Martha Hyer Movies

Somehow the titles of the films of hardcase actor Lawrence Tierney seemed to be extensions of the man's personality, as witness such films as The Devil Thumbs a Ride and Born to Kill. In the latter picture, Tierney starts the ball rolling by committing a double murder in a jealous pique. Claire Trevor discovers the bodies, but says nothing to the police; she's leaving town and doesn't want to be impeded. Trevor and Tierney meet and fall in love on the train to San Francisco. Unfortunately, Trevor is married, so Tierney shifts his affections to her sister, Audrey Long (later the wife of director Billy Wilder). He marries Long, though he keeps up his illicit affair with Trevor. When detectives investigating the murders come snooping, they are bought off by Tierney's pal Elisha Cook Jr.--who is then murdered by Tierney, who suspects that Cook is carrying on with Trevor (Cook seldom survived to the end of any of his films). When Tierney finally does face arrest, it's at the instigation of the jealous Trevor, who is shot full of holes for her trouble. Born to Kill was based on James Gunn's novel Deadlier Than the Male. ~ Hal Erickson, All Movie Guide

Tim Holt stars in Gun Smugglers, stretching his range by playing a character named Tim Holt. Our Hero, once again teamed with wisecracking Chico Rafferty (Richard Martin), is working on behalf of the government. His quarry: A gang of mercenary criminals who steal weapons from the US Army, then sell their contraband to sinister Enemy Agents (most of whom wear baggy suits and drink vodka). There's a surprise in store for Holt when he puts his trust in a small boy (Gary Gray), who turns out to be a member of the gang! Tim Holt's leading lady in Gun Smugglers is the up and coming Martha Hyer, in her sixth film. ~ Hal Erickson, All Movie Guide

Hovering somewhere between an "A" and "B" production, RKO's Roughshod is an expert blend of western and film noir. Robert Sterling and Claude Jarman Jr. star as young cattleman Clay Phillips and his kid brother Steve. Stalked across the Sonora Pass by an ex-con who has vowed to kill Clay, the brothers find themselves the reluctant escorts for a quartet of stranded dance-hall girls. While the puritanical Clay adopts a strict "hands off" policy, he finds himself falling in love with one of the girls (Gloria Grahame -- the other ladies are played by Martha Hyer, Myrna Dell and Jeff Donnell). The climax is a nail-biting wilderness showdown between the heroes and villain Lednov (John Ireland). On the strength of Roughshod, director Mark Robson was elevated to more prestigious film assignments. ~ Hal Erickson, All Movie Guide

The never-solved disappearance of Judge Crater in 1930 was the inspiration for RKO's The Judge Steps Out. Alexander Knox (who also co-scripted the film with director Boris Ingster) plays Bailey, a highly respected Boston magistrate who is fed up to the gills with his workload and his troublesome wife (Frieda Inescourt) and daughter (Martha Hyer). Thus, he decides to hit the road, eventually taking a job as a hash-slinger at a roadside diner. Here he is treated with compassion and understanding by his boss Peggy (Ann Sothern), who, unaware of Bailey's true identity, likes him for himself rather than his prestige. This offbeat comedy-drama manages to keep the audience guessing as to how things will turn out for everyone concerned. Filmed in 1947, The Judge Steps Out was withheld from American release for nearly two years; before making the rounds in the U.S., it was shown in Great Britain under the title Indian Summer. ~ Hal Erickson, All Movie Guide

American actor/stuntman Jock O'Mahoney (aka Jock Mahoney) stars in the Australian The Kangaroo Kid. The star plays a 19th-century San Francisco detective named Tex Kinnane, who is sent "Down Under" to nab shyster lawyer Vincent Moller (Douglass Dumbrille). Several comparisons are made between the American Wild West and the equally treacherous Australian outback. Kinnane proves adept at adjusting to his new environment--much more so than the fugitive Moller. In addition to Jock O'Mahoney and Douglass Dumbrille, several other Hollywoodites contribute to the overall success of The Kangaroo Kid, including director Lesley Selander and actresses Martha Hyer and Veda Ann Borg. ~ Hal Erickson, All Movie Guide

Frisco Tornado stars Allan "Rocky" Lane in his usual guise as a U.S. marshal. The lawman's target this time is a dishonest insurance company which offers protection against bandit raids. Thing of it is, the insurance folks are themselves orchestrating these raids. Eddy Waller once again supplies comedy relief, while Blackjack the horse once again provides locomotion. Allan Lane's leading lady is Martha Hyer, still serving her apprenticeship for the stardom that would be hers within a few short years. ~ Hal Erickson, All Movie Guide

Though Ben Johnson would have to wait until the 1970s before full stardom was bestowed upon him, 1952's Wild Stallion proved that, even at this early stage, Johnson had what it took to carry a picture. Harking back to his pre-movie rodeo days, Johnson plays inveterate horse-lover Dan Light, who spends a lifetime searching for his pet colt, who'd managed to escape when Light's parents were killed by Indians. The colt has grown to a magnificent wild stallion, much coveted by others, including the U.S. Cavalry. The color photography by Harry Neumann is superb, as are the supporting performances by Martha Hyer, Edgar Buchanan and Don Haggerty. The Wild Stallion was produced by Walter Mirisch, who later graduated to such big-budget westerns as Man of the West (1958) and The Magnificent Seven (1960). ~ Hal Erickson, All Movie Guide

Despite her top billing, Martha Hyer does not play the title character in Geisha Girl. Filmed on location in Tokyo, the story concerns the misadventures of airline hostess Peggy Burns (Martha Hyer) and her GI suitors Rocky (William Andrews) and Archie (Archer MacDonald). Somehow or other, the intrepid trio comes into the possession of a top-secret weapon, leaving them at the mercy of a sabotage ring. The plot is essentially an excuse to display for the edification of American viewers such Japanese traditions as a Kabuki theater presentation, a Buddhist religious ceremony, and--of course--a geisha house. With the exception of the three stars, most of the cast of Geisha Girl is Japanese. ~ Hal Erickson, All Movie Guide

They don't really go to Mars, they go to Venus, but first they go to New Orleans. While working at a missile base, Bud Abbott and Lou Costello inadvertently launch a rocket ship with themselves aboard. After a wild ride around New York City (the Statue of Liberty ducks when the rocket heads her way), Bud and Lou land in the outskirts of New Orleans. The boys are convinced that they've reached Mars, and their faith in this supposition is affirmed when they come across several strangely costumed "creatures" (actually revellers at the Mardi Gras). Meanwhile, bank robbers Jack Kruschen and Horace McMahon stow away on A&C's rocketship. When Bud and Lou return, the crooks force them to make a quick getaway into outer space. After several days of weightlessness, the four space travellers land on Venus, a planet populated by the gorgeous winners of the Miss Universe contest (including Anita Ekberg). Venusian queen Mari Blanchard falls in love with Costello, only to order him and his companions to return to earth when Lou proves to be unfaithful. Reportedly, this bizarre melange of sci-fi and slapstick was based on a story by Charles Beaumont, who received no screen credit (it's worth noting that Beaumont's later Queen of Outer Space boasts a remarkably similar plotline). Long considered the team's worst film, Abbott and Costello Go to Mars ("and about time!" quipped the New York Times' TV-movie reviewer) is rather likeable in its own incoherent way. ~ Hal Erickson, All Movie Guide

Vic Barron (Mark Stevens) is an ex-detective from San Francisco whose career is ruined and family is destroyed because of his dedication to his job. Three years before, he'd been close to breaking a gang with ties to some very powerful people. Then they tried to kill him by bombing his car; he was permanently disfigured, and his wife and child died in the blast, and then he was set up with planted money and sentenced to prison. Now he's out, and he's no longer a cop, but that won't stop him from finishing his last case or finding the man who planted the bomb. Neither his former friends on the force (who know he was innocent) nor the "persuasive" efforts of Roxey (Skip Homeier), a psychopathic strong-arm man, can get him to change his mind or his plans. Vic thinks he knows one of the men responsible, Tino Morelli (Douglas Kennedy), but it turns out that Morelli's been hiding out in Alaska, just as desperate in his desire not to be found as Vic has been to get revenge, and hiding from the same man. No sooner does the ex-cop come to appreciate this fact then he is set up for another fall -- this time for murder. But in the process, he finally figures out who was behind the destruction of his family; and he finds some things in life worth living for, if he can manage to stay alive to enjoy them. ~ Bruce Eder, All Movie Guide

The Scarlet Spear was produced by George Breakston and stars John Bentley, the same creative team who later collaborated on the Kenya-filmed TV series African Patrol. Bentley plays African district officer Jim Morrison, while Martha Hyer is cast as girl reporter Christine Together, they try to persuade African chief Morasi from using a poisoned spear to dispatch a rival chief. In doing so, Morrison and Christine run afoul of centuries-old tribal tradition. Much of the film is devoted to the "rites of passage" ceremonies which Morasi must undergo to prove his worthiness to lead. ~ Hal Erickson, All Movie Guide