Wilfrid Hyde-White Movies

Fanny Hill (Lisa Raines) is a buxom country maiden who arrives in the big city and quickly begins an affair with the scion of a wealthy family in this softcore version of an old British tale. When the clan patriarch dies, Fanny is ready to marry her lover until she discovers he has been unfaithful -- that sets her on a course of erotic adventures that begins in protest and ends in great wealth. By the time she has experienced almost every kind of sex imaginable -- or unimaginable -- she is a millionairess. Loosely based on the scandalous, 18th-century novel Fanny Hill: Memoirs of a Woman of Pleasure by John Cleland, which had two different cinematic incarnations in the 1960s (by Russ Meyer and Mac Ahlberg). ~ Hal Erickson, Rovi

In The Toy, director Richard Donner and screenwriter Carol Sobieski update the 1976 Pierre Richard farce Le Jouet as a vehicle for comedian Richard Pryor. Pryor stars as out-of-work journalist Jack Brown, who's hit with the sudden realization that his idle book writing won't pay a 10,000-dollar sum necessary to keep his house from going to auction. Desperate, he is improbably hired as a cleaning lady in the offices of rich businessman and newspaper magnate U.S. Bates (Jackie Gleason). Running afoul of Bates' quick temper, Jack gets the axe, but is later spotted goofing around in a Bates-owned toy store by Bates' bratty son, Eric (Scott Schwartz), who's spending his annual week together with his estranged father. Taking his father's offer that he may have "anything in the store" quite literally, the spoiled kid asks for Jack as his personal toy for the week. Initially unwilling to be treated as a possession, Jack soon agrees after Bates offers to pay him enough to climb out of debt. When Eric's idea of fun includes dumping buckets of booby-trapped oatmeal on Jack's head and riding down the stairs of his father's mansion with Jack riding shotgun in a miniature car, it tests both Jack's patience and his resolve. But Jack discovers that Bates is ignoring Eric, which strengthens the bond between them and prompts them to seek revenge on the big jerk. ~ Derek Armstrong, Rovi

John Derek directed this 1981 vanity production of the Tarzan tale as a bon-bon for his wife Bo Derek. The Bo Derek version answers any questions viewers may have had concerning Tarzan and Jane's sex life. The film begins as Jane (Bo Derek)'s father Parker (Richard Harris) heads to the African interior on the pretext of searching for hidden jungle secrets. He is actually looking for Tarzan (Miles O'Keeffe), whom he plans to kidnap and bring back to England dead or alive. Jane accompanies her manic father, along with his unassuming assistant Holt (John Phillip Law). Realizing that Parker is on his trail, Tarzan kidnaps Jane and it is love at first sight. Parker forges on, trying to capture Tarzan and save his daughter. But Tarzan finally saves the day when Jane is kidnapped by a band of African mud worshippers, who are preparing her to be sacrificed to the gods. ~ Paul Brenner, Rovi

Comedian Marty Feldman directed and co-wrote this satire of the less-scrupulous side of organized religion. Brother Ambrose (Marty Feldman) is a monk who has spent nearly his entire life within the walls of his monastery and knows little of the outside world. However, when he learns that the monastery has fallen on economic hard times and may be forced to close, he takes it upon himself to raise the funds to save his home. Ambrose ends up on Hollywood Boulevard, where he solicits donations from passers-by and gets a crash course in life in the fallen world from Mary (Louise Lasser), a smart-mouthed hooker. Ambrose and Mary soon encounter Armageddon T. Thunderbird (Andy Kaufman), a fire-and-brimstone televangelist who agrees to help Ambrose by making him a partner in his house of worship, The Church of the Divine Profit. However, Thunderbird's methods don't agree with Ambrose, and eventually he turns to God Himself (Richard Pryor) for help. In God We Trust was Feldman's second and last directorial assignment; the supporting cast also includes Peter Boyle, Wilfrid Hyde-White, and Severn Darden. ~ Mark Deming, Rovi

In this mild sequel to the 1977 appearance of George Burns as God, the Heavenly Father shows up again, this time to talk to Tracy (Louanne), a young girl whose earthly father (David Birney) is in the advertising business. God's intention is to promote himself among the children first. Tracy comes up with a way to further awareness of the Supreme Being with posters and graffiti that say "Think God." She and her classmates set out on this campaign, but Tracy ends up facing a phalanx of psychiatrists for talking to an invisible God. Being who He is, God decides to finally make an appearance for the benefit of everyone. ~ Eleanor Mannikka, Rovi

In the conclusion of a two-part story, Laverne (Penny Marshall) and Shirley (Cindy Williams) are still trying to solve a murder while hurtling towards Canada on the Moosejaw Express. The girls have been warned to "beware the bald man"--who has apparently already caught up with them and poisoned their food. Meanwhile, stowaways Lenny (Michael McKean) and Squiggy (David L. Lander) hope against hope to rescue the girls in the nick of time, but unfortunately they're a little tied up at the moment! ~ Hal Erickson, Rovi

The Rebels was the second "Operation Prime Time" miniseries to be based on author John Jakes' Kent Family Chronicles (the first was The Bastard). The saga of Philip Kent (Andrew Stevens), illegitimate son of a British blueblood, picks up with Kent fighting in the Continental Army during the Revolutionary War. Part One of this two-part endeavor busies itself with setting up characters, places and events; Part Two finds Kent and his pal Judson Fletcher (Don Johnson) teaming up to prevent the assassination of General George Washington (Peter Graves). The enormous all-star cast includes Richard Basehart, Doug McClure, Joan Blondell, Tom Bosley, Macdonald Carey, Robert Vaughan, William Daniels and Nehemiah Persoff; William Conrad does off-screen duty as narrator. The Rebels was syndicated to local TV stations beginning the week of May 14, 1979. ~ Hal Erickson, Rovi

In Part Two of Battlestar Galactica's pilot episode, Galactica's Commander Adama (Lorne Greene) has managed to escape the death trap arranged by the scurrilous, metallic cylons and human traitor Baltar (John Colicos). With the other survivors of the apocalyptic battle between the Cylons and the 12 colonies of Mankind, Adama heads to the supposed safety of the long-lost 13th colony--otherwise known as Earth. Along the way, Galactica makes a refueling stop at the pleasure planet Carillon. Alas, yet another trap awaits the remnants of Mankind--one that may even destroy Adama's son Apollo (Richard Hatch) and Apollo's best friend Starbuck (Dirk Benedict). Originally telecast as a three-hour special, "Saga of a Star World" has since been divided into three separate episodes for syndication, and an edited 125-minute version has been released theatrically as Battlestar Galactica. ~ Hal Erickson, Rovi

The religious conversion of British actress Joan Winmill is chronicled in this bio-pic. Told via flashback her life up until that moment is chronicled from her miserable childhood, her mother's death, and a cousins death. Her bout with clinical depression resulting in suicidal tendencies is also chronicled. Apparently the problem was genetic as her grandmother also suffered a nervous breakdown related to the problem. Also depicted is her affair with Robert Kennedy. ~ Sandra Brennan, Rovi

With only an ancient medallion to guide him, a British explorer launches an adventure-packed expedition to a mysterious lost Phoenician city in the heart of Africa were Solomon's fabulous treasure is said to be hidden in this low-budget Canadian fantasy-adventure. During the dangerous journey, the treasure hunters encounter dinosaur guardians and an exquisitely statuesque Phoenician queen. ~ Sandra Brennan, Rovi