Amy Irving Movies

A romantic character study examining the obstacles to intimacy and the compromises we make in the name of love, Adam stars Hugh Dancy as a man living with Asperger's syndrome who does his best to reach out to his pretty new upstairs neighbor. Due to his condition, Adam isn't the best when it comes to communicating. Though he frequently escapes by submersing himself in the world of space exploration, Adam senses an opportunity for a real human connection after Beth (Rose Byrne) moves into the apartment just upstairs. As Adam attempts to gain control of his off-kilter, sometimes embarrassing social skills, he discovers that with a little patience and understanding, developing a meaningful relationship might not be as hard as he previously thought. Peter Gallagher, Amy Irving, Frankie Faison, and Mark Linn-Baker co-star. ~ Jason Buchanan, Rovi

Vaughn's (Michael Vartan) security clearance is downgraded pending investigation of accusations that he has been double-crossing the CIA. This, however is only one of two emotional crosses for Sydney (Jennifer Garner) to bear: the other is the escape of her double-agent mother, Irina (Lena Olin), who has betrayed her in the process. Meanwhile, Irina has apparently linked up with the sinister Sloane (Ron Rifkin) to steal files from a genetic database in Germany. This places Sydney in the unenviable position of having to hunt down and possibly kill her own mother -- but the embittered Syd doesn't seem to have a problem with this. ~ Hal Erickson, Rovi

In the conclusion of a two-part story, Syd (Jennifer Garner) and Jack (Victor Garber) join forces against both the SD-6 and CIA for the sake of their too-inquisitive friend, Will (Bradley Cooper). Also looking out for Will's safety is Vaughn (Michael Vartan), who in putting an end to a vital component of the Rambaldi device may well have sealed his own doom. As this final episode of Alias' first season races toward its cliffhanger finale, the fate of Sloane's (Ron Rifkin) wife, Emily (Amy Irving), is sealed, and Sydney at last comes face to face with "The Man" -- who, much to her shock and amazement, isn't a man at all, but instead.... ~ Hal Erickson, Rovi

In the first episode of a two-part story, Sydney (Jennifer Garner) is in Paris, poised to foil the sinister schemes of Khasinau (Derrick O'Connor). Also in the City of Light is Will (Bradley Cooper), who has teamed with Jack (Victor Garber) to locate "Deep Throat." Meanwhile, Sloane (Ron Rifkin) is forced to sit in on the discussions to eliminate his wife, Emily (Amy Irving). And as things come to a boil, both Vaughn (Michael Vartan) and Dixon (Carl Lumbly) are forced to into difficult decisions regarding Sydney. ~ Hal Erickson, Rovi

Erstwhile "James Bond" Roger Moore guest stars as Edward Poole, an SD-9 leader who has startling information about a turncoat in the Alliance of Twelve. Elsewhere, Sydney (Jennifer Garner) is not the only one who is astonished to find her own image on a sketch drawn 500 years earlier by the prophetic Milo Rambaldi. The text surrounding the sketch is partially decoded, revealing an ominous message regarding the fate of the world. Alas, the key to the entire code is locked somewhere in the Vatican -- compelling Sydney to prevail upon Vaughn (Michael Vartan) to pull off his most daring burglary. ~ Hal Erickson, Rovi

Following up on her acclaimed debut, Clockwatchers, Jill Sprecher spins this intricate ensemble film about life's big questions. Set in New York City, the film focuses on five different characters with radically different perspectives on life. Gene (Alan Arkin) manages a large insurance company and is a compulsive pessimist, constantly bursting the bubbles of his more cheery colleagues. Walker (John Turturro), who holds a similarly bleak view of the world, decides that he cannot stand another day in his dull life as a physics professor and thus promptly dumps his wife, Patricia (Amy Irving). Troy (Matthew McConaughey) is an up-and-coming lawyer whose career is derailed after a hit-and-run accident. And Beatrice (Clea DuVall) is a modest cleaning woman hoping for a miracle. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, Rovi

A teenager finds himself torn between his loyalty to his friends and possibly destroying his own future in this drama. Danny (Peter Facinelli) is a high school senior who has been offered a chance to play football for a college scholarship; while the offer is tempting, at the same time he doesn't want to leave his girlfriend behind. However, all the bets in his life are off when one of his best friends shoots his father, who had a history of violence. Danny and his friends know their buddy would not survive in prison, so they steal the body and try to hide all the evidence before the police get wise. Their plan proves to be neither as simple or as effective as they hoped. End of Innocence features a strong supporting cast, including Amy Irving, Chris Isaak, and Tom Arnold. ~ Mark Deming, Rovi

Brazilian director Bruno Barreto helmed this Jeremy Iacone screenplay "inspired by" New York detective Bo Dietl's 1988 autobiography, One Tough Cop: The Bo Dietl Story. However, the credits display this line: "Except for the character of Bo Dietl, all characters and situations portrayed in this film are fictional." During a routine drug bust, Bo Dietl (Stephen Baldwin) and his short-fused partner Duke (Chris Penn) encounter a hostage situation when Popi (Luis Guzman) kills his unfaithful wife. Bo gets Popi to release his young daughter, but the man kills himself. Bo's lifelong buddy Richie La Cassa (Mike McGlone), owner of the plush La Cassa club, didn't let marriage keep him away from attractive Joey O'Hara (Gina Gershon) -- an affair brought to a close by Joey. After she takes an interest in Bo, the atmosphere heats up considerably, causing a rift with Richie. In a sequence based on a 1981 incident, a nun is raped and mutilated at a Harlem convent school. Bo and Duke are not part of the investigation, which leads to trouble when they begin to get an inside track on the case. Their mob contacts attract the attention of two FBI agents (Amy Irving and Victor Slezak), who put pressure on Bo and Duke as part of a federal investigation. When Duke's debts to crime bosses become a problem, Bo steps in, creating yet more friction with his old pal Richie. Filmed in New York and Toronto, this film was shown at the 1998 Mill Valley Film Festival. The real-life Bo Dietl occasionally turns up as a guest on The Howard Stern Show. ~ Bhob Stewart, Rovi

In this screen adaptation of the award-winning play by Herb Gardner (who also directed the film), Nat Moyer (Walter Matthau) and Midge Carter (Ossie Davis) are two elderly men who sit on the same park bench each afternoon and have developed a relationship based on playful verbal sparring. Nat is an eccentric Jewish leftist who uses a dizzying variety of voices and assumed personalities to get his way, while Midge is the African-American superintendent of an apartment building who is afraid that he's going to be put out to pasture, as he's about to turn 80. Nat tries to encourage Midge to join him in his good-natured con games (which are performed for good causes and not for profit), but Midge remains wary. While Midge sweats out a possible retirement, Nat is trying to deal with his daughter Clara (Amy Irving), who wants to put him in a nursing home. Meanwhile, a drug dealer called The Cowboy (Craig T. Nelson) has claimed the park as his own territory, and Nat, impersonating a Mafia don, tries to run him out, while he befriends Laurie (Martha Plimpton), a young woman hooked on dope. ~ Mark Deming, Rovi

This made-for-TV movie features two previously unproduced stories written by Rod Serling for his groundbreaking anthology series The Twilight Zone, and adapted by Richard Matheson, one of Serling's frequent collaborators on the show. In "The Theater," a woman (Amy Irving) who frequents a neighborhood movie theater discovers her own life is starting to appear on the screen, and she's more than a bit concerned about how the ending is panning out. In "Where the Dead Are," Dr. Benjamin Ramsey (Patrick Bergin) loses a patient during an operation in 1868. Later, he discovers that the man suffered head injuries years before that by all rights should have killed him. While trying to learn the truth about his mysterious patient, Ramsey encounters Dr. Jeremy Wheaton (Jack Palance) who makes a most remarkable medical discovery. The Twilight Zone: Rod Serling's Lost Classics first aired in the United States on May 19, 1994. ~ Mark Deming, Rovi

In this suspense thriller, a woman wonders if she can trust her memory when her father returns from prison a very different man from the violent psychopath she remembers. Karen (Amy Irving) is a single mother who twenty years ago delivered the testimony that put her father Frank (Donald Sutherland) behind bars for the murder of her mother. While Karen has no doubts that Frank is guilty of the crime, the years have clouded her memory a bit and she doesn't recall all the events with complete clarity. Now that Frank has been released, he's returned to Karen's neighborhood and is going out of his way to ingratiate himself with Pete (Rider Strong), her son, and Dan (Christopher McDonald), her boyfriend. A furious Karen confronts Frank, but she discovers a father who is not the ogre she sent to prison but a calm, charming, well-spoken gentleman who seems to bear her no ill will. They discuss the death of Karen's mother and Frank begins to convince her that it was all a terrible accident. Frank begins to work his way back into Karen's life as he gradually cuts her off from her circle of friends; when Dan dies under mysterious circumstances, Karen thinks nothing of it, but Sheriff Calhoun (Graham Greene) wonders if Frank might have something to do with the crime. Benefit of the Doubt marked the feature debut for producer Jonathan Heap. ~ Mark Deming, Rovi