Tommy Ivo Movies

Ever on the lookout for a quick buck, Uncle Joe (Edgar Buchanan) gets himself a justice-of-the-peace license, the first step in transforming the Shady Rest into a Honeymoon Lodge. Alas, after pronouncing Walter Shepherd (Tommy Ivo) and Elsie Gregg (Judee Morton) man and wife, Joe learns that his license is invalid--and now Kate (Bea Benadaret) and the girls must do some quick maneuvering to get Walter and Elsie legally hitched before...well, just before. (Trivia note: according to TV Guide, the role of Walter was to have been played by Jonathan Beeman) ~ Hal Erickson, Rovi

Wally (Tony Dow) belongs to a boys-only school club which is putting on a "wild West" musical. Naturally, everyone in the club, including Wally, is expected to participate...and some of the boys, including Wally, are cast in "drag" as dance-hall girls. As embarrassing as this is to Wally, it is nothing compared to the humiliation endured by our hero when his brother Beaver (Jerry Mathers) stumbles upon his gorgeous showgirl costume! (For some strange reason, this episode has seldom been shown in syndication.) ~ Hal Erickson, Rovi

This goofy cult classic incorporates the most entertaining elements of AIP's drive-in favorites from the '50s and '60s by taking hot-rodding teen gangs and plunking them down in a haunted-house horror scenario, with a sizable splash of beach blanket antics, pajama parties, and plenty of good old Rock & Roll... not to mention some of the lamest attempts at "hip" comic shtick ever committed to film. The story is incidental, but it allows ample opportunity to showcase the aforementioned ingredients, along with appearances by B-movie veteran Russ Bender, AIP musical fave Jimmie Madden, and future real-life hot-rodder "TV" Tommy Ivo. There's even an appearance from the tennis-shoe-sporting She Creature from the film of the same name... but apparently it's a "He Creature" this time, since the filmmakers have removed the monster's humongous armor-plated breasts. Also known as The Haunted Hot-Rod. ~ Cavett Binion, Rovi

Life Begins at 17 in this all-too-typical example of the "art" of quickie producer Sam Katzman. Plain little Carol Peck (Luana Anders) is wooed by arrogant punk Russ Lippincott (Mark Damon). What Carol doesn't know is that Russ is only interested in her knockout older sister Elaine (Dorothy Johnson). When she finds out she's being used, Carol exacts a typically feminine means of revenge ("typical" by 1950s B-movies, that is). Meanwhile, Elaine finds happiness with true-blue boyfriend Jim (Edd "Kookie" Byrnes). Ann Doran, who played James Dean's mother in Rebel Without a Cause, does same for the two heroines of Life Begins at 17. ~ Hal Erickson, Rovi

You're Never Too Young is a slapstick-with-songs remake of the 1944 Ray Milland/Ginger Rogers vehicle The Major and the Minor. Dean Martin plays the Milland part, while Ginger's shoes are filled by...Jerry Lewis? Lewis plays an apprentice barber who inadvertently crosses a homicidal jewel thief (Raymond Burr), and equally inadvertently hightails it out of town with the crook's jewels in his possession. Desperate to escape the crook's clutches, and lacking the necessary funds for a train ticket, Lewis disguises himself as a 12-year-old boy so he can travel half fare. He latches onto Dean, a music teacher heading for an all-girls school. After innumerable routines sparked by Lewis's adolescent disguise, the jewel thief catches up with him, leading to a rollicking climactic speedboat chase. Dean Martin has plenty of opportunities to serenade leading lady Diana Lynn (who'd played a supporting role in The Major and the Minor), while Jerry Lewis is in peak form doing his usual "waah-waah-waah" schtick. The original Billy Wilder/Charles Brackett script for The Major and the Minor was reshaped into You're Never Too Young by future bestselling novelist Sidney Sheldon. ~ Hal Erickson, Rovi

Gentlemanly William Powell is cast spectacularly but effectively against type in Treasure of the Lost Canyon. Powell plays Doc Brown, a somewhat seedy frontier sawbones who takes orphaned David (Tommy Ivo) under his wing. Doc knows that David is being victimized financially by crooked-attorney Lucius (Henry Hull), but he's in no position to do much about it. He'd also like to return to his prosperous practice in San Francisco, but again he's powerless to do so. Things take a surprising turn when David and the Doc go on a search for a chest full of treasure that the boy had discovered earlier in the proceedings, but had tossed into a treacherous waterfall. Alternately spine-chilling and hilarious, Treasure of the Lost Canyon was by far the most uncharacteristic William Powell vehicle since The Senator was Indiscreet (1947). ~ Hal Erickson, Rovi

Myrna Loy returns as Mrs. Gilbreth -- efficiency expert, industrial engineer, and mother of twelve -- in this sequel to Cheaper By The Dozen. After the death of her husband, Gilbreth is forced to take over as the family's primary breadwinner, but she soon discovers that not every company who hired her and her husband in the past is eager to work with her on her own. Facing prejudice from many of her prospective clients, Gilbreth finally makes good training engineers for Sam Harper (Edward Arnold), putting her family back on solid financial ground. In the meantime, the dozen Gilbreth children are growing up, most notably eldest daughter Ann (Jeanne Crain), who enters into a serious romance with Bob Grayson (Jeffrey Hunter), a young doctor. The supporting cast includes Hoagy Carmichael, Debra Paget, Barbara Bates and Robert Arthur. ~ Mark Deming, Rovi

Damon Runyon's Broadway fable The Lemon Drop Kid was filmed twice by Paramount Pictures, but only the 1934 version with Lee Tracy paid more than lip service to the original Runyon story. The second version, filmed in 1951, was completely retooled to accommodate the talents of Bob Hope. Known far and wide as the Lemon Drop Kid because of his fondness for that particular round, yellow confection, Hope is a bookie who finds himself deeply in debt to Florida gangster Fred Clark. Magnanimously, Clark permits Hope to head to New York to raise the money--but he'd better have the dough ready by Christmas, or else. Ever on the lookout for Number One, Hope decides to exploit the Christmas spirit in order to get the money together. With the help of unsuspecting nightclub-singer Marilyn Maxwell, Hope sets up a charity fund to raise money for an "Old Doll's Home"--that is, a home for down-and-out little old ladies. He claims to be doing this on behalf of big-hearted Jane Darwell, but he has every intention of double-crossing Darwell and all the other elderly women by skipping town with the charity funds and leaving them at the mercy of the authorities. By the time Hope has seen the error of his ways and tries to do right by the old dolls, Maxwell's boss Lloyd Nolan has decided to muscle into the racket by using the ladies' home as a front for a gambling casino. To set things right, Hope finds it necessary to disguise himself as a fussy old spinster at one point. The best line in the film goes to William Frawley, playing one of many Broadway toughs who are being pressed into service as street-corner Santas. "Will you bring me a doll for Christmas?" asks a little girl. "Naw, my doll's workin' Christmas Eve" is Frawley's salty reply. The Lemon Drop Kid is the film in which Bob Hope and Marilyn Maxwell introduced the enduring Yuletide ballad "Silver Bells", written (reportedly in a real hurry) by Jay Livingston and Ray Evans. ~ Hal Erickson, Rovi

Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll. ~ Hal Erickson, Rovi

Singer Sheila Bennet (Evelyn Keyes) arrives in New York City by train after a trip to Cuba, carrying a small cache of smuggled diamonds -- what she doesn't know is that she's also carrying a deadly smallpox infection. Her philandering husband (Charles Korvin) isn't too worried about her violent headaches and fever, especially as he is carrying on behind her back with Sheila's younger sister (Dorothy Malone). Sheila's condition worsens, however, and she ends up at a local clinic, where she infects a young girl (Beverly Washburn) who crosses her path. The police and public health authorities get called in after the girl falls ill, and begin desperately trying to find the source of the girl's infection -- meanwhile, Sheila is hiding out from the federal men following her over the diamonds, and also realizes that her husband is trying to cheat her. She tries to confront her sister, and then seeks shelter from her low-life brother Sid (Whit Bissell), who runs a flop-house on skid row. Sheila finally realizes what is happening to her, shooting her way past the doctor (William Bishop) trying to help her -- she may not live long, but she wants to last long enough to catch up with her husband. Meanwhile, the police and the doctor try to reach her in time to find out where she's been and who she's seen and spoken to, before that information dies with her. ~ Bruce Eder, Rovi

Father is a Bachelor is a pleasant throwback to the "rural" comedies of the 1930s. William Holden plays Johnny Rutledge, a philosophical hobo to whom fishing is the only reason for living. Rutledge is forced to take a few jolts of responsibility when he crosses the path of five orphans. The kids decide to "adopt" Johnny and find him a bride--preferably small-town girl Prudence Millett (Colleen Gray). Charles Winninger steals the film from everyone--even those five urchins--as a medicine-show charlatan named Professor Mordecai Ford. One of the children is played by Billy Gray, of Father Knows Best fame. ~ Hal Erickson, Rovi

Charles Starrett once more rights wrongs as "The Durango Kid" in Horsemen of the Sierras. The story revolves around Robin Grant (Tommy Ivo), a young boy who's inherited a valuable range. Certain evil interests do their best to kill off Robin and claim the land for themselves. U.S. marshall Steve Saunders (Starrett) comes to the boy's rescue--and when Steve can't rely on the Law to back him up, he dons the guise of the masked Durango Kid. An uncredited Jock Mahoney performs some of Starrett's more dangerous stunts. Comedy relief Smiley Burnette is more obstreperous than usual, especially when he lets the bad guys slip right through his fingers. ~ Hal Erickson, Rovi