George Innes Movies

Billy Fisher (Tom Courtenay) is known to his blue-collar British mates as Billy Liar because of his vivid imagination. This film version of the Keith Waterhouse-Willis Hall stage play "visualizes" some of Billy's more outrageous fabrications. He periodically escapes the drudgery of his job at a funeral parlor by conjuring up impossible adventures, usually involving the conquest of women. In one of her first film roles, Julie Christie plays one of two "real" girls who wish that Billy would come down to earth and pop the question. Following this film adaptation, Billy Liar was transformed into a stage musical, and later resurfaced as a British TV series. ~ Hal Erickson, Rovi

The original Avengers series came to an end with this episode. It all begins when a woman clad only in a nightgown is found wandering around a snowy field insisting that she's seen a "live dead man". Steed and Tara follow this lead to a cemetary, where all the coffins are empty. In order to get to the bottom of things, Steed must offer himself up as a candidate for premature burial. The episode's final scene suggests that there may well be additional Avengers installments in the near future; as it turned out, the series would not be revived until 1976. Written by Brian Clemens, "Bizarre" made its American TV debut on April 21, 1969, and its first British TV appearance one month later. ~ Hal Erickson, Rovi

The quintessential British caper film of the 1960s, The Italian Job is a flashy, fast romp that chases a team of career criminals throughout one of the biggest international gold heists in history. Michael Caine is Charlie Croker, a stylish robber and skirt-chaser just out of British prison. Shunning rehabilitation for recidivism, Croker takes over "The Italian Job," a complicated plan to hijack gold bullion from Italy -- right from underneath the noses of the Italian Police and the Mafia. The job, whose original mastermind was murdered, clearly requires the sponsorship of a richer, more established criminal than Croker. He turns to the auspices of the eccentric Mr. Bridger (Noël Coward in his last film role), a suave, regal, incarcerated English crime boss with a peculiar fascination with the Queen. Bridger provides Croker with a quirky group of Britain's most infamous computer hackers (including a lascivious Benny Hill), bank robbers, hijackers, and getaway drivers -- the ex-con is soon well on his way to relieving Italy of the gold. ~ Aubry Anne D'Arminio, Rovi

The first season of the British drama series Upstairs, Downstairs takes place from November 1903 through June 1909, an era popularly known as "Edwardian" in honor of King Edward VII. Fans of the series will notice that the familiar characters are still in the developmental process during the first 13 episodes--especially the Bellamy's cook Mrs. Bridges (Angela Baddeley), who comes off as a nasty virago and a closet boozer! Penned by novelist Fay Weldon, who won a Writers' Guild Award for her efforts, the opening episode "On Trial" (originally filmed in black and white due to budgetary limitations, but reshot in color for syndication) introduces Pauline Collins as the Bellamy household's troublesome new under-housemaid, who after trying to pass herself off as a Frenchwoman named Clemence is revealed to be a cockney named Sarah (or at least she settles on Sarah!). Forced to leave the house in disgrace after an unpleasant incident involving duplicitous manservant Alfred (George Innes), Sarah ends up living in squalor, a plight that touches her former employers Richard and Marjorie Bellamy (David Langton ,Rachel Gurney) to the extent that she is rehired--which proves in later episodes to be major mistake! In other developments, the Bellamys' rebellious daughter Elizabeth (Nicola Pagett) shocks her family by choosing "progressive" poet Lawrence Kirbridge (Ian Ogilvy) as her fiancée, a decision culminating in marriage at season's end. Meanwhile, Elizabeth's irresponsible brother James plunges into the first of several misbegotten liasons, this one with a flashy actress. The season's best and most famous episode is "I Dies from Love", the story of a tragic "downstairs" romance. When the first season of Upstairs, Downstairs was picked up for American play in January of 1974, it was combined with the series' second season, which takes place in the years 1908-1909. Of the 26 combined episodes, only 13 initially aired in the US, allowing PBS to bill the remaining 13 as "the lost episodes" a few decades later! ~ Hal Erickson, Rovi

Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, Rovi

It's late 1944, and the Allied armies are confident they'll win the World War II and be home in time for Christmas. What's needed, says British general Bernard Law Montgomery, is a knockout punch, a bold strike through Holland, where German troops are spread thin, that will put the Allies into Germany. Paratroops led by British major general Robert Urquhart (Sean Connery) and American brigadier general James Gavin (Ryan O'Neal) will seize a thin road and five bridges through Holland into Germany, with paratroops led by Lieutenant Col. John Frost (Sir Anthony Hopkins) holding the most critical bridge at a small town called Arnhem. Over this road shall pass combined forces led by British Lieutenant Gen. Brian Horrocks (Edward Fox) and British Lieutenant Col. Joe Vandeleur (Michael Caine). The plan requires precise timing, so much so that one planner tells Lieutenant Gen. Frederick Browning (Dirk Bogarde), "Sir, I think we may be going a bridge too far." The plan also has one critical flaw: Instead of a smattering of German soldiers, the area around Arnhem is loaded with crack SS troops. Disaster ensues. Based on a book by historian Cornelius Ryan, A Bridge Too Far is reminiscent of another movie based on a Ryan book, The Longest Day. Like that movie, it is loaded with more than 15 international stars, including Sir Laurence Olivier, Robert Redford, Hardy Krueger, Gene Hackman, Maximilian Schell, and Liv Ullman. ~ Nick Sambides, Jr., Rovi

In this dark British comedy, a despondent businessman (Graham Chapman) decides to end it all after his wife leaves him. Unfortunately, he lacks the courage to do it to himself and so hires a professional assassin, telling him to do the deed no matter what. A short time passes and things look considerably brighter for the businessman who suddenly decides he wants to live. Unfortunately, nothing he says can convince his would be killer to stop his pursuit, and comic mayhem ensues. ~ Sandra Brennan, Rovi

This film version of the Who's rock opera Quadrophenia makes a few tentative stabs at "explaining" the alienation of 1960s British working-class youth, but its major selling point is its nonstop rock-and-R&B musical score, including the hit single "Love Reign O'er Me." Phil Daniels (replacing the original opera's Roger Daltrey) plays Jimmy, a member of a well-dressed, drugged-up teenaged gang called the Mods, forever duking it out with the cycle-punk Rockers. The rivalry between the two gangs comes to a head during three tempestuous days in the seaside town of Brighton. Here Jimmy makes love to lovely local Steph (Leslie Ash), and forges a strong friendship with unofficial Mod leader Ace Face (Sting). A series of disappointments and setbacks in his own London neighborhood convinces Jimmy to return to Brighton to pick up the pieces. If you aren't fascinated by the visual pyrotechnics of Quadrophenia, just close your eyes and revel to the soundtrack music of the Who, James Brown, Marvin Gaye, the Chiffons, Manfred Man, and many others. ~ Hal Erickson, Rovi

Perhaps inspired by the success of PBS' Shakespeare Plays series, Bard Productions Ltd. Came out with this diverting if not very cinematic adaptation of the Shakespeare's Antony and Cleopatra. Timothy Dalton plays Marc Antony, while Lynn Redgrave is uncharacteristically alluring as Queen Cleopatra. The all-TV cast includes Nichelle Nichols, Anthony Geary, Walter Koenig, and Brian Kerwin. Also making a cameo appearance is John Carradine, giving his all to the brief part of the Soothsayer. At three hours, Antony and Cleopatra has some trouble getting bookings outside the "art" houses. ~ Hal Erickson, Rovi

The plan was to develop a Star Wars type TV series with heavy injections of Sword N Sorcery. The title of the pilot was Archer: Fugitive From the Empire (the Archer part was lopped off when the film went into syndication). Soap opera refugee Lane Caudell plays a prince on a faraway planet who has been accused of murdering his father. The deed was actually perpetrated by the king's nephew and an evil warrior, but the Prince can prove this only if he goes on a quest (naturally) to find a beneficent sorcerer. Belinda Bauer, wearing next to nothing, is the "Princess Leia/Red Sonja" of this saga. Archer: Fugitive From the Empire resulted in a very short-lived (and presumably very costly) series, which ran for about half a minute in mid-1981. ~ Hal Erickson, Rovi

This edition in the British serial finds the professor acting as a spy in World War I-era London. ~ John Bush, Rovi

Helen Hayes plays Agatha Christie's amateur sleuth Miss Jane Marple in A Caribbean Mystery. Recuperating from an illness at a resort in the Bahamas, Miss Marple makes the acquaintance of a genial British major (Maurice Evans). When her new friend is murdered, Miss M takes on the case herself. She certainly has a carload of suspects this time, ranging from the near-bankrupt owners of the resort to a secretive hotel doctor. Originally titled Agatha Christie's The Caribbean Mystery, this TV movie first aired October 22, 1983. ~ Hal Erickson, Rovi

In the first episode of Magnum, P.I's two-part Season Five opener, Magnum (Tom Selleck) is hired by socialite Diane Dupres (a pre-Basic Instinct Sharon Stone) to protect her from her evil twin sister Deidre. Magnum's client claims that Deidre has been a psychotic ever since she was kidnapped as a child, and now she intends to "purge" herself by murdering Diane. Meanwhile, a flustered Higgins likewise has "double trouble" when he ends up engaged to two women: his old friend Agatha Chumley (Gillian Dobb) and his former flame Lady Ashley (Carolyn Seymour). ~ Hal Erickson, Rovi