Snub Pollard Movies
- 1967
The second of Robert Youngson's compilations of the silent comedies of Stan Laurel and Oliver Hardy, The Further Perils of Laurel & Hardy suffers a bit from too much repetition and gee-whiz obvious narration. Still, the vignettes offered herein are first-rate, as fresh and funny as they were when first released seven decades ago. Among the L&H shorts represented in this collection are Do Detectives Think and Sugar Daddies, two 1927 releases made before Stan and Ollie were an official team. We are also treated to generous portions of such rib-tickling 2-reelers as Should Married Men Go Home? (1928), Early to Bed (1928), That's My Wife (1929) and Angora Love (1929). The film is rounded out with choice selections from the work of such Hal Roach contractees as Charley Chase, Jean Harlow and Snub Pollard. ~ Hal Erickson, All Movie Guide
- Starring:
- Stan Laurel, Oliver Hardy, (more)
The fourth of Oscar-winning short-subject director Youngson's comedy compilations (the earlier ones were Golden Age of Comedy, When Comedy was King, and Days of Thrills and Laughter) is, amazingly, almost as full and fresh as those earlier efforts, containing highlights from such silent comedy classics as Chaplin's Floorwalker, Easy Street, Pawnshop and, best of all, Rink; Buster Keaton's Balloonatic and Daydreams; Harry Langdon's Smile Please, and the prototypical Laurel and Hardy team-up, Lucky Dog. Youngson's choice of material is unquestionably fine, and equally satisfying is the quality of the film clips, courtesy of archivist Paul Guffanti. ~ Bruce Eder, All Movie Guide
Gene Autry goes in search of the man who killed his friend during a blackout in this action-packed western from Columbia. Someone cuts the lights and kills Ed Norton (Stanley Blystone) during a heated poker game and that someone, according to Sheriff Cramer (Chill Wills), may just be young hothead Larry Evans (Russell Arms). Gene, however, thinks otherwise and arranges for Larry to hide out in a cabin belonging to elderly prospector Jim Hedge (Clem Bevans). But the real killer is doing his best to incriminate Larry and Gene must not only fight the sheriff but also the accused man's pretty sister, Mary (Barbara Britton), in order to uncover the truth behind the killing. Despite a preponderance of action, Autry, backed by the Cass County Boys, manages to perform five songs in Loaded Pistols: "Pretty Mary", "Jimmy Crack Corn", "When the Bloom is on the Sage", "A Boy from Texas, A Girl from Tennessee" and the title tune. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Gene Autry, Barbara Britton, (more)
In his second "Range Rider" music Western for poverty row newcomer Grand National, Tex Ritter played Tex Saunders, the troubadour brother of the sheriff (Forrest Taylor) of Rio Grande, Texas. When Tex and sidekick Chilo (Syd Saylor) on behalf of Laurie Hart (Eleanor Stewart) begin to look into what appears to be a gangster-style protection racket, saloon-owner Ike Travis (Warner Richmond) has the troubadour framed for killing bandit Red Dugan (James Mason). An angry populace demand an arrest and Tex is saved in the nick of time from being lynched. Outriding the posse, Tex manages the round up the racketeers, including the real killer.Headin' for the Rio Grande was filmed for around $8000 at Hollywood's Talisman studios and at the Monogram ranch near Placerita,, California. Ritter, who was under a personal contract to producer Edward Finney and not Grand National, earned a flat fee of $2000 for each of his Westerns. Reportedly, Ritter convinced Grand National to hire silent clown Snub Pollard for a small supporting role, having admired Pollard's silent slapstick comedies as a child in East Texas. Pollard would return in later films as Ritter's comic sidekick. In his first of 25 appearances opposite Ritter, veteran Bad Guy Charles King played one of the villain's henchmen. "I must have killed old Charlie King at least twenty times," Ritter would later reminisce. "Usually behind the same rock." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Tex Ritter, Eleanor Stewart, (more)
