Sid Krofft Movies

This big-screen adaptation of Land of the Lost stars Will Ferrell as Dr. Rick Marshall, a quantum paleontologist who has been discredited in the scientific world due to his strident belief in time travel as the cure for all of humanity's problems. After hitting an all-time low, giving a lecture to elementary school kids, Dr. Marshall meets an ambitious young scientist named Holly (Anna Friel), who tells him she has followed all his work and believes he's a genius. Spurred on by her enthusiasm, he finishes building the device that will allow him to time travel -- something he promptly does along with Holly, and white-trash fireworks salesman Will (Danny McBride), after Will leads them into a cave that seems like a promising place to test the new machine. They end up in a world full of dinosaurs, sand, and scary lizard-like creatures known as Sleestacks. They quickly lose the machine that brought them to this alternate universe, and if they ever want to return home, the trio must recover it with the help of Chaka (Jorma Taccone), the monkey-like friend they make in this strange place. ~ Perry Seibert, Rovi

In this made-for-TV movie, a teenage boy runs away from home and joins a circus, discovering that his new life is not exactly what he thought it would be. When the boy is the witness to a murder, he must struggle to keep himself out of the killer's way. ~ Iotis Erlewine, Rovi

The fourth Saturday morning TV series produced by puppeteers Sid and Marty Krofft, Land of the Lost was far more serious in tone than their earlier efforts (H.R. Pufnstuf, The Bugaloos, and Lidsville), and far more ambitious. While embarked upon an expedition of the Colorado River, camp ranger/explorer Rick Marshall (Spencer Milligan) and his children Will (Wesley Eure) and Holly (Kathleen Coleman) plunge over a waterfall and into a time vortex. They emerge in a faraway planet called Altrusia, a primitive land that had somehow become a gathering place for beings of various other time periods. The Marshalls were now surrounded by a frightening array of Paleozoic dinosaurs, a Cenozoic-era family of monkey-like humans called the Paku, and the fearsome, seven-foot-tall Sleestak, who resembled a cross between beast and insect. Also residing in Altrusia was Enik (Walter Edmiston), a superintelligent being who at first glance appeared to have come from the future, but was actually an antecedent of the Sleestak, who had devolved from a once highly advanced civilization. The resourceful Marshalls managed to carve out a new home for themselves in this land of the lost, and to befriend the Paku, who spoke in a bizarre language called Pakuni (developed for the series by Dr. Victoria Fromkin, head of the UCLA Department of Linguistics).

Though somewhat crude-looking by 21st century standards, the special effects on Land of the Lost, combining back projection, stop-motion animation, and puppetry, was quite impressive in its time, and is still nothing to be ashamed of when seen today. Also, during the first two seasons, the scriptwork maintained a lofty Star Trek-like level, thanks to the input of such eminent sci-fi/fantasy writers as David Gerrold, Larry Niven, Ben Bova, D.C. Fontana, and Theodore Sturgeon. Debuting September 7, 1974, Land of the Lost soon emerged as NBC's most successful and popular live-action Saturday morning series. This may explain why it was the Kroffts' longest-running children's TV program, ultimately lasting three seasons and 43 half-hour episodes.

That said, it must be admitted that the series' first two episodes were more impressive than its third year on the air. For season three, several changes were imposed, not least of which was the removal of Spencer Milligan as Rick Marshall. It was explained that, during an earthquake that destroyed the Marshalls' mountain living quarters, Rick was sucked through another time portal and vanished, never to return. By an astonishing coincidence, another member of the Marshall family, Will and Holly's Uncle Jack (Ron Harper), had fallen into still another time portal while searching for his lost family members and was deposited in Altrusia! While this incredible set of circumstance was hard enough to swallow, even more problematic was the fact that the Marshalls were suddenly being visited by a wide variety of misplaced persons and creatures who came and went through additional portals with the greatest of ease -- even though the Marshalls themselves were never able to find a means of escape! Thus, whereas the first two seasons of Land of the Lost was very Star Trek-ish in its approach, season three took on the juvenile trappings of Lost in Space. After finishing its NBC run on September 4, 1978, Land of the Lost entered the realm of rerun syndication. The original episodes were rebroadcast by CBS in 1985 and 1987; in 1991, a brand-new version of Land of the Lost, with a completely different cast, began a two-year run on ABC. ~ Hal Erickson, Rovi

The fourth Saturday-morning children's series created by Sid and Marty Krofft, of H.R. Pufnstuf fame, the weekly, half-hour Sigmund and the Sea Monsters was, according to series producer Si Rose, inspired when Sid Krofft came across some "sea life among the kelp" on a San Diego beach. Reversing the formula popularized on H.R. Pufnstuf and Lidsville, in which a "normal" human boy from the real world was transported to a colorful fantasyland full of exotically costumed, puppet-like creatures, Sigmund was all about a strange and fantastic creature who found himself stranded in the actual world, where he befriended a pair of typical human youngsters. A heavily disguised Billy Barty was cast as diminutive Sigmund Ooze, a green, scaly, multi-tentacled sea monster. Exiled from his equally monstrous family -- Big Daddy, Sweet Mama, and his bullying big brothers, Slurp and Blurp -- because he was unwilling and unable to frighten human beings, Sigmund was booted out of his family's slimy beachfront domicile at Dead Man's Point.

Living nearby at 1730 Ocean Place in Cypress Beach, CA, were preteen brothers Johnny and Scott Stuart (Johnny Whitaker, Scott Kolden) and their caustic but lovable guardian-housekeeper Aunt Zelda Marshall (Mary Wickes). Befriending the lonely Sigmund, Johnny and Scott invited him to stay in their converted-toolshed "secret" clubhouse, making certain that Sigmund was kept out of sight from Aunt Zelda, her erstwhile boyfriend Sheriff Chuck Bevans (Joe Higgins), and perennially nosy neighbor Mrs. Eddels (Margaret Hamilton). During the series' second season, Aunt Zelda took temporarily leave from the Stuart home, to be replaced by a new housekeeper, crusty ex-Marine sergeant Gertrude Gouch (Fran Ryan). Also during this season, comedian Rip Taylor joined the cast as Sheldon, a zany and somewhat inept genie whom Sigmund had liberated from a seashell. A bit later, Sparky Marcus began making appearances as Sheldon's bratty magical nephew, Shelby.

Most of the storylines on Sigmund and the Sea Monsters were developed in parallel fashion -- that is, if the Stuart boys were having trouble in public school, Sigmund was in hot water at "Ghoul School"; and when the human kids joined the Boy Scouts, Sigmund's siblings Blurp and Slurp signed up with the "Monster Scouts." In many of the first-season installments, Johnny Whitaker, formerly a regular on the sitcom Family Affair, was permitted to sing, with original tunes provided by Bobby Hart and Danny Janssen. The 29 episodes of Sigmund and the Sea Monsters were originally networkcast by NBC from September 8, 1973, through October 18, 1975. ~ Hal Erickson, Rovi

Lidsville, the third of Sid and Marty Krofft's Saturday-morning childrens' series, was arguably the wierdest and wildest, bursting to the seams with psychedelic zaniness -- and, it might be whispered, even more covert references to "controlled substances" than were found in the immortal H.R. Pufnstuf. Butch Patrick of "Eddie Munster" fame starred as the series' "human" hero Mark, who while attending a magic show at Six Flags Over Texas became consumed with curiosity over the conjuring act presented by Merlino the Magnificent. Sneaking backstage, Mark stared in amazement as Merlino's magic hat grew to a humongous size. Even more amazing was what happened after Mark fell into the hat, tumbling out of the "real" world and into the land of Lidsville, a garishly colored metropolis populated almost entirely by talking hats (played, of course, by small-sized actors wearing full-body Krofft costumes). Immediately befriending the "Good Hats" of Lidsville -- among them Colonel Poom, Admiral Scuttlebutt, Big Chief Sitting Duck, Rah-Rah the Football Helmet, Scorchy the Fireman's Hat, and Twirly the Beanie -- Mark vowed to protect them from the sinister machinations of green-skinned, red-goateed evil magician Horatio W. Hoo Doo (Charles Nelson Reilly) and his menagerie of "Bad Hats" and anthropomorphic magic props (among them the appropriately named Raunchy Rabbit). For his part, Hoo Doo devoted his every waking hour to capturing Mark so that he could retrieve his magic ring, and thus gain control of the marvelous Weenie the Genie (played in drag by Billie Hayes, the unforgettable "Witchiepoo" from H.R. Pufnstuf).

Throughout the series' 17 half-hour episodes, Mark enlisted the aid of his new hat friends in his efforts to escape Lidsville and return to his own world, forever keeping one step ahead of the indefatigable Hoo Doo, who could generally be found astride his flying "Hatamarand." Utilizing state-of-the-art special effects (for 1971 at least!) and boasting, broad, con brio performances from everyone in the cast, Lidsville was nothing if not exhilarating and eye-catching. The series originally aired on ABC from September 11, 1971, through September 1, 1973, then was rebroadcast by NBC from September 8, 1973 through August 31, 1974. ~ Rovi