Franco Interlenghi Movies

Giancarlo De Cataldo's best-selling tale about three lifelong friends effectively take control of organized crime in modern-day Rome comes to the screen in this sweeping crime drama from director Michele Placido. Libanese (Pierfrancesco Favino) is the cold-hearted leader of a juvenile delinquent trio that also includes undyingly loyal Freddo (Kim Rossi Stuart) and power-hungry Dandi (Claudio Santamaria). After kidnapping and casually murdering a baron (Franco Interlenghi), the scheming friends soon form the shady alliances with the local gangsters, corrupt cops, and secret service members that will allow them the opportunity to effectively corner the market on heroin sales. Meanwhile, determined Inspector Sciloja (Stefano Accorsi), who has made it his goal to bring Libanese and his cronies to justice, stealthily manages to trace back the marked ransom money from the baron's kidnapping to Dandi's girlfriend Patrizia (Anna Mouglalis) - an alluring call girl whom the inspector soon finds himself falling for. But Inspector Sciloja isn't the only one to fall under the spell of a female who seems strangely out of his reach. On the other side of the law, Freddo becomes enamored by the decidedly pure Roberta (Jasmine Trinca), whose attempts to educate the smitten thug in the beauty of the Italian Masters seem to be made in vain. In projecting a fictionalized tale of murderous criminality against the larger backdrop of Italy's turbulent social history during the waning decades of the 20th Century, director Placido strives to craft a film that is not only entertaining, but historically relevant as well. ~ Jason Buchanan, All Movie Guide

This French film is an old-fashioned melodrama with a love triangle, a talented starlet, and a duel. It is set in 1930 when talking films were just coming into vogue and threatening to overshadow theatrical plays. The film features cameos by famed French actors of that time period. Victor Derval is returning home after a performance when he is hailed by Lisa, a young Hungarian woman. Lisa's motives are mysterious; is she simply a star-struck peasant girl, or an ambitious, manipulative aspiring star? Derval is taken with her, and she soon finds herself Derval's personal secretary and is to move into his home where his son Paul, an aspiring writer/revolutionary, also lives. Both men fall for Lisa, who has already fallen in love with the limelight. She will eventually get her wish, but not without paying a price. Though generally beloved by all Parisians, Victor Derval has one detractor, playwright Coste who hates that Derval freely edits his work on stage. Paul, enraged at his father decides to plot revenge, but cannot decide whether he should kill his father or design something a little more creative. ~ Sandra Brennan, All Movie Guide

Since Moliere's plays are national classics of France, an air of reverence surrounds them. However, they are for the most part comedies based on older commedia del'arte storylines and acting conventions (which most closely resemble the broad humor of the American vaudeville or the British music halls). Moliere's big innovation was to give the stock characters from these ancient themes an actual script to follow, rather than leaving them to improvise their own lines. His lines were usually much, much wittier. Otherwise, these tales are every bit as farcical (and sometimes slapstick) as anything from The Three Stooges or, for that matter, the classical farces of Plautus. However, when the actors ham it up in their parts too much, eyebrows are raised. This multinational production of Moliere's classic L'Avare, or The Miser is an excellent case in point. The lead role of Arpagone, the miser, is played exhuberantly by Alberto Sordi, who for years has traded (on and off the stage) on his pinched, miserly appearance and his romantic skittishness - somewhat akin to the shtik perfected by Jack Benny in the U.S. These characteristics also fit the role to a "T." In the story, the miserly widower is trying to arrange things for the maximum safety of his funds and to prevent his children from doing something stupid, like marrying poor people. In the meantime, his well-known wealth has made him the target of sinister matrimonial designs by the murderous sister of a powerful cardinal. He decides to find a suitable bride for himself to stave off this unhappy prospect, and at the same time arrange good marriages for his son and daughter (who have other people in mind). A triple wedding will cost little more than a single one, and will save him lots of money. Needless to say, everything goes wrong (and finally goes right) in this romantic farce. ~ Clarke Fountain, All Movie Guide

China 9, Liberty 37 falls halfway between the Hollywood backlot-western school and the Italian "spaghetti" western genre, borrowing the best elements from both. Fabio Testi plays a gunfighter who is saved at the last moment from a hangman's noose. His liberators are a cartel of railroad men who want Testi to kill farmer (and former hired gun) Warren Oates, who has refused all entreaties to sell his land. As part of the scheme, Testi befriends Oates; on his own volition, he sleeps with Oates' wife Jenny Agutter. When the railroad barons insist that Testi go through with his mission, he refuses, and helps the farmer fight off the train moguls' hired thugs. Also known as Gunfire, China 9 Liberty 37 features a cameo by director Monte Hellman's role model, Sam Peckinpah, who plays a bombastic Ned Buntline-style novelist. And the significance of the title? It's the location of Warren Oates' spread: Nine miles from the town of China, 37 miles from the town of Liberty. ~ Hal Erickson, All Movie Guide

The 1800s sees the emergence of a hero-statesman Italian who works to unify his country. ~ All Movie Guide

En Cas de Malheur, literally "in case of accident," is better known by its American title, Love is My Profession. By any name, this Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defense attorney Andre (Jean Gabin). Though Andre is able to shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous-and deadly-side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines. ~ Hal Erickson, All Movie Guide

Farewell to Arms is the second film version of Ernest Hemingway's World War One novel--and also the last film produced by David O. Selznick (Gone with the Wind). Rock Hudson plays an American serving in the Italian Army during the "War to End All Wars". Jennifer Jones is his lover, a Red cross nurse. They have a torrid affair, which results in Jones' pregnancy. As the months pass, Hudson and Jones lose contact with one another, and Jones believes that Hudson has forgotten her. But a battle-weary Hudson finally makes it to Switzerland, where Jones is hospitalized. The baby is stillborn, and Jones dies shortly afterward, murmuring that her death is "a dirty trick." Filmed on a simpler scale in 1932 (with Gary Cooper and Helen Hayes starring), A Farewell to Arms was blown all out of proportion to "epic" stature for the 1957 remake--so much so that its original director, John Huston, quit the film in disgust. Still, the basic love story is touchingly enacted by Rock Hudson and Jennifer Jones. ~ Hal Erickson, All Movie Guide

In this drama, a young woman with a checkered past reforms and marries a good man. Unfortunately, her happiness is threatened by a blackmailer. ~ Sandra Brennan, All Movie Guide

The Barefoot Contessa begins at the funeral of Ava Gardner, a former Spanish peasant, cabaret dancer and movie star, who at the time of her death was a full-fledged contessa. Her life story unfolds in flashback recollections from her mourners. Film director Humphrey Bogart recalls how his career was saved when he discovered Gardner on behalf of Howard R. Hughes-like mogul Warren Stevens. Press agent Edmond O'Brien remembers how Ava was wooed and then abandoned by mercurial millionaire Marius Goring, and Italian count Rosanno Brazzi reflects on how he was able to wed the tempestuous Gardner, only to watch his world crumble after revealing on their wedding night that he was "only half a man." O'Brien received Best Supporting Actor awards at both the Academy Awards and Golden Globes in 1954. ~ Hal Erickson, All Movie Guide

The title of this Italian musical extravaganza promises "Half a Century of Songs," and that's just what it delivers. What plot there is contrives to encapsulate seven crucial moments in modern Italian history, as represented by the popular songs of each era. Jam-packed with star power, the film offers such Mediterranean luminaries as Silvana Pampini, Renato Rascel, Maria Fiore and Franco Interleghi. Many of the performers play two or three different roles, with amusing results. Aimed directly and almost exclusively at Italian-language markets, Canzoni di Mezzo Secolo was not exactly a smash hit in the U.S. ~ Hal Erickson, All Movie Guide

This very expensive Italian-made adaptation of Homer's "The Odyssey" stars Kirk Douglas as seafaring hero Ulysses. The story begins, as ever, with Ulysses leaving his faithful wife Penelope (Silvano Magnano) behind as he goes off to fight in the Trojan Wars. Having the poor taste to set himself above the gods after a stunning military victory, Ulysses is doomed to journey aimlessly across the sea until he can make amends. Along the way, our hero battles a cyclops, resists the fatal singing of the Sirens, and enjoys a brief interlude with pig-fancying enchantress Circe (also played by Silvano Magnano). Years and years later, Ulysses returns to Penelope, where he must meet and master a final challenge. Acceptable enough when first released in 1954, Ulysses pales in comparison to the high-tech, all-star 1997 TV miniseries version of The Odyssey. ~ Hal Erickson, All Movie Guide

The ever-growing popularity of Gina Lollobrigida was a decided box-office asset when the Italian La Provinciale was distributed to the U.S. as The Wayward Wife. Lollobrigida acquits herself quite nicely in the tensely dramatic role of a much-put-upon small-town girl named Cemma. Seduced by a lad who turns out to be a relative, Cemma is tossed out of her home. Seeking security, she impulsively marries bookish science professor Franco Vagnuzzi (Gabriele Ferzetti). Bored by her marriage, Cemma doesn't realize the true value of her loving husband until it's almost too late. The original 118-minute run time was reduced for U.S. release. ~ Hal Erickson, All Movie Guide

Parigi e Sempre Parigi (Paris is Always Paris) was the second feature-length effort from famed Italian documentary director Luciano Emmer. Whereas Emmer's first feature, Domenica d'Agosto (Sunday in August) was a warm-hearted study of the Italian middle class, Parigi concentrates on a gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. The hero, DeAngelis (Aldo Fabrizi), has heard so much about "naughty Paree" that he's determined to experience that naughtiness first hand. This plot device, of course, obliges the director to introduce several delectable French mademoiselles in the proceedings. Ultimately, DeAngelis realizes that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out. ~ Hal Erickson, All Movie Guide