George Irving Movies

Joan Fontaine was still two years away from full stardom when she appeared in the B-plus comedy Maid's Night Out. Future cowboy star Allan Lane plays Bill, a millionaire's son who, to win a bet with his father (George Irving), sets out to prove that he can succeed without his family's money. While working as a milkman, Bill offers a lift to Sheila (Fontaine), whom he takes to be a housemaid. In fact, Sheila was also born into wealth, but she doesn't let Bill know that, fearful that she'll lose his love; Bill likewise keeps his actual identity a secret for the same reason. Adding to the fun is the presence of Hedda Hopper, making one of her final acting appearances before devoting herself full-time to her gossip columnist. Film buffs will also enjoy a fleeting but hilarious jibe at Hopper's number-one rival Louella Parsons. ~ Hal Erickson, All Movie Guide

Outcasts of Poker Flat is an adaptation of Bret Harte's western story of the same name, with elements of Harte's The Luck of Roaring Camp thrown in for good measure. Set during the California gold rush, the story traces the destinies of several divergent individuals. Preston S. Foster is gambler John Oakhurst, a seemingly underhanded gent with an untapped streak of decency. Jean Muir is a schoolteacher who tries to find some good in the gambler. Margaret Irving is the duchess, a woman of (presumed) ill repute. And Virginia Weidler is "Luck," the diminutive mascot of the mining town of Roaring Camp. Van Heflin is also around and about as the minister of the mining community. The film spends its first half establishing the characters and its second half placing them in a life-threatening situation wherein the true natures of all concerned are revealed. The Outcasts of Poker Flat, previously filmed in 1919, was remade (minus the "Luck of Roaring Camp" subplot) in 1952. ~ Hal Erickson, All Movie Guide

In this crime drama, a highly superstitious racehorse owner spends his time off the track helping the less fortunate in any way he can so that he will always have good luck. His ploy works until he is accused of murdering his ex-lover. Fortunately, the real culprit is discovered before he has to go to jail. ~ Sandra Brennan, All Movie Guide

Allegedly based on two factual works, Bouck White's The Book of Daniel Drew and Matthew Josephson's The Robber Barons, RKO's The Toast of New York is a largely fanciful account of the career of 1870s financier "Jubilee Jim" Fisk. As played by Edward Arnold in his usual "tycoon" mode, Fisk was a likable scoundrel who finagled his way into the upper rungs of Wall Street as much for fun as for profit. The film conveniently ignores Fisk's involvement with the infamous Tweed Ring, and skims over his complicity in 1869's "Black Friday," one of the most disastrous events in American economic history. We are also offered a sanitized version of Fisk's notorious mistress Josie Mansfield, who as played by Frances Farmer is an apple-cheeked lass who regards Fisk only as a loyal friend. Cary Grant is along for the ride as "Nick Boyd," a thinly disguised version of Fisk's actual partner in crime Ned Stokes. Too costly to post a profit, Toast of New York is nonetheless fine non-think entertainment, kept alive by a superb supporting cast ranging from Donald Meek as Daniel Drew and Clarence Kolb as Cornelius Vanderbilt to such bit players as Laurel & Hardy perennial James Finlayson, who plays the inventor of a self-tipping hat! ~ Hal Erickson, All Movie Guide

Bert Wheeler and Robert Woolsey's final film is far from their best, but at least it never plunges to the depths reached by their earlier Silly Billies and Mummy's Boys. Adapted from an unproduced stage play called The Kangaroos, High Flyers casts Bert and Bob as Jerry Lane and Pierre Potkins, operators of an amusement park kiddie-airplane concession. Newspaperman Dave Hanlon (Jack Carson) persuades the boys to fly out to sea to pick up a life preserver which purportedly contains precious photos taken by Hanlon of the British Royal Family. What our heroes don't know is that Hanlon is head of a gang of smugglers, and that the preserver contains stolen jewels and a cache of drugs. But what Hanlon doesn't know is that, despite their boasts, Jerry and Pierre have never flown a real plane in their lives. Upon scooping up the preserver, the boys accidentally open a package of cocaine powder, whereupon they become really high flyers (how this scene got past the censors is astonishing). They crash-land in the backyard of wealthy Horace Arlington (Paul Harvey), who fears that there's a sneak thief at large on his property (actually the "crook" is Arlington's pet dog). Assuming that Jerry and Pierre are the private eyes, he's summoned to his estate to protect the priceless Markoff Diamonds. Arlington gives the boys full reign over the household, allowing Jerry to romance Arlington's daughter Arlene (Marjorie Lord) and Pierre to spoon with household maid Maria (Lupe Velez). Things get really hectic when Hanlon and his fellow thieves converge on the Arlington household, demanding that Jerry and Pierre help them steal the Markoff gems -- or else. The whole mess is viewed with alarm by Arlington's eccentric wife Martha (Margaret Dumont), who fancies herself a fortune-teller. There are isolated moments in High Flyers that rank with Wheeler and Woolsey's best, notably Bert Wheeler's imitation of Charlie Chaplin and Bob Woolsey's song-and-dance duet with Lupe Velez. Also fascinating in a bizarre sort of way are Velez's impressions of Simone Simon, Dolores Del Rio, and Shirley Temple! All in all, however, High Flyers is a stilted, mechanical effort, garnering the team some of their worst reviews. Whether or not Wheeler and Woolsey would have been retained by RKO after the lukewarm box-office reception to this film is a moot point: Gravely ill with kidney disease, Robert Woolsey was confined to his bed after the film wrapped, where he remained until his death 14 months later. ~ Hal Erickson, All Movie Guide

A couple of American soldiers of fortune are hired by the wife of a Chinese general to deliver a priceless diamond to a shopkeeper in Shanghai in this low-budget whodunit from the RKO "B"-unit. Just as the gem reaches its destination all hell breaks lose. When the dust settles, the diamond is gone and Tom Baldwin (Vinton Haworth) and sidekick Joe Dugan (Gordon Jones) are left with a group of highly suspicious witnesses. The entire assembly, including pretty but mysterious Jane Dunn (Constance Worth), then boards a liner headed for San Francisco. After several shipboard murders and the revelation that Jane is a custom agent, the culprit is caught red-handed. A lady detective ought to have made a refreshing change but, sadly, China Passage delivers few surprises and the armchair detective is never truly tested. Usually a supporting player of little merit, Vinton Haworthproves a rather weak-chinned hero and is certainly no match for the ash-blonde Worth, an Australian actress turned Queen of Hollywood B-movies. The rest of the supporting cast perform their assignment in the expected manner, Dick Elliott being the standout as an eternally tipsy traveler. China Passage was directed by Edward Killy, who later helmed the studio's series of Tim Holt B-Westerns. ~ Hans J. Wollstein, All Movie Guide

In this screwball comedy, Valentine Ransome (Barbara Stanwyck) is an heiress who falls for Jonathan Blair (Herbert Marshall), a carefree playboy who owns part of a large steamship line. However, Valentine doesn't especially like Jonathan's brassy fiancé, Carol Wallace (Glenda Farrell), and thinks he needs to start taking a more serious attitude about his money and his investments. To teach Jonathan a lesson (and get closer to him in the process), Valentine arranges to buy enough stock in the shipping company that she's the majority owner, and begins giving him orders about how things should be done. Jonathan isn't about to stand for that, and set off for a cruise on one of his ships, with Carol in tow and every intention of having the ship's captain marry them. But Jonathan's sidekick Butch (Eric Blore) doesn't like Carol any more than Valentine, and seizes every available opportunity to throw a spanner into the works. The same year that the versatile Barbara Stanwyck starred in this comic trifle, she received an Oscar nomination for her dramatic work in the movie Stella Dallas. ~ Mark Deming, All Movie Guide

This back-stage crime comedy, a remake of Lights Out (1923), takes a healthy satirical stab at the powerful studio system of the times. The trouble begins when an ex-convict and a screenwriter together write a screenplay based on the bank robbery that got the criminal in trouble with the law. After the film's release, the police, following the clues set forth on screen, capture the ex-con's former partners who escaped before. When other mobsters see the film and hear the story, they fear that such films will become the rage and they could go to jail, so they launch an all-out assault on a Hollywood studio creating all sorts of behind-the-scenes mayhem. Ironically, soon after Crashing Hollywood was released, a hit man for the Bugsy Siegel-Meyer Lansky Mob in New York spotted an extra who turned out to be former mobster "Big Harry" Greenberg, who snitched on his bosses and then disappeared. The hit man informed his superiors and soon afterward, Greenberg was slain. ~ Sandra Brennan, All Movie Guide

In this musical comedy, an irresponsible young heir is betrothed to the singing daughter of a wealthy matron. Unfortunately, the willful young is not even slightly interested in her "fiance," preferring the attentions of another instead. Unfortunately, the other man has a big problem. Though he really loves the girl, he will lose his $3 million inheritance if he marries her before the age of 30. Complicating matters is the private detective assigned to keep him from getting to involved with women such as the heroine. ~ Sandra Brennan, All Movie Guide

A doctor (John Beal) who loses faith in his skills renounces his profession and hides himself in a variety of jobs. He takes a minor job at an airfield, where he meets nurse Joan Fontaine, who works on a "flying hospital". On board the aircraft, Beal finds he is the only person who can perform a delicate operation; worse luck, the plane is about to crash! Beal finds himself, per the title, but nearly loses his life in the process. Watch for Dwight Frye, the immortal "Renfield" in Bela Lugosi's Dracula, as an hysterical patient--and seven-year-old Dwight Frye Jr. as a child rescued from a train wreck. ~ Hal Erickson, All Movie Guide

There was some novelty value in the fact that an actor whose initials were E.Q. was cast as intellectual sleuth Ellery Queen in Republic's The Mandarin Mystery. That actor was Eddie Quillan, who though a talented and appealing performer was woefully miscast as Queen. The story, based on the Ellery Queen novel The Chinese Orange Mystery, is set in motion by a crook who steals a $50,000 stamp, which results in two murders -- both committed in impenetrably locked rooms. The primary suspect is Jo Temple (Charlotte Henry), the original possessor of the stamp. Falling in love with Jo, Ellery sets about to retrieve the stolen goods and solve the murders. Perhaps realizing that Eddie Quillan could never be taken seriously in the leading role, Republic opted to play The Mandarin Mystery for laughs -- another big mistake. Originally released at 63 minutes, the film is currently available only in its 54-minute TV-reissue form. ~ Hal Erickson, All Movie Guide

The real "message to Garcia" was delivered by an American lieutenant to Cuban rebel General Garcia, asking for the General's help in the Spanish-American war. The fact that the lieutenant made his way to Garcia in absolute safety was ignored in 20th Century-Fox's Message to Garcia--which is just as well, since otherwise the movie would have been eight minutes long. In the film version, lieutenant John Boles is guided through the treacherous Cuban jungle by Barbara Stanwyck, doing her best to convince us that she's an Hispanic senorita. Also along for the trip is renegade marine Wallace Beery, who may not be as friendly as he seems. Fighting off Spaniards and spies at every turn, Boles successfully completes his mission. As history, Message to Garcia is about as reliable as the Hearst newspaper dispatches which triggered the Spanish-American war in the first place. ~ Hal Erickson, All Movie Guide

Universal plunged into the clutches of its creditors with its expensive fiasco Sutter's Gold. Edward Arnold plays Swiss immigrant Johann Sutter, who seeks his fortune in the California of the 1830s. Against all odds, Sutter builds up a huge land empire, only to watch its explode when gold is discovered at Sutter's mill in 1848. Prospectors, speculators and claim-jumpers strip Sutter of his hard-earned riches, and he is forced to retire on a minimal government pension. While the film ignores the dicier facts about the real Johann Sutter, who was as much confidence trickster and philanderer as he was visionary, and while history is distorted to the point that Sutter's Fort is subject to an Alamo-style Mexican raid, there is nothing really wrong with this on an entertainment level. But it went way over budget and was too downbeat a tale to score with a depression audience looking for optimistic answers to its own financial problems. The failure was softened somewhat by the success of Universal's subsequent Show Boat, but it was too late for the studio's Carl Laemmle regime, which would be ousted by the end of 1936. That same year, incidentally, a German film about Johann Sutter, The Kaiser of California, was made, with Hans Albers in the lead. ~ Hal Erickson, All Movie Guide