Carlo Imperato Movies

Three guys from New Jersey decide they need some male bonding with their fathers -- whether their fathers like it or not -- in this independent comedy. When his grandfather dies, Richie Gallo (Scott Baio) finds himself thinking about his relationship with his family, and realizes that he barely knows his aging father Jimmy (Dean Stockwell). Richie discusses his emotionally distant relationship with his dad with his pals Al (Carlo Imperato) and Philly (Thomas Calabro), and they confess they aren't much closer to their own fathers -- and their fractured family lives have had an impact on their less-than-stable relationships with women. Richie decides they should get closer to their dads before it's too late, so Richie, Al, and Philly fast-talk their fathers Jimmy, Charlie (Joe Viterelli), and Phil (Alex Rocco) into joining them for a long weekend getaway of family bonding, though the older men are hardly enthusiastic about the idea. Star Scott Baio co-wrote the screenplay for Face to Face, which was based on a story he wrote with Adam Ferrara and fellow cast member Carlo Imperato. ~ Mark Deming, Rovi

Parents, school officials and other caretakers of young children may want to watch this video with kids they care about to help them avoid dangerous situations. Actor Carlo Imperato, still remembered by some from the TV series, Fame, narrates this video. Basic tips and safety rules are explained in a way that should help children minimize their chances of being abducted or otherwise harmed. Kids are told such things as why it's important to avoid telling strangers too much about themselves and to avoid visiting certain places by themselves. This film that may help a number of children protect themselves more effectively in the future. ~ Elizabeth Smith, Rovi

Still riding high as one of the most-watched dramatic series in off-network syndication, Fame eases into a fifth season on the air, with 25 brand new episodes. Three of the series' longtime favorites have moved on to other things. Doris (Valerie Landsburg) has graduated from New York's High School of the Performing Arts; former dance major Leroy Johnson (Gene Anthony Ray) is now a faculty member; and obstreperous vice-principal Morloch (Ken Swofford) has been transferred to another school, but not before being forced to atone for his past selfish misdeeds in the series' Yuletide episode, which--surprise, surprise--is a rehash of Dickens' "A Christmas Carol." Morloch's replacement is Principal Dyrenforth (Graham Jarvis), not nearly as anal-retentive as his predecessor but almost as clueless. Also, Loretta Chandler joins the cast as new student Dusty Tyler. Midway through the season there is another cast turnover, as drama student Holly Laird (Cynthia Gibb) leaves school to take a role in a daytime soap opera; at the same time, a round of auditions yields two more additions to the student body, Reggie Higgins (played by Carrie Hamilton, the daughter of Carol Burnett) and Kate Riley (Page Hannah), the sister of Darryl Hannah). Though Fame was pretty much grounded in reality during its first seasons on the air, the show has gotten to be mighty whimsical by this time. Case in point is the episode "His Majesty Donlon", an outrageous "Prisoner of Zenda" takeoff in which dance student Christopher (Danny Hufsey) switches places with his lookalie, Prince Freddie of Vatonia; and later, Chris overcomes "Stage Fright" with some assistance from the ghost of Elvis Presley (Robert Firth). Then there's "Holmes Sweet Holmes", in which the traditional bump on the head transforms would-be comedian Danny (Carlo Imperato) into celebrated detective Sherlock Holmes. More believable chords are struck as Danny faces the possibility of being forced to change his professional name to get an Equity card in "Leroy and the Kid"; ultra-ethical music professor Shorofsky (Albert Hague) may well have to compromise his values for the sake of his students in "Selling Out"; dance student Jesse (Jesse Borrego) is tempted to rejoin his former street gang in "Savage Streets"; and a staging of "Huckleberry Finn" causes racial friction between Danny and Leroy in "A River to Cross." A number of interesting guest stars dot the landscape of Fame's fifth season, among them stars-to-be Don Cheadle, Bebe Neuwirth, Kathleen Wilhoiteand Dermot Mulroney. Among the better-known guest performers are Russ Tamblyn, making the first of several appearances as a burned-out choreographer; veteran western actors Myron Healey and Leo Gordon, cast respectively as a faded cowboy idol and a disgruntled movie villain; and Kevin McCarthy as a quixotic substitute teacher who sends his students forth on a quest for Absolute Truth. ~ Hal Erickson, Rovi

Enormous Changes at the Last Minute is a compilation film of three feminist yet disheartening stories of failed relationships. The first story features Virginia (Ellen Barkin) whose deadbeat husband has just left her and their three children. As a result, she is forced to go on welfare. She begins an affair with a now-married old flame, and struggles to keep sanity and humor alive against high odds. In the next vignette, Faith (Lynn Milgrim) visits her still-hip, literary parents in their retirement home to let them know that she and her husband have separated -- and she gets some shocking news in return from her father. In the last story, a social worker and a cabbie (Kevin Bacon) start an affair on a feeble pretext for mutual attraction, and when the social worker gets pregnant, her one-sided decisions on the matter have unexpected effects. ~ Eleanor Mannikka, Rovi

Cancelled by NBC after two seasons in the spring of 1983, the musical drama series Fame was nonetheless extremely popular amongst American teenagers and with fans all over the rest of the world. Accordingly, its producers decided to keep the property alive with a third season 24 new episodes, filmed for off-network syndication. Virtually the entire cast of the NBC Fame was retained for the syndicated version, except for Lori Singer as cello student Julie Miller; it was explained that Julie had decided to leave school to get married. And while the popular Erica Gimpel was seen in the first handful of syndicated episodes as ambitious singer-dancer Coco Hernandez, she too had exited the show by the middle of its third season, her character having dropped out to pursue her professional career (oddly enough, Gimpel continues to receive billing throughout the season). Also, this is Lee Curreri's last year as Bruno Martelli. New to the cast are Cynthia Gibb as energetic drama major Holly Laird, and Billy Hufsey as cocksure dance student Christopher Donlon; also, chubby tuba player Dwight (David Greenlee), previously a recurring character, is now one of the regulars. And, since it was decided that the series needed a strong adult menace, Ken Swofford was hired to play Quentin Morloch, new vice principal at New York's High School of the Performing Arts. A self-important, anal-retentive "rules are rules" type, Morloch will spend much of his screen time cooking up methods to instill his own brand of discipline on the kids, often denying them the opportunity to show off their talents (which is rather like not allowing students in an industrial arts class to make cabinets!). Episodes like "Hail to the Chief" and "Rules" are prime examples of Morloch's blinkered approach to education; indeed, he would not come to fully understand that his students were uniquely gifted and not just a bunch of noisy kids until he was on the brink of leaving the series two years later. The first of the "syndie" episodes is the two-part "I'm Gonna Learn How to Fly", in which arrogant keyboard student Bruno faces the possibility of leaving school when his dad dies. Later episodes this season include "Consequences" wherein the students are put in charge of the school to teach them a lesson about responsibility; "Break Dance", a contemporary West Side Story in which Christopher mediates a turf battle between two street gangs; "Lisa's Song", a semi-fantasy in which Holly makes contact with the ghost of a disgruntled former student; and "Sheer Will", which finds ebullient would-be comic Danny (Carlo Imperato) coming to grips with the fact that he has been diagnosed with leukemia. Of the series' many guest stars this season, Chorus Line principal Donna McKechnie is cast as Holly's mother in "Stages", impressionist George Kirby is featured as a former nightclub headliner turned wino in "Catch a Falling Star", blind actor-composer Tom Sullivan plays a substitute teacher who falls for dance instructor Lydia (Debbie Allen) in "A Friend in Need"; Melissa Manchester shows up as a once-famous torch singer who is afraid to return to performing in "Home Again", and veteran gangster-movie heavy Lawrence Tierney shows up in "The Deal", which turns out to be nothing more nor less than an old Mickey Rooney "Let's raise money by putting on show!" musical. And as in the previous season, highlights from the real-life musical tours undertaken by the cast members are featured in a brace of special episodes: "The Kids from 'Fame' in Israel" and "'Fame' Looks at Music 83" (with Irene Cara). In addition to accumulating even more local stations and a bigger audience than it had ever enjoyed as a network series, Fame earned yet another Emmy award, this one going to film editor Howard Brock. ~ Hal Erickson, Rovi

Though Fame declared "I'm gonna live forever" in its theme song, the NBC musical drama series barely squeaked through its first season. Fortunately, the network decided to renew the show for a second year in response to the enthusiastic support of millions of teenaged fans. The popularity of "The Kids from 'Fame' amongst their peer group was firmly established when several of the series' regulars went on a worldwide tour--especially when the episode telecast March 3, 1983, "The Kids from 'Fame' Live" (excerpted from their appearance in the UK) posted the second season's best ratings. All of the cast members from Season One are back for Season Two, with the exceptions of P.R. Paul as student Montgomery MacNeil, and Michael Thoma, who had played Mr. Crandall, beloved drama teacher at New York's High School of Performing Arts. Actor Thoma died in September of 1982, a fact reflected in the episode "A Tough Act to Follow", in which the students and faculty members must come to grips with Mr. Crandall's sudden and unexpected demise. Morgan Stevens joins the cast this season as Crandall's replacement, David Reardon. The season opens with the episode "And the Winner Is. . .", in which music student Bruno (David Curreri) is placed in the position of auditioning fellow students for one of his own plays--then gets in trouble by casting himself in the lead. In subsequent episodes, neurotic "Renaissance girl" Doris (Valerie Landsburg) finds herself falling in love with Bruno; the kids champion the cause of school secretary Mrs. Berg (Ann Nolan) when she is replaced with a computer; self-involved school diva Coco (Erica Gimpel) comes out of herself when she befriends a student with a learning disability; and dancing student Leroy (Gene Anthony Ray) is tempted to quit school to accept a professional job. And while the series manages to maintain its fairly realistic veneer, the episode "Not in Kansas Anymore", in which Doris dreams that she and her fellow students have morphed into the characters from "The Wizard of Oz" (with teachers Lydia [Debbie Allen] and Miss Sherwood [Carol Mayo Jenkins] respectively cast as the "Good" and "Bad" witches, serves as a portent for the more exaggerated Fame episodes to come. Among the guest stars showing up this year are Bruno Kirby as Doris' draft-dodging brother, Arte Johnson as a TV commercial actor whom the students accuse of squandering his talent, Jimmy Osmond as a student who (chastely!) sleeps with his tutor Julie (Lori Singer), future Cosby Show regular Malcolm-Jamal Warner as a member of an inner-city boys' choir, and Nancy Cartwright now best known as the voice of Bart Simpson, as a student from an "more academically prestigious" school who falls in love with nerdish tuba-playing scholar Dwight (David Greenlee). Although Fame collected its fifth Emmy this season (for Debbie Allen's choreography), the series was toast as far as NBC was concerned, failing to make a dent in the ratings despite the fervent following of millions of teenaged fans. However, the series was a huge hit abroad, and this more than anything else was the motivating factor for MGM to continue production on the series, not for the NBC network but for off-network syndication beginning in the fall of 1983. ~ Hal Erickson, Rovi