Burl Ives Movies

Smoky is a Technicolor adaptation of Will James' beloved horse story, first filmed in 1933. Fred MacMurray plays a cowboy who is intrigued by a wild black stallion which refuses to be tamed. MacMurray ropes the stallion and determines to train it. "Smoky" responds to MacMurray, and horse and man form a strong bond; both are mavericks in a sense, and neither wants to be tied down to responsibility. During a cattle raid, Smoky is stolen and sold to various cruel owners. MacMurray finally catches up with his horse during a parade, in which Smoky breaks free from the junk cart he's been forced to pull. A third version starring Fess Parker was filmed in 1966. ~ Hal Erickson, All Movie Guide

Like Disney's earlier Song of the South, So Dear to My Heart peppers its live action with animated sequences. In this film, however, it is the "live" story that lingers longest in the memory. Set in 1903, the film takes place on the small Kincaid farm. Twin sheep are born in the barn: one white, one black. When the mother sheep rejects the black lamb, young Jeremiah Kincaid (Bobby Driscoll) adopts the animal, naming it Danny, after the great trotting horse Dan Patch. Danny grows up to be quite troublesome, and Jeremiah's grandmother (Beulah Bondi) wishes that the boy would get rid of his pet. Jeremiah's only ally is kindly blacksmith Uncle Hiram (Burl Ives), who encourages the boy to enter Danny in blue-ribbon competition at the county fair. Granny is against this notion, so Jeremiah sets about to pay his own way. On a stormy night, Danny runs away; Jeremiah is kept from searching for the lost sheep by Granny, who now believes that the boy wants to enter the state fair contest for selfish reasons rather than out of love for his pet. She further warns that the Lord may not let Danny survive the night. The next day, however, Danny returns. Remembering Granny's remonstrations, Jeremiah now states that he won't attend the county fair, having promised the Lord that he'd forget about the competition if Danny was spared. Moved by this unselfishness, Granny softens her own stance, claiming that she'd promised the Lord that Jeremiah could go to the fair if the lamb returned alive. The story reaches a warm-hearted climax at the fair; Danny doesn't win, but his ultimate prize is far more meaningful than any blue ribbon. The isolated animated sequences spring from Jeremiah's scrapbook, illustrating such homespun philosophies as "stick-to-it-tivity" and "it's whatcha do with whatcha got." So Dear to My Heart yielded a hit song, "Lavender Blue," which co-star Burl Ives retained in his repertoire until his dying day. ~ Hal Erickson, All Movie Guide

Audie Murphy and Wanda Hendrix were husband and wife when they co-starred in the Technicolor western Sierra. Murphy plays Ring Hassard, the son of outlaw Jeff Hassard (Dean Jagger), who despite his dad's reputation is basically a good kid. Hendrix portrays Riley Martin, a lady lawyer who hopes to clear Ring's name -- and, eventually, to march him to the altar. The plot hinges on whether or not Ring's father is the ruthless desperado he's cracked up to be. The film's highlight is an extended wild-horse roundup sequence, which helps the audience forget Wanda Hendrix's miscasting as a female legal eagle. Sierra was based on a novel by Stuart Hardy. ~ Hal Erickson, All Movie Guide

Based on a novel by Howard Swiggert, The Power and the Prize sets up a premise that had far more relevance in 1956 than it does today. Robert Taylor stars as a American business executive working in England. Taylor wants to marry European refugee Elizabeth Mueller, but is warned by his boss (Burl Ives) that such things just aren't done. Taylor digs in his heels, and at the end is supported in his marital decision by his less hidebound fellow executives. Power and the Prize was one of the last of the "corporate drama" cycle sparked in 1954 by 20th Century-Fox's Woman's World. ~ Hal Erickson, All Movie Guide

The meteoric popularity of Arthur Godfrey was allegedly the basis of the 1957 drama Face in the Crowd. Andy Griffith makes a spectacular film debut as Lonesome Rhodes, a philosophical country-western singer discovered in a tanktown jail by television talent coordinator Patricia Neal and her assistant Walter Matthau. They decide that Rhodes is worthy of a TV guest spot, the result being that the gangly, aw-shucks entertainer becomes an overnight sensation. As he ascends to stardom, Rhodes attracts fans, sponsors and endorsements by the carload, and soon he is the most powerful and influential entertainer on the airwaves. Beloved by his audience, Rhodes reveals himself to his intimates as a scheming, power-hungry manipulator, with Machiavellian political aspirations. He uses everyone around him, coldly discarding anyone who might impede his climb to the top (one such victim is sexy baton-twirler Lee Remick, likewise making her film debut). Just when it seems that there's no stopping Rhodes' megalomania, his mentor and ex-lover Neal exposes this Idol of Millions as the rat that he is. She arranges to switch on the audio during the closing credits of Rhodes' TV program, allowing the whole nation to hear the grinning, waving Rhodes characterize them as "suckers" and "stupid idiots." Instantly, Rhodes' popularity rating plummets to zero. As he drunkenly wanders around his penthouse apartment, still not fully comprehending what has happened to him, Rhodes is deserted by the very associates who, hours earlier, were willing to ask "how high?" when he yelled "jump". Written by Budd Schulberg, Face in the Crowd was not a success, possibly because it hit so close to home with idol-worshipping TV fans. Its reputation has grown in the intervening years, not only because of its value as a film but because of the novelty of seeing the traditionally easygoing Andy Griffith as so vicious and manipulative a character as Lonesome Rhodes. ~ Hal Erickson, All Movie Guide

In The Big Country Gregory Peck plays a seafaring man who heads west to marry Carroll Baker, the daughter of rancher Charles Bickford. Bickford is currently embroiled in a water-rights feud with covetous Burl Ives, so both he and his daughter are hoping that Peck can take care of himself. But Peck, who doesn't belief in fisticuffs, appears to be a coward, especially when challenged by Bickford's cocksure foreman Charlton Heston. The far-from-cowardly Peck decides to distance himself from the machismo overload at the Bickford spread, settling for a romance with headstrong schoolmarm Jean Simmons, whose water-rich lands are being fought over by the two warring ranchers. When Jean is kidnapped by Ives' no-good son Chuck Connors, Peck decides to take action. ~ Hal Erickson, All Movie Guide

This dynamic and commanding adaptation of Tennessee Williams' Pulitzer Prize-winning play focuses on a troubled Southern family and the discord over their dying father's millions. Wealthy plantation owner Big Daddy Pollitt (Burl Ives), celebrating his 65th birthday, is visited by his sons, Brick (Paul Newman) and Gooper (Jack Carson). He has cancer, but a doctor has deliberately and falsely declared it in remission. Seemingly perfect son Gooper and his wife, Mae (Madeleine Sherwood), have several children and are anxiously expecting to inherit Daddy's millions. By contrast, Big Daddy's "favorite," Brick, is a has-been football star who's taken to drinking his days away since the suicide of his "best friend" a year earlier. He resents his wife, Maggie (Elizabeth Taylor), because he believes that she had an affair with his deceased friend. As a result, he refuses to sleep with her, although she remains devoted to him. Since Brick and Maggie have failed to produce any grandchildren, Big Daddy is inclined to leave his estate to Gooper, but Maggie attempts to prevent that by telling him that she is pregnant. Big Daddy knows better, yet he recognizes that Maggie loves Brick so much that she would be willing to do anything for him. Although Brick is self-destructive and resentful, unable to come to terms with his losses, it takes Big Daddy's recognition of his own mortality to make Brick change his perspective. Brick's struggle with his sexual identity, and the nature of his relationship with his "friend," had to be toned down for mass consumption, although this intelligently written and acted film covers such topics as infertility, adultery, and alcoholism that were still considered taboo in the 1950s. Newman brings depth and feeling to the role as Brick, while Taylor succeeds brilliantly in portraying Maggie as a passionate and understanding woman despite her own real-life emotional turmoil over the death of her husband at the time, producer Mike Todd. ~ Don Kaye, All Movie Guide

Graham Greene wrote this witty comedy inspired by Cold War paranoia. Jim Wormald (Alec Guiness) is an Englishman selling vacuum cleaners in Cuba on the cusp of the revolution. Hawthorne (Noel Coward), a British intelligence agent, is looking for information on Cuban affairs and recruits Jim to act as a spy. Jim has no experience in espionage and no useful knowledge to pass along, but Hawthorne is willing to pay for his services, and since Jim's daughter Milly (Jo Morrow) has expensive tastes, he can use the money. To keep Hawthorne happy (and his paychecks coming in), he turns in reports on the Cuban revolution that are copied from public documents, "hires" additional agents who don't exist, and presents blueprints of secret weapons that are actually schematics of his carpet sweepers. However, Hawthorne and associate "C" (Ralph Richardson) think that Jim is doing splendid work and encourage him to continue; meanwhile, Capt. Segura (Ernie Kovacs), the elegantly corrupt chief of police, has been fooled by Jim's charade into believing he's a real spy -- and has also become attracted to Milly. Our Man in Havana also features Burl Ives and Maureen O'Hara in supporting roles. ~ Mark Deming, All Movie Guide

Since it was released in the same year as his masterpiece, To Kill a Mockingbird (1962), it is ironic that this drama was probably the least liked of director Robert Mulligan's films. A stiff adaptation of a novel by Dutch author Jan DeHartog, the film stars Rock Hudson as Dr. Anton Drager, an opportunistic atheist who travels with his wife Els (Gena Rowlands) to the jungles of Java in 1936. Drager is to become the new right-hand man of famed Dr. Brits Jansen (Burl Ives), a legendary humanist who works with lepers and is rumored to have done groundbreaking work that Drager believes could make him famous and wealthy. Trouble with a native witch doctor practicing black magic leads to a crisis of conscience for Drager, however, forcing him to reevaluate his self-centered philosophy. A former divinity student at New York's Fordham University, Mulligan may have been intrigued by the material's spiritual bent, but his direction is uninspired, and The Spiral Road (1962) was not considered a success. ~ Karl Williams, All Movie Guide

This stop-motion animagic version of the classic Christmas tale adds a bit of a twist when Rudolph encounters an abominable snowman. This was made for TV and features Burl Ives as the narrator. ~ All Movie Guide

The crew of the USS Reluctant is at it again in this comedy sequel to Mister Roberts. The story opens toward the end of WWII as the great ship drops her cargo at various island bases. Their captain is an unbending tyrant. Young Pulver aspires to become a doctor just like his hero and mentor, the ship's physician. A terrible storm erupts and the ruthless captain is knocked overboard by a rogue wave. Brave Pulver dives over to save the commander and together the two end up stranded on a deserted island. When the captain suddenly doubles over with appendicitis it is up to Pulver to save him via a radio and the ship's doctor's instructions. Fortunately, it all comes out well in the end. ~ Sandra Brennan, All Movie Guide

Four stories from Hans Christian Andersen appear in The Daydreamer, a feature using the Animagic process that uses live action combined with stop-motion puppets. Included are "The Little Mermaid," "The Emperor's New Clothes," "Thumbelina," and "The Garden Of Paradise." Songs and dances compliment an international all-star cast of voices used for the characters. Ray Bolger, Margaret Hamilton, Burl Ives, Hayley Mills, Boris Karloff, Cyril Ritchard, Patty Duke, Terry-Thomas and Victor Borge join Ed Wynn in his second-to-last screen role. This was the last film in which fans would hear the voices of Sessue Hayakawa and Tallulah Bankhead. Director Jules Bass provided the lyrics, with Murray Law providing the music for this entertaining children's fantasy. ~ Dan Pavlides, All Movie Guide

In this suspenseful drama, Glen Howard, a magazine publisher, refuses to support a crooked political candidate and finds himself blackmailed. The story comes from an episode of the Name of the Game TV series. ~ Sandra Brennan, All Movie Guide