cut from the final release print. ~ Hal Erickson, Rovi

Tony Richardson's adaptation of Henry Fielding's classic novel was one of the most critically acclaimed and popular comedies of its time, winning four Academy Awards, including Best Picture. The film follows Tom Jones (Albert Finney), a country boy who becomes one of the wildest playboys in 18th century England, developing a ravenous taste for women, food, and rowdy adventures. Over the course of the film, Jones tries to amass his own fortune and win the heart of Sophie (Susannah York). Not only does John Osborne's Oscar-winning screenplay stay true to the tone of the novel, but the cast -- including Lynn Redgrave in her first screen role -- tears into the story with spirited abandon, making the movie a wildly entertaining and witty experience. ~ Stephen Thomas Erlewine, Rovi

Disney's Greyfriars Bobby is a remake of A Challenge to Lassie; both are based on the same novel by Eleanor Atkinson, and both feature Donald Crisp in a major role. A true story, set in Edinburgh around 1875, the Disney version stars Alex McKenzie as the shepherd Old Jock, the owner of a loyal Skye terrier named Bobby. When Jock dies of "old age, exposure, and starvation," and is buried in the Edinburgh cemetery known as Greyfriars Kirk, Bobby spends his days playing with street children, begging for scraps, and evading the police constables, but by night he sleeps on his late master's gravesite and refuses to leave, despite graveyard caretaker John Brown's (Crisp) efforts to chase Bobby away. Slowly but surely, the taciturn Brown comes to love the steadfast dog, which brings him into conflict with stiff-necked Constable MacLean (Donald MacRae), who intends to "arrest" Bobby if Brown doesn't pay the minimal license fee. Standing on principle, Brown refuses, but a group of local children raise the necessary funds, setting the stage for a heartwarmingly Disneyesque finale. ~ Hal Erickson, Rovi

Hammer Films and director Terence Fisher followed the excellent Horror of Dracula with this well-made, richly-colored sequel which suffers only from the conspicuous lack of Dracula himself -- since Horror's Christopher Lee had declined participation in further Dracula sequels for the time being. In his stead, we have young, blond Baron Meinster (David Peel) providing the requisite vampiric threat. Though imprisoned in the family estate by his mother, Meinster is released from his silver chains by an unsuspecting French teacher (Yvonne Monlaur), through which he gains access to a veritable smorgasbord of nubile wenches at a girls' school. Fortunately, master vampire killer Dr. Van Helsing (Peter Cushing) is on the case. Besides featuring some of the best acting, photography and period detail of the Hammer Dracula series, this is also one of the first to delve into the more sexual aspects of vampirism, with implicit suggestions of incest, sadomasochism and homosexuality. ~ Cavett Binion, Rovi

This once-notorious British expose film now seems as innocent as a community choir rehearsal. Based on the real-life activities of London's Messina gang, The Flesh is Weak tells the story of a decent girl named Marissa Cooper (Milly Vitale) who is inveigled by a family of pimps into a life of prostitution. When she tries to break away from her sordid surroundings, her "protectors" have her thrown in jail on a phony assault charge. It takes the intervention of journalist Lloyd Buxton (William Franklyn) to rescue Marissa and convict the man responsible for her downfall. John Derek heads the cast as Tony Giani, a ruthless young punk with a smooth line and movie-star looks. ~ Hal Erickson, Rovi

Though his Hollywood career had petered out, Tom Conway continued to star in British films throughout the 1950s. In Last Man to Hang, Conway heads the cast as Roderick, who at present is on trial for his life. Accused of poisoning his wife, Roderick's fate rests in the hands of the jury, who must decide whether or not the death was accidental. The most damning evidence is provided by Roderick's housekeeper Mrs. Tucker (Freda Jackson), who will do anything to see her ex-employer swinging from a gibbet. The title refers to the British Parliament's mid-1950s efforts to outlaw capital punishment; this legislation would in fact not come about until after the miscarriage of justice dramatized in 1972's Ten Rillington Place. ~ Hal Erickson, Rovi

In the tradition of Derby Day and The Extra Day came another multiplotted British comedy/drama, The Crowded Day. A huge and mobile cast play the various persons connected with a department store sale during the Christmas season. Special attention is given five members of the store's sales staff, each of whose private lives comprises a story wavering twixt laughter and tears. Joan Rice, John Gregson, Freda Jackson, Rachel Roberts, Thora Hird and Edward Chapman are among the familiar British faces commiserating at the bargain counter. The fragmentary nature of Crowded Day came in handy when the film was trimmed to accommodate commercials on American television. ~ Hal Erickson, Rovi

The Women of Twilight in this controversial British production are the unwed mothers living in a group home. Helen Alistair (Freda Jackson), owner of the shelter, uses a veneer of kindness and generosity to mask her true character: Helen exploits the young women as cheap labor, then farms out their babies to the black-market adoption market. The story concentrates on one of the young unfortunates (Rene Ray), whose tragic plight finally arouses the suspicions of the authorities. Considered raw meat in 1953, Women of Twilight seems to pull most of its punches today. The film was based on a play by Anatole de Grunwald. ~ Hal Erickson, Rovi

Mr. Denning (John Mills) is bedeviled by a blackmailer with whom his daughter Liz (Eileen Moore) has fallen in love. In a sudden fit of rage, Denning murders the scoundrel. Panicking, he drives northward with the corpse in the back seat, dumps the body in a lonely rural area, and carefully eliminates all traces of his involvement in the crime. To deflect the authorities, Denning places a highly distinctive ring on the body's finger, so that the dead man will be misidentified. A perfect crime? Well, it seems that Denning's new prospective son-in-law (Sam Wanamaker) is an American attorney with a very inquiring mind. ~ Hal Erickson, Rovi

Immediately grabbing the audience's attention with a heart-stopping opening scene in a dark graveyard, acclaimed British director David Lean realizes the cinematic potential of Charles Dickens' classic 1861 novel, and the result is considered by many to be one of the finest literary adaptations ever made as well as one of the greatest British films of all time. Crystallized into a tight 118-minute running time by Lean, Ronald Neame, and a corps of uncredited contributors, this is the story of young Pip, a lad of humble means whose training as a gentleman is bankrolled by a mysterious benefactor. Along the way, Pip falls in love with the fickle Estella, befriends the cheerfully insouciant Herbert Pocket, has memorable encounters with the escaped convict Magwitch and the lunatic dowager Miss Havisham, and almost (but not quite) forgets his modest origins as the foster son of kindhearted blacksmith Joe Gargery. The role of Pip is evenly divided between Anthony Wager as a child and John Mills as an adult; Alec Guinness makes his starring film debut as the jaunty Pocket; Jean Simmons and Valerie Hobson are costarred as the younger and older Estella; and Martita Hunt is unforgettable as the mad Miss Havisham ("It's a fine cake! A wedding cake! MINE!") Remade several times, Great Expectations resurfaced in 1989 as a TV miniseries, with Jean Simmons, originally the young Estella, tearing a passion to tatters as Miss Havisham; and in 1998 it was remade again, in a contemporary version, with Ethan Hawke, Gwyneth Paltrow, Robert DeNiro, and Anne Bancroft in the Miss Havisham role. ~ Hal Erickson, Rovi