Fay Baker Movies

Among the passengers in a westbound stagecoach are Paladin (Richard Boone) and Della White Cloud (Dolores Vitina), the Eastern-educated daughter of an Indian chief. Despite her manners and gentility, Della is treated with hostility by her bigoted fellow passengers--all except for Paladin, who knows what it feels like to be an outcast. Ultimately, everyone's fate rests in the hands of Della when an outlaw named Ed Rance (John Doucette) shows up to steal a gold box hidden on the coach. Like the 1939 film classic Stagecoach, this episode is based on a short story by 19th century ironist Guy de Maupassant (who is given full screen credit!) ~ Hal Erickson, Rovi

Hot on the heels of his successful sci-fier Kronos, Kurt Neumann directed the lesser genre entry She Devil. Jack Kelly stars as a doctor who invents a miracle cure for several horrible diseases. Suffering from tuberculosis, Mari Blanchard agrees to test out Kelly's wonder serum. Almost instantly, Mari's health and strength are restored. Unfortunately, there is one teeny-tiny side effect: Mari's benign personality transforms into that of a scheming predator with a pronounced homicidal streak. As Kelly and his superior Albert Dekker stand by helplessly, Mari murders the wife (Fay Baker) of wealthy John Archer, then draws up plans to knock him off and claim his millions. Even back in 1957, no one took this one seriously. ~ Hal Erickson, Rovi

Coming off of a hit New York gig, successful rock & roll crooner Arnie Haines (Alan Dale) realizes he and his bandmates are weary from the grind of two years of steady gigs. They tell their manager (DJ Alan Freed, playing himself) they're taking a break and return to the small town where they started, Mellonville (state unspecified, but it looks like central Pennsylvania). Upon arriving, however, Haines finds himself denounced by the mayor (Pierre Watkin) as a bad influence on the teenagers and banned from any public performances. That would suit him fine -- he and the boys wanted the summer off -- but their local teenage fans can't abide the repressive atmosphere, and then nationally syndicated columnist Arlene MacLaine (Fay Baker), visiting Mellonville, attacks Haines and rock & roll in her column, threatening the whole music business. Arlene's comely daughter, Francine (Patricia Hardy), urges Arnie to fight back and convince her mother that rock & roll is harmless fun. Toward that end, with help from the sympathetic mayor (George Cisar) of the next town, Arnie and Freed organize an all-star show that includes Little Richard, the Treniers, and Bill Haley & His Comets. Everything goes according to plan until one petty, jealous girl (Jana Lund) nearly starts a riot when Arnie rejects her advances. Then it's up to Francine and her acting troupe friends to help Arnie and Alan Freed make one last pitch for rock & roll. Though Don't Knock the Rock has more plot and characters than most movies of this type, and it did reflect an actual serious controversy that was growing at the time (and not just in the South), it is really just lighthearted fun. Its real appeal lay in the singing and dancing, not only by some top rock & roll talent of the day (Bill Haley is great, Little Richard and his band are amazing, and the Treniers are dazzling), but also by the dancers portraying ordinary teenagers having fun. Photographer Ben Kline gets all of his camera angles spot on, so that the movie, though no classic, is a visual and musical delight a half century later. And just to show where the film's heart really lies, producer Sam Katzman and director Fred Sears (who were old enough to be "squares") replace "The End" at the final frame with a more nonchalant (and topical) "Dig You Later." ~ Bruce Eder, Rovi

After several years of domestic squabbles, the marriage of Nina and Robert Tracy (Judy Holliday, Jack Lemmon) goes "phffft"! Upon receiving their divorce papers, Nina and Robert are certain that they'll remain friends, no matter how many new lovers they pick up along the way. Nina dallies briefly with bombastic Charlie Newton (Jack Carson), while Robert has a fling with the luscious Janis (Kim Novak). These romantic episodes only serve to make Nina and Robert realize how much they're still in love with each other. According to costar Jack Lemmon, the original title of this film was Phfffft!, but after an all-night bull session at Columbia Pictures it was decided to take out one of the "F"s. ~ Hal Erickson, Rovi

An abundance of subplots are expertly woven together by screenwriter/director Richard Brooks in Deadline - USA. Humphrey Bogart stars as crusading editor Ed Hutcheson, whose newspaper is on the verge of closing thanks to the machinations of the mercenary daughter (Audrey Christie) of Mrs. Garrison (Ethel Barrymore), the paper's owner. Though he and his staff will all be out of work within a few days, Hutcheson intends to go out with a bang, exposing the criminal activities of "untouchable" gang boss Rienzi (Martin Gabel). Despite numerous disappointments and setbacks, Hutcheson achieves a pyrrhic victory as the film draws to a close. Throughout the story, the many pressures brought to bear upon a big-city newspaper--political, commercial, etc.--are realistically detailed, as is the relationship between Hutcheson and his ex-wife Nora (Kim Hunter). The cast of Deadline USA is uniformly excellent, from featured players Warren Stevens, Jim Backus, Paul Stewart Fay Baker and Ed Begley to such unbilled performers as Tom Browne Henry, Raymond Greenleaf, Tom Powers, and Kasia Orzazewski (essentially reprising her unforgettable characterization in Call Northside 777). ~ Hal Erickson, Rovi

Columbia and Universal were the leading purveyors of well-crafted "little" pictures in the 1950s. It was Universal who put together Reunion in Reno, which opens with little Maggie (Gigi Perreau) walking into the offices of divorce-attorney Norman (Mark Stevens), demanding a divorce from her parents! It seems that Maggie is an adoptee, who fears that she'll be left in the lurch when mom (Frances Dee) and dad (Leif Erickson) become natural parents, which will happen very soon. As Norman strives to solve his youthful "client"'s problems, problems, he decides at long last to wed his own fiancee Laura (Peggy Dow) -- though if ever there was a strong argument against marriage and parenthood, it is the precocious Maggie. Elements of Reunion in Reno were later reworked into the 1984 comedy Irreconcilable Differences. ~ Hal Erickson, Rovi

Jane Greer plays a hard-boiled dame so well in The Company She Keeps that the film's outcome remains in doubt right up to the end. Placed in the custody of parole officer Joan (Lizabeth Scott), Diane (Greer) immediately makes a play for Joan's boyfriend, newspaper columnist Larry (Dennis O'Keefe). Despite the nagging belief that Diane is just plain no good, Joan magnanimously tries to smooth the path of true love for the girl and Larry. Despite the engaging performances of the stars and the smooth direction of John Cromwell, The Company She Keeps failed to connect with audiences, and ended up a $315,000 loser. Trivia alert: that lady in the train terminal with the two unruly kids is Dorothy Bridges, the wife of actor Lloyd Bridges. And those two troublesome tots are Dorothy and Lloyd's sons Beau and Jeff! ~ Hal Erickson, Rovi

Petroleum engineer Buzz (Richard Denning) agrees to bring in a gusher for oil driller Reno (Carleton Young). When Reno is murdered, the oil well is inherited by Terry (Marie Windsor). Buzz decides to stick around when Reno's ruthless sister Lilli (Fay Baker) schemes to wrest the well away from Terry. He also hopes to find out the identity of Reno's murderer--and it's a real surprise, except maybe for dyed-in-the-wool "B" picture buffs. Produced independently by Bel-Air Productions, Double Deal was purchased outright by RKO Radio, which then handled distribution. The film was directed by Abby Berlin, on loan from Columbia Pictures. ~ Hal Erickson, Rovi

Though divorced from attorney Robert Cummings, Rosalind Russell continues hoping that she can arrange a reconciliation. This proves difficult due to Cummings' fascination with curvaceous Marie McDonald. Contriving to arouse Cumming's jealousy, Russell pretends to be married to feckless Gig Young. There's complications and misunderstandings aplenty before happy-ending time. Tell It to the Judge is so lightweight that it threatens to float out of sight at times; the stars manage to hold this pleasant meringue together. ~ Hal Erickson, Rovi

The sure-handed starring performance of Warner Baxter and the inventive direction of William Castle help lift The Gentleman From Nowhere out of the ordinary. When Earl Donovan (Baxter) is picked up on a robbery charge, insurance investigator Barton (Luis Van Rooten) can't help but notice that Donovan resembles a criminal who was supposedly killed several years later in a chemical-plant hold-up. Hoping to solve the earlier case, Barton talks Donovan into impersonating the dead criminal. What the investigator doesn't know is that Donovan is the criminal, who's returned to his hometown for a second chance in life -- and hopefully, a reconciliation with his wife Catherine (Fay Baker). It's a surefire premise, and neither Baxter nor Castle let that premise down. ~ Hal Erickson, Rovi

A rapidly maturing Gloria Jean is the star of the Columbia musical Manhattan Angel. She's cast at Madison Avenue copywriter Gloria Cole, at present striving to save a youth center for underprivileged children from being demolished to make way for a factory. Complications arise when Everett H. Burton (Thurston Hall), the elderly and irascible tycoon responsible for the factory project, develops a crush on our heroine. Ross Ford, later steadily employed as a TV and movie character actor, is the film's nominal leading man. Among the songs heard in Manhattan Angel is "I'll Take Romance," one of a handful of hit tunes owned outright by Columbia and thus royalty-free for "B"-movie redeployment. ~ Hal Erickson, Rovi

In this drama, an egomaniacal producer freely treads upon those around him without regard to the harm he does. The devoted wife of a novelist sees this after the producer foists himself on her during a party; she tries to warn her novelist husband who wants the man to produce his play, but he does not listen. Later the producer tries to destroy his own girl friend's career by spreading vicious rumors; he succeeds and she loses her contract. Meanwhile the writer and his wife, thanks to the producer's manipulation, have separated. The writer is then forced to revise the play. The result is so bad that he cannot attract the actor he wanted to play his leading man. The novelist's wife gets her revenge on the producer by showing an original draft of the play to the actor her husband wanted. He is impressed and helps her find another producer. When the husband hears about his wife's actions he immediately returns, but not before punching the egotistical producer in the eye. ~ Sandra Brennan, Rovi