Angelo Infanti Movies

While pursuing a story in Mogadishu, Somalia, in 1994, Italian investigative reporter Ilaria Alpi and her cameraman Miran Hrovatin were brutally murdered for uncovering what was later discovered to be one of the largest governmental corruption scandals in European history. Director Ferdinando Vincentini Orgnani retells the journalists' final month prior to their murder in his 2003 drama Ilaria Alpi: Il Più Crudele Dei Giorni (The Cruelest Day). The younger and more career-driven Alpi (portrayed by Giovanna Mezzogiorno) has been incessantly investigating the money that Italian humanitarian organizations have been donating to Third World countries under the auspices of building roads and generally improving the beneficiary countries' infrastructure. Meeting Hrovatin (Rade Sherbedgia) after beginning her investigation, the two uncover the shocking truth: These "humanitarian organizations" are actually fronts for secret Italian governmental agencies who are shipping tons of toxic waste to these countries for surreptitious disposal. Just as Alpi and Hrovatin begin to dig deeper into their story, they are ambushed and killed -- but not before the truth had been revealed to an unsuspecting European populace. Ilaria Alpi: Il Più Crudele Dei Giorni was selected for inclusion into the 2003 Montreal World Film Festival. ~ Ryan Shriver, Rovi

Ratings wars on nightly news and lovers quarrels are parodied in this French comedy. The people behind the TV8 news are obsessed with getting good ratings. After their anchor suffers a debilitating accident, Gerard Breha is called to replace him. Breha, a minor market newscaster was chosen because he possesses the kind of face deemed most trustworthy by the French public. Sure enough his ratings soar. He interviews a politician about the YAM gang who have been terrorizing local gun shops. Corine, Breha's wife is getting frustrated as his popularity has caused him to be increasingly away from home. Soon the newscaster is seduced by his predatory producer Marie-Ange. Corine is out for revenge. She gets it when she and Breha appear on the French version of "Truth or Consequences." The show is suddenly interrupted by the YAM gang as they burst into the studio and begin taking hostages. ~ Sandra Brennan, Rovi

Stars and famous locations abound in this multinational production, a would-be "financial thriller" about swindles and betrayals among jet-set gazillionaires, which takes place in glamour spots all over the globe. Somebody has stolen millions of dollars from his father, and Frank Cimballi (Eric Stoltz) means to find out who. To that end, he enlists the help of a variety of people, including a man (Mario Adorf) who is wealthy in his own right, and a French private eye (Bruno Cremer) who appears to have read too many American detective novels. The bad guys seem to have Nazi connections, which adds spice to the chase, but reviewers discounted this movie, based on a best-selling French novel, for its slapdash storytelling. ~ Clarke Fountain, Rovi

Filmed in Italy, The Inquiry uses the Bible as a launching pad for speculative fiction. Shortly after the Crucifixion, Roman investigator Titus Valerius Taurus (Keith Carradine) is dispatched to the Holy Land. His mission: to find out who removed the body of Jesus Christ. Carradine is hampered in his investigation by governor Pontius Pilate (Harvey Keitel), who is anxious to keep the details of Jesus' last moments on Calvary from becoming public knowledge. ~ Hal Erickson, Rovi

Gregory Peck had made scattered television appearances before, but the 3-hour Scarlet and the Black was his first starring assignment in a made-for-TV movie. Peck plays Monsignor Hugh O'Flaherty, a real-life cleric who, during World War II, rescued thousands of escaped POWs from the Gestapo. Christopher Plummer co-stars as the Rome-based SS official who tries to catch O'Flaherty in the act. The film won several industry and religious awards, and earned three Emmy nominations. Based on J. P. Gallagher's book The Scarlet Pimpernel in the Vatican, The Scarlet and the Black premiered on February 2, 1983. ~ Hal Erickson, Rovi

Sergio (Carlo Verdone) and Nadia (Eleonora Giorgi) are door-to-door sales reps for a recording company that features the popular Italian singer Lucio Dalla. Nadia is attractive and interested in a bigger and better life for herself. Sergio is well-fed and undistinguished, and together they make a most unlikely romantic pair. Still, the romantic sparks ignite for awhile, and then they separate, leaving Sergio determined to capture Nadia's heart. His method for winning over the fair lady is an ancient one -- he does so by pretending to be super-rich. That leads him up more than one blind alley, creating a maze of incidents that can only be resolved in a final series of twists at the end. ~ Eleanor Mannikka, Rovi

The stage comedian Carlo Verdone directed and stars as the three main characters -- Furio, Mimmo, and Pasquale -- in this classic Italian comedy. All three men are driving back to their hometowns to vote on election day, and each has a different story and a different though easily recognizable personality type. Furio drives his wife nuts with his unceasing chatter -- in a switch of gender stereotypes -- and is obsessed with perfection. When his car gets a flat, he dashes off to phone the Automobile Club for help, but then finds that in his brief absence his tire has already been changed by a generous motorist. Perfectionist to the letter, he takes off the good tire and replaces it with the flat one so the Automobile Club will get the flat they expect. Mimmo is a Mama's boy from Trastevere who rides along with his oversized Grandmama, and the third character, Pasquale, suffers from socialization never succeeded in taking firm hold. As he re-enters Italy, driving back from Munich where he now lives, parts of his car get stolen one by one. The moral seems to be that Italy is filled with all types of people, from those who will replace your tire to those who walk off with it. ~ Eleanor Mannikka, Rovi

Laura Gemser began her popular series of Black Emanuelle films with this raunchy item from director Adalberto Albertini. As a free-spirited photographer in Africa, Emanuelle has numerous sexual adventures patterned after the successful French Emmanuelle series (note spelling). Cult favorite Karin Schubert co-stars and has a lesbian scene with the beautiful heroine. While Albertini made several unrelated Emanuelle spin-offs with different actresses, Gemser continued her role primarily under director Aristide Massaccesi (aka "Joe D'Amato"), who added graphic gore-violence to heighten the series' exploitability. Emanuelle in Bangkok was the somewhat tame sequel, but over the next two years, Massaccesi and Gemser graduated to exploring snuff movies and bestiality in Emanuelle in America and even more gruesome material in Emanuelle Among the Cannibals. ~ Robert Firsching, Rovi

In this crime drama a safe cracker comes out of retirement to pull off one last caper. The Germans behind the theft are planning to steal $1 million; unbeknownst to the safe cracker, they are also planning to kill him afterward. As soon as he finds out, he begins plotting his revenge. ~ Sandra Brennan, Rovi

Richard Chamberlain stars in this lavishly appointed adaptation of the classic Alexandre Dumas adventure story. When Count Edmond Dantes (Richard Chamberlain) is stripped of his wealth and sent to prison for crimes he did not commit, he swears to get revenge against those who wronged him. With the help of Abbe (Trevor Howard), a fellow prisoner, the Count escapes and sets forth to see that justice is done. The supporting cast includes Tony Curtis as Mondego, Louis Jourdan as De Villefort, and Donald Pleasance as Danglars. This seventh of eight film versions of The Count of Monte Cristo was produced for American television but received a theatrical release in Europe. ~ Mark Deming, Rovi