Robert Ivers Movies

Under the alias "Alan Mitchell", Richard Kimble (David Janssen) links up with another fugitive from justice, Joe Tucker (Fritz Weaver). Falsely accused of embezzlement, Tucker has returned to his home to town for the purpose of killing the man whose testimony sent him to prison. Normally, Kimble would do everything in his power to prevent Joe from ruining what is left of his life by committing murder; unfortunately, "our" fugitive is currently behind bars and is helpless to intervene. ~ Hal Erickson, All Movie Guide

In this Korean War drama, three POWs escape the North Koreans and try to make it safely across enemy lines. During their flight, the soldiers encounter a young boy and his German Shepherd. The boy hates the communists because they killed his parents for sheltering American soldiers, and he offers to help the Americans escape. The journey is arduous and one of the soldiers dies. The fugitives are then joined by a victim of brainwashing. Finally they find the rescue helicopter, but the two original soldiers refuse to board until they can ensure the safety of the brave boy. They decide to take him to America, even though it means they may be court-martialed. One of the men becomes the lad's step-father. ~ Sandra Brennan, All Movie Guide

The second of Jerry Lewis' directorial endeavors, The Errand Boy, like its predecessor The Bellboy, is essentially a series of "spot gags," some hilarious, others only moderately amusing. The gossamer-thin plot finds Morty Tashman (Lewis) being hired by the CEO of "Paramutuel Pictures" (Brian Donlevy) to spy on studio employees and report any incidents of wastefulness and sloth. This gives Morty a chance to wander all over the Paramutuel Pictures lot, inadvertently interfering with work in progress, encountering strange characters and inexplicable events, and overall making as much of a nuisance of himself as possible. Some of the better gags include Morty's chaotic behavior at the "wrap party" for a vainglorious movie queen (Iris Adrian); his attempts to eat lunch while a noisy battle scene from a war picture rages all around him; his misguided effort to dub in the singing voice of a tone-deaf actress; the "Mr. Baebrosenthal" bit; and Morty's tete-a-tete in the studio swimming pool with a scuba diver. The weakest scenes involve Morty's sugary encounters with the Ritts Puppets, and a smug curtain speech about the importance of laughmakers in this troubled world. The huge supporting cast includes such reliable chucklemeisters as Howard McNear, Sig Ruman, Milton Frome, Benny Rubin, Fritz Feld, Doodles Weaver, Joey Forman, Dick Wesson and Joe Besser; also making fleeting appearances are actress/writer/director Renee Taylor, veteran movie tough guy Mike Mazurki (in drag!), silent film comic Snub Pollard, and the four stars from TV's Bonanza. Even non-Jerry Lewis fans will come down with a case of loose chuckles while watching The Errand Boy. ~ Hal Erickson, All Movie Guide

It has now become a film-review clich to preface a write-up for I Married a Monster From Outer Space with the cautionary "Don't be misled by the title." The fact remains, however, that this one of the better and more intelligent horror outings of the late 1950s. The "I" of the title is Marge Farrell (Gloria Talbott), who can't help noticing that her husband Bill (Tom Tryon) has been acting very strangely since their dark-and-stormy wedding night. For one thing, the formerly demonstrative Bill behaves listlessly, as though possessing no emotions whatsoever; for another, though he spends much of his free time at Grady's Bar, Bill never takes a drink (now that is weird!) It isn't long before Marge discovers that Bill, along with several of his male friends, have been taken over by aliens from the Andromeda Nebula, who have arrived on earth to replenish their species. There's only one flaw to this plan: the aliens are unable to procreate! Once the authorities are alerted, a posse of non-possessed men attack the alien spaceship, paving the way for the not-altogether-predictable finale. ~ Hal Erickson, All Movie Guide

Jerry Lewis' first solo effort was also his first headlong plunge into pathos. The Delicate Delinquent stars Jerry as mixed-up teenaged janitor Sidney Pythias, a nice kid on the verge of throwing in with a not-so-nice street gang. Sensing potential in Sidney, police officer Mike Damon (Darren McGavin, in role originally intended for Lewis' ex-partner Dean Martin) takes the boy under his wing. To prove that Sidney can be weaned away from bad influences, Mike arranges for the boy to become a rookie cop, with fitfully hilarious results (the best scene, involving a monolingual Japanese gentleman, is also the most politically incorrect). Martha Hyer costars as an idealistic social worker with whom Mike (and briefly, Sidney) falls in love. The film's tenuous balance between juvenile-delinquent drama and slapstick comedy is never more pronounced than in the opening scene, wherein the clumsy Sidney, carrying a bulky garbage can, stumbles into the middle of a gang rumble. Though not Jerry Lewis' best film, Delicate Delinquent was a hit, proving he could carry a picture himself; as a bonus, Jerry gets to sing the significantly titled ditty "By Myself". ~ Hal Erickson, All Movie Guide