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Annabella Incontrera Movies

1974  
 
In turn-of-the-century Sicily, aristocratic scions Adriana (Sophia Loren) and Cesar (Richard Burton) have loved one another for years, but Adriana accedes to the wishes of Cesar's father and marries his foolish younger brother Antonio (Ian Bannen). When Antonio dies, much to the relief of everyone, it looks as though the coast is now clear for Cesar to marry Adriana after a suitable mourning period. Alas, she has a fatal illness and it is not to be. This romantic melodrama is chiefly distinguished by the fact that it is the last film directed by the legendary Vittorio de Sica, who died shortly afterward. ~ Clarke Fountain, Rovi

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1972  
 
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A serial killer is murdering beautiful models in this Italian slasher film. It turns out that he is using the poisoned claws of a black cat to do it. A blind composer whose girlfriend was one of the victims sets out to stop him. ~ Brian Gusse, Rovi

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1972  
 
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This frightening horror-thriller stars Giancarlo Giannini as Inspector Tellini, chasing a killer whose victims are paralyzed with a poisoned acupuncture needle, forcing them to watch helplessly as their stomachs are ripped open with a sharp knife. This method duplicates the habits of the black wasp in slaying tarantulas, explaining the title. Much of the film is spent on a wild goose chase involving Silvano Tranquilli, the husband of the first victim (Barbara Bouchet). All of the suspects soon turn up dead and Giannini turns his attention to an upscale health spa, frequented by each victim, which is a front for blackmail and cocaine smuggling. The mystery itself is fairly obvious, but director Paolo Cavara includes a good deal of action and Ennio Morricone's score is effectively chilling. Among the cast are such genre favorites as Annabella Incontrera, Stefania Sandrelli, Claudine Auger, Rossella Falk, and Giancarlo Priete, and --as in many Italian thrillers of the period -- voyeurism is the primary motif. Barbara Bach and Carla Mancini appear briefly. ~ Robert Firsching, Rovi

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1972  
 
This brisk little thriller is a textbook example of a giallo: Perche Quelle Strane Gocce Di Sangue Sul Corpo Di Jennifer? doesn't make a lot of sense but it keeps the viewer guessing throughout and packs plenty of wild visual excess into its running time. Ernesto Gastaldi's script is thin on characterization and logic but delivers all the elaborate murder setpieces, red herrings and radical plot twists the genre requires. Director Giuliano Carnimeo avoids allowing the viewer to dwell on the gimmicky nature of the storytelling by maintaining a snappy pace and trotting out a vast array of eye-catching visual devices (zooms, fish-eye lens shots, point-of-view camerawork) to keep the viewer's eye dazzled throughout. The performances are limited by the weak characterizations but Edwige Fenech is easy on the eyes as the film's heroine and George Hilton makes a decent square-jawed hero. All these elements make Perche Quelle Strane Gocce Di Sangue Sul Corpo Di Jennifer? a fast-paced, occasionally startling piece of macabre eye candy. Viewers looking for narrative depth won't find much of interest here but fans of 1970's Eurotrash are likely to consider it a kitschy delight. ~ Donald Guarisco, Rovi

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1971  
PG  
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In this spaghetti western, a quick-drawing, hard-riding granite faced, steel-eyed ex-Confederate soldier (Lee VanCleef) rides into a Texas town with the small travelling circus he works for as a stunt rider and bumps into a man who owes him $5,000. Wanting the money back, the vet decides to stay in town and it isn't long before he ends up embroiled in corruption and double-crosses as he fights to simultaneously save the townsfolk from the greedy, corrupt politician who runs the town and forces the residents to pay cripplingly high taxes and steal the crook's fortune. This is the third Sabata film and the second time VanCleef essayed the character. In the second film Adios Sabata, the title character was played by Yul Brynner. ~ Sandra Brennan, Rovi

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Starring:
Lee Van CleefReiner Schöne, (more)
 
 
1970  
R  
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A Confederate deserter battles a Mexican bandit when the deserter's child dies for lack of milk. Warner (George Hilton) receives word his girlfriend is dying and about to give birth to the couple's child. The woman is the daughter of Don Pedro Sandoval (Ernest Borgnine), who hates all gringos and Warner in particular. Warner sets out for Juarez, but is captured by a Confederate unit and jailed. He escapes with two other men when they flee from their grave-digging detail. Warner arrives in Juarez where he finds his lover has died of cholera after having given birth to a baby boy. Sandoval gives the squalling, sickly infant to Warner, but the locals refuse to help Warner find milk for the baby. One callous rancher drops a bottle of milk rather than help the hated gringo. The baby dies, and Warner and his men join a group of outlaw monks led by the Padre (Leo Anchoriz). Warner seeks revenge on those who would not help his cause. Staying one step ahead of the cholera epidemic and the Confederates. Warner returns to the rancher who dropped the bottle and drowns him in a bucket of milk while the townsfolk watch in horror. The gang continues to rob and pillage, taking refuge in a bar and pawing at the saloon girls. Warner then sets his sights on Sandoval. He tracks the bandit to a bull ring where the two fight with knives for the inevitable showdown. The film is plagued by poor English dubbing. ~ Dan Pavlides, Rovi

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Starring:
Ernest BorgnineGeorge Hilton, (more)
 
1969  
R  
Hollywood's John Ireland tops the cast of the Italian spaghetti western The Challenge of the McKennas. The hero is a former priest, who feels he has lost the calling. Enmeshed in a range war, the priest sees the light again and tries to quell the hostilities. Most of the deadly sins are trotted out, and several commandments broken, but good triumphs over evil and the Lord works in mysterious ways. Placing this film head-and-shoulders over most of its genre are the three-dimensional performances of the actors and a solid screenplay. Challenge of the McKennas is also known as Badlands Drifter. ~ Hal Erickson, Rovi

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1969  
 
The Italian-Spanish Vengeance is Mine should not be confused with the 1948 British film or the 1980 Japanese production of same name. Spaghetti-western veteran George Hilton plays a man who spends the early portions of the film seeking out the person who allowed his family to die of disease during the Civil War. When that man (Ernest Borgnine) turns out to be unrepentant, it's all cat-and-mouse until the climactic showdown. A certain amount of sweaty intensity elevates this Spanish-Italian oater. Vengeance is Mine was released in Europe as Quei Dispe Rati Che Puzzano di Sudore et di Morte. ~ Hal Erickson, Rovi

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1969  
 
This psychological drama finds Helen (Margaret Lee) wanting a divorce from her adoring husband John (Klaus Kinski). She leaves him and is killed in an auto wreck. John finds himself the target of a police investigation to determine if the death was an accident, murder or suicide. His wife had owned 90% interest in a British auto company and John is the main suspect should foul play be evident. ~ Dan Pavlides, Rovi

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Starring:
Klaus KinskiMargaret Lee, (more)
 
1969  
 
A pleasingly pump female gets behind the wheel of a car during a party game and has an accident. Now temporarily confined to a wheelchair, the girl is holed up in her apartment. Watching through binoculars, she sees a man in a Mardi Gras clownsuit fight with another man and flee. Somehow the clown ends up in the girl's apartment where the two make love. Later, he returns to her after the man he had fought with shoots him. Though his clownsuit is stained with blood, she allows him in once again and hopes that love has long last arrived. ~ Dan Pavlides, Rovi

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Starring:
Marie-France BoyerDaniel Moosmann, (more)
 
1969  
PG  
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The Assassination Bureau is loosely based on a turn-of-the-century yarn written by Jack London. Nellie Bly-style girl reporter Sonya Winter (Diana Rigg) tries to get the goods on shady businessman Ivan Dragomiloff (Oliver Reed). Ivan is in charge of a wide-reaching organization which, for a price, assassinates those who "need killing." As a challenge, Sonya offers to pay Ivan a huge sum if he'll instruct his minions to assassinate him; Ivan agrees, hoping that it will put a little kick in his work. Despite his profession, Ivan isn't the villain of the piece; that honor goes to evil nobleman Lord Bostwick (Telly Savalas), whose perfidy leads Sonya into joining forces with the Assassination Bureau. A wild climactic chase in a zeppelin caps this tongue-in-cheek escapade. ~ Hal Erickson, Rovi

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Starring:
Oliver ReedDiana Rigg, (more)
 
1968  
 
This action comedy finds tough guy Ric (Eddie Constantine) coming to the rescue of Frankie (Johnny Halliday) when his club is invaded by a hippie motorcycle gang. The club serves no hard liquor, and the head gang member offers to buy Frankie's club and install a bar with stronger drinks. Frankie refuses and is beaten up, and the irrepressible Ric brings his two-fisted opinion to the fight that ensues. Frankie sings some songs and Ric (as usual in a Constantine film) is romantically amorous with some pretty French girls. Director John Berry went to court to keep his name off the credits after Jean Kerchbron re-edited the film without the director's consent. Neither Berry's name nor that of co-scripter Christian Plume were credited in the final release. ~ Dan Pavlides, Rovi

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Starring:
Eddie ConstantineJohnny Hallyday, (more)
 
1968  
 
This mild comedy finds two envoys from Hell sent to Earth to cause trouble. Relfagor (Vittorio Gassman) and his faithful sidekick Adramalek (Mickey Rooney) start out by disintegrating the peace soon to take place between Rome and Florence. While traveling, they manage to seduce the wife of an innkeeper, induce the wife of a nobleman to engage in adultery, and cause a wealthy count to lose all his money and die in disgrace at his own hands. When Relfagor falls for the lovely Magdalena (Claudine Auger), he loses his magic powers and becomes a mere mortal. ~ Dan Pavlides, Rovi

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Starring:
Vittorio GassmanMickey Rooney, (more)
 
1966  
 
Sandra Pizzorno plays both a male and female role in the deliberately confusing Love Now...Pay Later. The story concerns a wealthy young man who fakes his own kidnapping in order to help out his poverty-stricken best friend. The plan goes awry, and the "victim" is accidentally killed. A cover-up ensues, but the boy's father exacts revenge. Love, lust and jealousy are the motivating factors in Love Now...Pay Later, which was originally distributed in Italy as L'Inferno Addosso and was also issued under the title Sin Now, Pay Later. ~ Hal Erickson, Rovi

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1961  
 
Former big-screen Tarzan Gordon Scott appears in one of many sword-and-sandal epics featuring muscle-bound, mini-skirted hero Maciste (aka Goliath, cinematic kin to Steve Reeves's Hercules), sworn to protect the helpless with his strength and swordsmanship. In this horror-tinged outing, the mythical hunk comes to the rescue when an immortal, shape-shifting vampire turns an entire island village into legions of shuffling zombie slaves. Our none-too-bright hero discovers nearly too late that the undead foe has taken on his appearance, which understandably complicates matters. Also known as Goliath and the Island of the Vampires, or simply The Vampires, in its U.S. release. ~ Cavett Binion, Rovi

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Starring:
Gordon ScottGianna Maria Canale, (more)
 
1959  
 
The Italian The Accomplices is a floridly directed and operatically overacted love-triangle melodrama. Leading-lady Annabella Incontrera has two lovers, but can't choose between them. Inasmuch as the lovers are portrayed by Sandro Luporini and Sandro Fizzotro, we can hardly blame her ("Sorry, Sandro...I prefer Sandro." No, that line isn't in there). Incontrera's decision is made for her by a murderer. So who's really guilty, and who's spiritually guilty? ~ Hal Erickson, Rovi

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