Jane Hylton Movies

The plot of this of this adaptation of the Daniel Carney's novel, sprinkled throughout a series of extended Sam Peckinpah-inspired action sequences, deals with a collection of mercenary toughguys -- Colonel Allen Faulkner (Richard Burton), Lieutenant Shawn Fynn (Roger Moore), Rafer Janders (Richard Harris), Pieter Coetzee (Hardy Kruger) -- who are hired to parachute into the African bush country and abscond with deposed African president Julius Limbani (Winston Ntshona) and reinstall him as a reigning monarch of an African country, to satisfy British mercantile interests. The action sequences were successful enough to spawn a sequel -- appropriately titled Wild Geese II. ~ Paul Brenner, All Movie Guide

Lois Maxwell, best remembered as Miss Moneypenny in the "James Bond" films of the 1960s, is here cast as Esther Hollis. Though she and her husband want to have children, Esther is afraid of conceiving because of a history of insanity in her family. Late one night, Esther hears the sound of sobbing child, emanating from a room in her house that has never been used or even furnished. Open the door, she finds that the "room upstairs" has been converted into a nursery. . .whereupon the crying intensifies at a maddening rate. This is one of several One Step Beyond episodes filmed in England. ~ Hal Erickson, All Movie Guide

One of a small cluster of creepy films to come from England's Amalgamated Studios in the late '60s, this lesser entry details the twisted practices of a deranged German plastic surgeon (Anton Diffring) who hides out in France after mutilating a patient and begins his work anew under an assumed name. Staying mobile by traveling with a circus troupe, Diffring offers his services to disfigured female criminals, who pay him for his services by joining the circus as performers -- and by catering to his perverse whims. Naturally, it's not long before the ladies' gratitude begins to wear thin, and they begin to plan their escape... only to meet horrible ends in carefully-orchestrated catastrophes while performing. Viewers may find themselves haunted by Gary Mills's "Look for a Star" several days afterward like a cloying advertising jingle; the performance of a rug-topped Donald Pleasence (as the show's former owner, who meets with a sticky end) is a nice touch. ~ Cavett Binion, All Movie Guide

Before Lee Patterson established himself as an American soap opera star, he made scores of minor-league British films. In Deadly Record, Patterson plays an aviator accused of killing his wife. The actual miscreant is obvious to the audience, but the dimwitted cops continue to persecute Our Hero. Finally, Patterson uncovers the evidence (see the title) that clears himself and points to the genuine murderer. This 58-minute timekiller was adapted from a novel by Nina Warner Hooke. ~ Hal Erickson, All Movie Guide

In this drama, a man becomes fixated on a doll belonging to his illegitimate son. The obsession begins after his lover gives the infant up for adoption. The man is angered by this and kills the mother. More trouble ensues when he loses the doll. He attempts to get it back and this eventually causes him to confess his crime. ~ Sandra Brennan, All Movie Guide

In this thriller, an American visits England and finds himself entangled with international spies after they kidnap a famous scientist and he ends up with a briefcase containing a secret formula. Rather than call the Yard, the fellow decides he will solve this by himself. But it is too much for him and eventually he teams up with the Yard inspectors and the case is solved. ~ Sandra Brennan, All Movie Guide

The British quickie Burnt Evidence began life as a short story by Percy Hoskins. Duncan Lamont plays the jealous husband of Jane Hylton. Confronting Hylton's lover, Lamont accidentally shoots the man. Convinced that he is a murderer, he heads for the hills. Ah, but don't forget that title: there is evidence that there's more to this than meets the eye. ~ Hal Erickson, All Movie Guide

In this romance a princess goes incognito on a Swedish vacation when she meets a handsome commoner with whom she falls in love. It creates class conflict until he reveals that he too is of royal blood. ~ Sandra Brennan, All Movie Guide

...And it ended in London. This backstage yarn stars Jane Hylton as a talented dress designer who lets nothing get in the way of her success. As she rises in the fashion world, she loses contact with her own humanity. She also forgets that you meet the same people on the way up as on the way down. It Started in Paradise is a unusually plush, Lana Turner-esque production to come from a British studio in the early 1950s. ~ Hal Erickson, All Movie Guide

Just before directing the comedy classic The Lavender Hill Mob, Charles Crichton dashed off the romantic melodrama Dance Hall. The story takes place in a London dance emporium, frequented by the local working girls. Natasha Parry stars as Eve, whose marriage to Phil (Donald Houston) is imperiled when she takes a different partner for an upcoming dance contest. Her reasoning is that Phil is a lousy dancer, but she loves him all the same; Phil, however, is the jealous type, who doesn't quite see things Eve's way. Among the familiar faces floating by in Dance Hall are Bonar Colleano, Diana Dors, and Petula Clark (yes, her career went back that far). ~ Hal Erickson, All Movie Guide

Passport to Pimlico is one of the most charmingly whimsical Ealing Studios comedies of the late 1940s-early 1950s. As a result of wartime bombing, an ancient parchment is uncovered, proving that the Pimlico section of London belongs to Burgundy, France. Long taken for granted by other Londoners, the tiny Pimlico populace decides to take advantage of its "foreign" status. Affable oaf Stanley Holloway is made head of the new government, whereupon he merrily begins erecting borders and imposing customs duties. The sweetly satirical script of Passport to Pimlico was written by director Henry Cornelius and Ealing stalwart T.E.B. Clarke. ~ Hal Erickson, All Movie Guide

Good Time Girl, directed by David MacDonald and based on a story by Arthur La Bern (It Always Rains On Sunday) starts off unpromisingly, as juvenile justice official Flora Robson tries to keep a would-be female felon on the straight-and-narrow, telling the cautionary tale of Gwen Rawlings (Jean Kent). A victim of an unhappy home and her own stupidity, Rawlings leaves home and, with help from her sleazy new neighbor Jimmy Rosso (Peter Glenville, the future director), gets a job as a hat-check girl at a club run by Max Vine (erbert Lom). But Jimmy's jealousy soon gets him fired, and leaves him aiming for revenge on Max and Gwen. Despite the best efforts of Michael Farrell (Dennis Price), the one truly decent man she's ever met, Jimmy achieves his goal and Gwen is sent to a reformatory. It is there that she's truly corrupted by being locked up with more seasoned juvenile (and not so juvenile) felons, who know how to game the system -- whem she escapes, she's a professional criminal, and, taking on a new alias, falls in with a pair of loose-living gents. She manages to commit a vehicular homicide, and then falls in with a pair of American military deserters (Bonar Colleano, Hugh McDermott) who aren't above committing pre-meditated murder. ~ Bruce Eder, All Movie Guide

James Mason stars in The Upturned Glass as a prosperous British brain surgeon. Mason saves Rosamund John's daughter from blindness, whereupon the married John falls in love with the doctor. The illicit lovers conduct a passionate affair while John's husband is out of the country. When John dies mysteriously, Mason suspects that the culprit is his own jealous sister-in-law Pamela Kellino (Mason's real-life wife at the time). Acting on his suspicions, Mason murders Kellino, stuffs her body in the trunk of his car, and drives to parts unknown to dispose of the corpse. Before he is able to do this, Mason is called to the home of a dying child. Despite the risk of being exposed as a murderer, Mason leaves his car unattended to rush to the side of the stricken child. The film doesn't end very happily for Mason, but he is mildly comforted by the fact that he has remained loyal to the Hippocratic oath. Upturned Glass is a virtual compendium of late-1940s British melodramatic devices: tortured hero, well-planned crime, moonlight-drenched photography, lengthy flashbacks, quasi-classical music score, and the rest of the repertoire. The film was coproduced by James Mason, and cowritten by Mason's wife and costar Pamela Kellino. ~ Hal Erickson, All Movie Guide